IndieFlix

April Showers opens in theaters April 24th. 2 weeks later the film becomes available on iTunes for download and on IndieFlix for DVD and Blu-ray.  Our goal with this model of collapsing windows very quickly allows us to maximize the exposure, minimize the marketing dollars and create word of mouth in order to drive sales at a much more accelerated rate rather than to open in one market until it fizzles and then to re-engage the audience all over again in the ancillary markets when people have moved on to other content.  It’s a model that makes sense to me but clearly not to all.  The exhibitors have been the hardest to convince to come aboard even as many of their theaters sit empty and dark.  I commend and applaud the exhibitors who have embraced us with open arms and I am sure it is only a matter of time before this model is truly supported by all. In the interim it’s a shame that the schools that were to benefit from a percentage of proceeds being donated from our portion of the first week’s box office can no longer receive that money.  We set up our theatrical screenings as a sort of community fundraiser by working with the local schools and communities to encourage students and educators to attend knowing ticket sales would be shared with the schools.  It was an opportunity to open dialogue and bring the community together on an issue that needs addressing now; understanding and putting an end to violence in our schools.  we felt this was the most responsible way to use our film as an agent for change and to make a difference.

I am unclear why the fear of having the film available on iTunes soon after the theatrical is such an issue for Marcus theaters especially since there is so much support to fill the theater and to afford the exhibitor the opportunity to give back to their own community?  I guess its every company for themselves.  In the online space I have found our partners who are also I guess considered our competitors to be very different.  Each of the companies we work with and they are the biggest in the worlsd have taken off their competitive hats and have rallied to support our film for the greater good of the project; to raise awareness on the effects of school violence.  They recognize their role and place in participating on all levels.  I guess that’s the difference between the online space which is forging the path and taking risks to finding new ways of reaching audiences and the off line exhibitors who can only think within their 4 walls.  We can and should all work together to motivate people to experience film however they choose to watch it.  There needs to be coordination and strategy. This is what we are doing.

I share this letter written by April Showers director, writer and Columbine survivor, Andrew Robinson and I encourage you to see the film in theaters the way it was meant to be seen or by any means you wish to view it.  It is an important film.  We are getting it out there and we are working hard to convince theaters to work with us. we’ve been told the studios would like to see us fail.  They make their money holding back content and trying to control how and when you can see movies. Our model doesn’t support their proprietary philosophy. So, for those who have been asking why April Shoes is not playing in your city please know we are trying.  Let your theater owners know you want to see the film April Showers. Help us to convince them to not be afraid.

Scilla Andreen

Marcus Theaters Drops April Showers over iTunes & Colorado Theaters Explained