Posts Tagged ‘IndieFlix’

2010 BONEBAT “COMEDY OF HORRORS” FILM FEST previewed in episode 52 of THE BONEBAT SHOW

Tuesday, August 31st, 2010

Redmond, WA. August 25th, 2010

Episode 52 of the 2009 Podcast Award nominated BONEBAT SHOW was released this week, previewing next week’s BONEBAT “COMEDY OF HORRORS” FILM FEST with interviews from director Jake West of DOGHOUSE, director Henry Saine and Writer Devin McGinn of LAST LOVECRAFT: RELIC OF CTHULHU, and an in-studio visit with Seattle’s BAREFOOT BARNACLE, who will play a 30 minute set of live music during the inaugural event to take place in Redmond, WA on September 2, 2010. Episode 52 of THE BONEBAT SHOW can be downloaded absolutely free at www.bonehand.com, or thru Itunes.

Highlighting the evening’s entertainment at the first ever BONEBAT “COMEDY OF HORRORS” FILM FEST will be the features THE LAST LOVECRAFT: RELIC OF CTHULHU from Outlaw Films, and DOGHOUSE, from Carnaby International/IFC Films, both in their Seattle big screen premieres. Also screening at the fest will be IndieFlix Official Selection GET OFF MY PORCH, the 2010 short film from Director Patrick Rea and Producer Ryan S. Jones and SenoReality Pictures/Free State Studios, along with 11 other previously announced independent short films which round out the Official Selections of the six hour event.

In addition to the huge slate of films and music, the evening will also feature a epic prize giveaway from sponsors such as Scarecrow Video, Comic Stop, Games and Gizmos, Stocker Farms Field of Screams and many more. Food and drink from Mac and Jack’s Brewery and Flying Saucer Pizza can be purchased during the event as well.

The “Comedy of Horrors” Film Fest, to be hosted by Steve and Gord of THE BONEBAT SHOW podcast, will take place Thursday, September 2, 2010 from 6:00 pm to midnight at the Big Picture Theater in the Redmond Town Center, Redmond, WA. The Big Picture Theater is a beautiful, intimate, state of the art venue with a full bar, so attendees must be 21 and over. http://www.thebigpicture.net/

Tickets are $28, and can be purchased now via at http://www.bonehand.com/bonebatff.html.

THE BONEBAT SHOW is a tri-weekly comedy and pop culture podcast which features independent music. The show is hosted by Steve Holetz and cartoonist G J Caulkins of www.mightywombat.com, and has been airing every three weeks since September 2007, and has just released their 52nd episode. The 2009 Podcast award nominee can be found at www.bonehand.com/bonebat.html.

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The BoneBat Show
Steve Holetz & Gord Caulkins
steve@bonehand.com
bonehand.com
twitter.com/bonebat

New Production Stills From “PIG DEATH MACHINE” from IndieFlix Filmmaker Jon Moritsugu

Friday, August 27th, 2010

Hollywood Tweet’s Review of The Green Rush

Wednesday, August 25th, 2010

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We’re a Twitter site ( http://twitter.com/Hollywood_Tweet ) We watched The Green Rush and it’s time for the REVIEW!
When a film is well made with good camera work, good sound, good direction, you’ll tend to forget all of those things and just focus on the movie’s content. The Green Rush is one of those films. So we’re not going to waste time on the technical aspects other than to say that this is a quality made film. We want to talk on the success or failure of this film as a documentary.
The film, The Green Rush, covers the lives of small pot growers during their seasonal growth and harvest. It doesn’t harp on ideaology or try to convince you to support pot or not, it keeps true to the documentary and focuses on the characters involved. We think The Green Rush is successful as a documentary as it causes you to have an opinion. Regardless whether you feel for the growers or don’t feel for the growers, you’re moved to judge these people based upon your own beliefs and how you see them portrayed.
The reviews and discussions on this film prove this out. Other than the typical rhetoric of “pro-pot” and “anti-pot” tirads that have nothing to do with the film, you have passionate opinions as to whether people think these growers are stupid or to have compassion for them. The fact that you attract both sides of the issue and those people posting their views show the power of the film. If it was all one sided that would prove this is a canned film that no one cares about except what they are spoonfed as so many documentaries do. The Green Rush steps away from that criteria by keeping to the grower’s own words without commentary.
The Green Rush present facts of the medical marijuana issue by interviewing bureaucrats involved on the technical side without stating a pro or con. They keep all opinions of the issue amongst the growers where it belongs. This tactic keeps the film true to its purpose, which is to document these people’s lives, not answer the debate on whether pot is “good” or “bad”. Really good documentaries trust the viewer to come to their own conclusions. Really good documentaries get you to think about your presumptions and question how you feel. Really good documentaries do what this film does and that’s to stir an opinion within yourself that you want others to know how you feel. Luckily, the dynamic environment of Hula.com allows you to see this success for yourself, as the discussions and Reviews are almost as good as watching the film.
We recommend you watch this film. Whether you’re for pot, against pot or could care less about pot, either way, you’re going to be glad you took the time to watch. It’ll cause you to have an opinion. Will it change the opinion you had going in? Probably not. But it will give that opinion a base, a base that is patterned after real lives not a bunch of rhetoric. When you take the time to refine your beliefs all because of some film you watched, then THAT is a successful documentary.

THE BONEBAT SHOW announces Official Selections for the 2010 “COMEDY OF HORRORS” FILM FEST

Thursday, August 19th, 2010

Redmond, WA. August 19th, 2010
porch5THE BONEBAT SHOW’S “COMEDY OF HORRORS” FILM FEST is proud to announce the that short GET OFF MY PORCH from director Patrick Rea, Producer Ryan S. Jones and SenoReality Pictures/Free State Studios, has been named the IndieFlix Official Selection of this first ever evening of movies, shorts and live music, to take place in Redmond, WA on September 2, 2010.

The 2010 short film GET OFF MY PORCH, shot on location in Kansas, and which stars stand-up comedian Brad Meehan, Katherine McNamara, and Andrea Strickler, and features an original score from  Harry Mandfredini of Friday the 13th series fame, will be screened with the following previously announced short films during the inaugural six hour event, sponsored by the online film showcase IndieFlix.

SHORT FILM OFFICIAL SELECTIONS
“Death In Charge”, Deviant Films.                                                                                   Devi Snively, Director
“Eelgirl”, Chameleon Pictures                                                                                          Paul Campion, Director
The Horribly Slow Murderer with the Extremely Inefficient Weapon”, Critical Pictures     Richard Gale, Director
“How My Dad Killed Dracula”, TellTale Productions                                                       Sky Soleil, Director
“Jones’ Cheap Ass Prepaid Legal and Daycare Academy”, Big Dog Eat Child                 Matthew Witkus, Director
“Land of the Heads”, National Film Board of Canada                                                      Cedric Louis/Claude Barras, Director
“Pixels”, One More Production                                                                                       Patrick Jean, Director
“Murder Baby”, Grumpy Panda                                                                                      Peter Podgursky, Director
“Santa: The Fascist Years”, Plymptoons                                                                           Bill Plympton, Director
“Spider”, Blue Tongue Films                                                                                            Nash Edgerton, Director
“Treevenge”, Yer Dead Productions, Inc.                                                                         Jason Eisener , Director

Additionally, highlighting the evening’s entertainment will be the features THE LAST LOVECRAFT: RELIC OF CTHULHU from director Henry Saine, writer Devin McGinn, and Outlaw Films, and DOGHOUSE, the 2009 UK zombie film from director Jake West and Carnaby/IFC Films, both in their Seattle big screen premieres!

The “Comedy of Horrors” Film Fest, to be hosted by Steve and Gord of THE BONEBAT SHOW podcast, will take place Thursday, September 2, 2010 from 6:00 pm to midnight at the Big Picture Theater in Redmond, WA. The Film Fest will include two feature films, two blocks of short films, prizes galore, and a 30-minute set of live music from the Seattle progressive metal act BAREFOOT BARNACLE.

The Big Picture Theater is a beautiful, intimate, state of the art venue with a full bar, so attendees must be 21 and over.

Tickets are $24 in advance, $28 after August 13th, and can be purchased now via at http://www.bonehand.com/bonebatff.html. <http://www.bonehand.com/bonebatff.html>

THE BONEBAT FILM FEST is sponsored by Mac and Jack’s Brewery, Flying Saucer Pizza, Scarecrow Video, Comic Stop, Games and Gizmos, Stocker Farms Field of Screams, GT Printing Equipment, and IndieFlix.

THE BONEBAT SHOW is a tri-weekly comedy and pop culture podcast which features independent music. The show is hosted by Steve Holetz and cartoonist G J Caulkins of www.mightywombat.com <http://www.mightywombat.com> , and has been airing every three weeks since September 2007, and has just released their 50th episode. The 2009 Podcast award nominee can be found at www.bonehand.com/bonebat.html <http://www.bonehand.com/bonebat.html> .

For additional information about the festival, or to buy tickets, please visit http://www.bonehand.com/bonebatff.html

THE BONEBAT SHOW announces Official Selections for the 2010 “COMEDY OF HORRORS” FILM FEST

Wednesday, August 18th, 2010

Redmond, WA. August 2nd, 2010 – THE BONEBAT SHOW’S “COMEDY OF HORRORS” FILM FEST is proud to announce their Official Selections for their first ever evening of movies, shorts and live music, to take place in Redmond on September 2, 2010.
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The Official Selections are:

SHORTS
“Death In Charge”, Deviant Films.                                                                              Devi Snively, Director
“Eelgirl”, Chameleon Pictures                                                                                    Paul Campion, Director
The Horribly Slow Murderer with the Extremely Inefficient Weapon”, Critical Pictures     Richard Gale, Director
“How My Dad Killed Dracula”, TellTale Productions                                                   Sky Soleil, Director
“Jones’ Cheap Ass Prepaid Legal and Daycare Academy”, Big Dog Eat Child                Matthew Witkus, Director
“Land of the Heads”, National Film Board of Canada                                                  Cedric Louis/Claude Barras, Director
“Pixels”, One More Production                                                                                 Patrick Jean, Director
“Murder Baby”, Grumpy Panda                                                                               Peter Podgursky, Director
“Santa: The Fascist Years”, Plymptoons                                                                      Bill Plympton, Director
“Spider”, Blue Tongue Films                                                                                       Nash Edgerton, Director
“Treevenge”, Yer Dead Productions, Inc.                                                                    Jason Eisener , Director

In addition to the above shorts, the evenings viewing will be highlighted by the Seattle premiere of DOGHOUSE, the 2009 UK zombie feature from director Jake West and IFC Films!

Also screening at the fest will be the winner of the BoneBat Online Competition hosted by IndieFlix, a second feature to be named mid-August, and a few incredible surprises!

The “Comedy of Horrors” Film Fest, to be hosted by Steve and Gord of THE BONEBAT SHOW podcast, will take place Thursday, September 2, 2010 from 6:00 pm to midnight at the Big Picture Theater in Redmond, WA. The Film Fest will include two feature films, two blocks of short films, prizes galore, and a 30 minute set of live music from the Seattle progressive metal act BAREFOOT BARNACLE.

The Big Picture Theater is a beautiful, intimate, state of the art venue with a full bar, so attendees must be 21 and over. Tickets are on sale now at www.bonehand.com <http://www.bonehand.com> .

THE BONEBAT FILM FEST is sponsored by Mac and Jack’s Brewery, Flying Saucer Pizza, Scarecrow Video, Comic Stop, Games and Gizmos, Stocker Farms Field of Screams, GT Printing Equipment, and IndieFlix.
THE BONEBAT SHOW is a tri-weekly comedy and pop culture podcast which features independent music. The show is hosted by Steve Holetz and cartoonist G J Caulkins of www.mightywombat.com <http://www.mightywombat.com> , and has been airing every three weeks since September 2007, and has just released their 50th episode. The 2009 Podcast award nominee can be found at www.bonehand.com/bonebat.html <http://www.bonehand.com/bonebat.html> .

For additional information about the festival, or to buy tickets, please visit http://www.bonehand.com/bonebatff.html
Interviews are available. Please direct publicity inquiries and interview requests to steve@bonehand.com or (425)753-3828.

Interview from www.weedblog.com with IndieFlix Filmmaker Casey Casseday!

Wednesday, August 18th, 2010

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http://www.theweedblog.com/twb-interviews-the-green-rush-movie/

The marijuana counter-culture has many layers to it from artist, lawyers, and activist, we’re all part of a bigger thing but there’s one that gets neglected and is sometimes under rated – the grower or as I like to call them, farmers.

Proponents against the legalization of marijuana cry foul and say that gardens will spring up across the nation making it easier for youths to get pot, I say nay! Growing marijuana is a science and a skill set just like any other agriculture field.

Have you ever tried growing anything? Every time I placed seed into soil the farthest they’ve made it is a green sprout and than they died. Even if the plant grew I still wouldn’t know what to look for male vs. female, molding, mites, and when is it time to harvest. All this takes time and experience. If growing anything was easy Wal-Mart would be out of business and we’d all have our own endless supply of salad.

Let’s say everyone was able to grow their own, they still wouldn’t be able to grow enough to have a continuous supply of their own. To grow an amount of this nature would result it in being a full-time and believe it or not most smokers already have a full-time job.

Besides the matter of it being difficult to grow you’ve got the issue of quality vs. quantity. Personally I would rather smoke something organically grown than mass produced and sprayed with insecticides. I would rather smoke something that requires scissors to cut than the Mexican brick weed that is cheap (even though the brick weed in Arizona is a hell of lot better than California). The point is to get a quality product, you need a quality grower. Even chefs are picky about the fruits and vegetables the put in their dishes.

Quality growing has become refined in states like California, Oregon, and Washington. Simply because these guys got a head start. The legalization of marijuana will not put growers out of business. Micro-breweries have not killed big name beer and vice-versa. So as we come closer to this upcoming election in California keep in mind there’s somebody out there growing with love and passion, that’s the bud you really want to smoke.

Right now, there’s a movie out there entitled The Green Rush. If you liked The Union than you’ll love The Green Rush: they follow a couple of medical growers in Northern California that are still on the edge of the law. It goes through their trials and tribulations, victories and defeats. This film is 100 percent real and shows what somebody has to go through just to make a buck. The film is available free on Hulu or at their website (www.greenrushmovie.com), so check it out. The following is an interview with producer Casey Casseday.

TWB: So as producer are you also involved in the film in any other way i.e director, the voice guy, or even the guy that made the negotiations to meet the growers?

CC: Our team of 4 consists of:  Director/Producer/Shooter – Jason S. Edwards, Writer/Producer/Shooter – Geoff Bunch, Producer/Writer/DP – Casey Casseday, and Executive Producer Jay Allen.  It was a combined effort in which everyone involved picked up a camera, did individual interviews and segments, sat in the edit bay and worked hard to promote it.  While Jason and I were working on his first documentary “Blood, Sweat & Gears,” we met Jay Allen in Sturgis, SD.  Jay basically loved the way we were covering the biker lifestyle and had seen us shooting at many outdoor bike rallies all over America.  He approached us at his biker bar (The Broken Spoke Saloon) and said, “I got another lifestyle you guys might be interested in..”  That was back in 2005 and we immediately fell in love with the fresh air and freedom of Northern California.  The growers we chose for the film were initially a hard nut to crack, but they “grew” to trust us and we developed a friendly relationship with all of them that spanned the two plus years of shooting.

TWB: How long did it take to make the film from conception to final product?

CC: We did the initial introductions in Fall (harvest) of 2005, but Jay had shot stuff two summers prior to that, so it really all started in 2003.  We followed the growers in the film from April to October in 2006, then did our interviews with doctors, lawyers, judges, DA’s and patients for about six months after that to get all the facts.  We hit the edit bay hard in the Spring of 2007, and set up test-screenings in an attempt to gain the eyes and ears of the programmers at The Sundance Institute.  We of course did not get into Sundance ’08, but were happy to get our first film festival premier right here on the west side at “The Other Venice Film Festival.”  Since then, we were an official entrant in the Sacramento Int’l Film Festival, and WON both 2009 Las Vegas Int’l Film Festival AND 2009 Ava Gardner Film Fest in Raleigh, NC.  Our distributor, IndieFlix.com (in Seattle) noticed the recognition and got us up on HULU.com just last May. So all said and done independently, from Jay’s idea to this interview, almost 7 years.

TWB: What inspired you guys to make a film about growers? and are all of you patients?

CC: Well, as I stated, Jay Allen believed in exposing this lifestyle for the greater good.  He had more or less a “Huell Howser” approach to it originally.  Jay took a camera crew up North and started doing man-on-the-street style interviews around these private little towns. There were a couple of interviews early-on where the growers (to protect their identities) wore Presidential Halloween masks (i.e. Reagan, Nixon, Carter & Schwarzenegger) and we felt it made too big of a jokey political statement.  We ended up with the bandanas and think it makes a less-offensive statement, but still kinda portrays them as the quasi-outlaws that they all are.  The fact is, when all the dispensaries started popping-up in Los Angeles there were no laws for vendors or distributors to safely get the weed to them.  So we wondered, “where’s the weed come from, AND who are these people? really, who are they?”  The patient question is an extremely personal issue.  Though I’m not ashamed to speak out in any way, shape or form, I prefer to leave this one a mystery.

TWB: When you made the film did you think each story was going to end the way it did?

CC: We really had no idea it was all gonna turn out the way it did.  Every time we came back up to shoot with the characters, we’d have to sit down and regain their trust.  Sometimes that entailed smoking a joint, doing lunch WAY away from their property, and even being left-in-the-dark (blindfolded) as to their actual farm’s location.  When we learned of the theft(s) that took place near harvest time, the growers had their suspicions, but we obviously had nothing to do with it.  We were rooting for them and having seen their crops mature from seed-starts and clones to full-blow ten foot trees, it was a big let-down for us too.  This movie shows that even with decades of experience in the trade, you don’t know what’s gonna happen at the end.

TWB: My favorite grower was Yellow bandanna and his wife Pink bandanna. Do you have a personal favorite?

CC: All of our featured growers bring their own outlook and style to what they do.  Yellow and Pink’s love (for weed and each other) shines through and makes them very watchable for sure.  If I had to choose, I mean had to . . the funny guy deep-down inside me loves the comic relief provided by Mr. Green.  His kind of “fuck-it” attitude and consistent F-bomb vocabulary allows the audience a good laugh here and there on an otherwise serious subject.  That’s what it’s all about for me, seeing the caring family growers, matched-up with the younger generation stoners and the fact that they all see eye-to-eye on the importance of growing this plant even if it means risking everything to get it done.

Thanks to the guys that did this awesome film. Again if you or anybody is doing their thing as a smoker feel free to e-mail me at poetry_by_miguel@yahoo.com for a Q&A.

New Stills From Upcoming Film “PIG DEATH MACHINE” By IndieFlix Filmmaker Jon Moritsugu

Monday, August 16th, 2010

Film Festival in a Box – Official Launch Tomorrow Night!

Wednesday, August 11th, 2010

ART IN THE PARK & Film Festival in a Box

Thursday, August 12th, 9PM

Cal Anderson Park

1635 11th Ave

On Thursday, August 12, at 9pm, IndieFlix is launching the new movie game, Film Festival in a Box at Cal Anderson Park! It’s a free and family-friendly event. Bring your cell phone. You’ll need it to vote!

To celebrate the official launch of the game we’re inviting the city of Seattle to come play Film Festival in a Box: Comedies.  After the public, open-air screening of the 4 Short films, everybody will vote by text message to pick the winner.  The event is appropriate for ages 5 and up, and playing time is about 1 hour. The screening will be followed by a wrap party of dessert and discussion across the street at NuBe Green!

Magnolia AV will be sponsoring this event with an incredible 12′ x 16′ screen, supplied by AV Pro, and a crystal clear Epson projector. The sound should be unbelievable as well. (McIntosh XRT1 loudspeakers w/ the MC1.2Kw amps) Hans Brackmann of Magnolia will be on hand to assist anyone with questions related to the equipment.

Film Festival in a Box (FFB) is a social gaming platform that connects people through movies.  Players will watch four short independent films and then act as a jury to determine which film will win “best of the fest in a box.”  The winners will be announced online, and winning filmmakers will be awarded a cash prize, making it a great way to support independent film.

Comedies is one of four versions of the Film Festival in a Box Game. Currently other boxes include: Powered by Girls, Pottymouth Comedies, and 4 Fantastical Short Films.

COME PLAY!

ABOUT INDIEFLIX

IndieFlix is a multi-platform film distribution company founded in 2004 to help independent filmmakers take advantage of new media and connect with their audience.  In 2010, IndieFlix presents Film Festival in a Box to remind the world that independent film is more than just unique, visionary, and honest:  it’s also a lot of fun.  Film Festival in a Box is made to spark conversations that will last for years to come, while awakening a new generation of audiences to the joy of independent film.

“Movies are THE MOST powerful medium, they can change the world!”
- Whoopi Goldberg, IndieFlix advisory board

“Indie filmmakers need what IndieFlix delivers.”
- Lance Weiler, Filmmaker and Founder of The Workbook Project

Contact Info:

Will Kelly, Film Acquisitions Manager

T 206.829.9112 | C 206.618.4147 | E will@indieflix.com | www.indieflix.com

A Quick Production Note from guest blogger Jon Moritsugu

Monday, August 2nd, 2010

WE ARE ALMOST OFFICIALLY IN PRODUCTION!!! WOOOhoooooo! I am in a
little bit of shock still, cuz pre-production was sooo short… c’mon, three weeks for a feature?! Talk about procrastina… but this is the smoothest it’s ever been. Todd Verow gets here tomorrow and after some desert camera tests w/ Amy Davis and Victor of Aquitaine, we rock out for 11 days and walk away with feature shot. It’s working title:

PIG DEATH MACHINE… psychological horror flick with underlying screwball comedy tendencies.

The afternoon summer rains and lightning storms have arrived… gonna look sick on digital. Can’t wait to start shooting with those New Mexico 100 mile views.

SNEAK PEEK: FILM FESTIVAL IN A BOX

Thursday, July 29th, 2010

Wednesday, August 4th, 7PM

Roy Street Coffee & Tea

700 Broadway Ave E

If you love movies, you’ll love this game!

On Wednesday, August 4, at 7pm, Roy Street Coffee & Tea is featuring a sneak peek of the new movie game, Film Festival in a Box: 4 Fantastical Short Films! It’s a free and family-friendly event. Bring your cell phone. You’ll need it!

Film Festival in a Box (FFB) is a social gaming platform that connects people through movies.  Players will watch four short independent films and then get to act as a jury to determine which film will win “best of the fest in a box.”  The winners will be announced online, making it a great way to support independent film.

At Roy Street, players will deliberate and vote by cell phone to pick the winner.  The event is appropriate for ages 5 and up, and playing time is about 1 hour.

4 Fantastical Short Films is one of four versions of the Film Festival in a Box Game. Currently other boxes include: Comedies, Pottymouth Comedies, and Powered by Girls.

The August 4 preview of Film Festival in a Box is part of the “IndieFlix Rogue Screenings,” a monthly screening series at Roy Street Coffee and Tea at 7pm on the first Wednesday of every month.  Screenings are free and open to the public.

COME PLAY!

ABOUT INDIEFLIX

IndieFlix is a multi-platform film distribution company founded in 2004 to help independent filmmakers take advantage of new media and connect with their audience.  In 2010, IndieFlix presents Film Festival in a Box to remind the world that independent film is more than just unique, visionary, and honest:  it’s also a lot of fun.  Film Festival in a Box is made to spark conversations that will last for years to come, while awakening a new generation of audiences to the joy of independent film.

“Movies are THE MOST powerful medium, they can change the world!”
- Whoopi Goldberg, IndieFlix advisory board

“Indie filmmakers need what IndieFlix delivers.”
- Lance Weiler, Filmmaker and Founder of The Workbook Project

Contact Info:

Will Kelly, Film Acquisitions Manager

T 206.829.9112 | C 206.618.4147 | E will@indieflix.com | www.indieflix.com

We have a winner! IndieFlix sponsors WorkBook Project and Discovery Distribution Award.

Thursday, July 29th, 2010

One Hundred Mornings

Conor Horgan’s ‘One Hundred Mornings’ has won the inaugural WorkBook Project Discovery and Distribution Award which seeks to highlight an outstanding film that they feel has been overlooked in terms of US distribution.

The winning film will now receive a theatrical release at the Downtown Independent Theater in Los Angeles, CA complete with full social media, street team and PR support.

Set up by Lance Weiler the Workbook Project is an open creative network that provides insight into the process of funding, creating, distributing and sustaining creative projects. Judges for the prize included producers Ted Hope (The Ice Storm, Lovely & Amazing, The Savages) and Scott Macaulay (Gummo, Julien Donkey Boy, Raising Victor Vargas, also editor of Filmmaker magazine).

‘One Hundred Mornings’ was chosen from submissions from all over the world to rece

ive the award. Produced by Katie Holly for Bl!nder Films and written and directed by Conor Horgan, One Hundred Mornings is set in a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis. The film stars Ciaran McMenamin (The Last Confession of Alexander Pearce, Outcast), Alex Reid (The Descent), Rory Keenan (Zonad, The Guard) and Kelly Campbell (Bachelors Walk, Sensation).

‘One Hundred Mornings’ has previously picked up honors at Galway, Slamdance and the Irish Film & Television Awards (2010). The film continues its festival run next month with appearances at the Rhode Island International Film Festival in August and the San Francisco Irish Film Festival in September, among others.

‘One Hundred Mornings’ will begin its theatrical run in Los Angeles on September 16th 2010.

The Making of “The Last Message of God”

Thursday, July 8th, 2010

In 2001 IndieFlix filmmaker Mujtaba Roozbahani set out to make a documentary about population growth in India.  Below is his first hand account of the experience.

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In the year 2001, I went to India to make a documentary film about the rapid growth of population in India. Before I went to India I always was asking myself about God’s existence. In India I came cross Hinduism for the first time and I learnt about their beliefs. From that time I started to understand the difference between Paganism and the so-called “Abraham religions”. After many years of research I found my answers about God’s existence and I even found “THE LAST MESSAGE OF GOD” to humanity and the purpose of human existence. So, I decided to reveal the Message to all humanity through the medium of a movie. By summer 2008 I completed my filming plans and had gathered the necessary budget to make the movie.

Video shooting of the movie should have started in the USA and then continued in Mexico, Greece, Egypt, India and finishing in Saudi Arabia.

I wanted my actor to be an American with Caucasian appearance, but when I started the preparation for the movie, I found out that non-Moslems cannot travel to Mecca city in Saudi Arabia where the movie ends, so it was difficult to find the actor I wanted with the necessary Moslem background.

After some months of search I fund Michael C. Boyne from New York who agreed to convert to Islam because of the movie. Then, the problem was to obtain shooting permission for Mecca. For 10 months I tried every possible way to get permission, but it was simply impossible. So, although we should have started shooting the movie in New York and ended it in Mecca, I decided to buy a small video camera with professional quality and filmed the movie’s end in Mecca covertly.  So, if everything went well then we would continue the rest of the movie. Fortunately, Canon had recently launched a photo camera with professional HD video shooting quality. I purchased the Canon camera and went to Mecca. In six days our video shooting was like mission impossible, because God knows what would happen if the security personnel had caught us. Anyway, we took lots of risks and, despite difficulties, got what we needed. So, having succeeded in Mecca we continued to film the rest of the movie in reverse, ending at the beginning in New York. The advantage of shooting video using a camera, which to the casual observer looked just like any ordinary SLR camera, allowed us to film without the need to obtain local permissions and abide by restrictive regulations, not just in Mecca but all sensitive filming locations.

The filming schedule went to plan and the project was completed at the end 2009. Now my task is to see that everybody receives the Last Message of God to humanity.

Mujtaba Roozbahani

IndieFlix Play It Again Podcast with “Ramly at War Begins” Filmmaker Juliane Block Hosted By Lois Fein

Monday, June 14th, 2010

fragmente_part1.FH11

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IndieFlix Play It Again Podcast
“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

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6/15/10 Podcast:

The Juliane Block Interview

juliedirector2_800

A conversation with independent filmmaker
Juliane Block
-- writer,  director and producer of
Ramly at War Begins

Ramly at War Begins -- Trailer

(6/15/10)      (Total time  29:34)

What’s inside The Juliane Block Interview?

  • Listen to the Movie: Ramly at War Begins  (1:23)
  • What does Juliane Block see outside her window in Jakarta, Indonesia?  (2:20)
  • What’s new and fresh about Ramly at War Begins?  (4:18)
  • Juliane Block’s collaboration with Low Angle Productions  (5:18)
  • What are the challenges to filming martial arts scenes?  (7:16)
  • “It started off with the question: ‘What do I have?’”  (8:47)
  • Why DVD piracy makes sense for the buyer in Asia  (10:01)
  • “Copyright is pretty much non-existent.”  (11:02)
  • How different cultures and languages have informed Juliane Block’s filmmaking  (11:49)
  • “What didn’t I do yet?”  (13:11)
  • “In Asia, I’m definitely different.”  (14:36)
  • Working with actors from different cultures  (15:05)
  • “I like action and gangster movies, and Hong Kong cinema; they have
    a tension that often lacks in the western cinema and Hollywood movies.”  (17:36)
  • “My favorite movies now are Korean movies.”  (18:41)
  • “Other parts of the world also tell really good stories,
    which I think widens your horizons…”  (19:33)
  • How Juliane Block is received as a woman filmmaker in Asia  (20:15)
  • On fun, freedom, and collaboration:
    the advantages of a low-budget film  (21:23)
  • Do’s and don’ts for indie filmmakers  (23:41)
  • “Go out there, and you will find people everywhere.”  (23:55)
  • Advice on innovative marketing and distribution  (26:01)
  • “Don’t be afraid of people stealing your movie and pirating it.
    If you keep your movie in the closet because you are afraid
    of someone stealing it, that is wrong.  Just put it out there.”  (27:38)


STILL FROM RAMLY AT WAR BEGINS
Fight3

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Play “IndieFlix Podcast Puzzle” (6/15/10):


Meet Indieflix Podcast Host: Lois Fein

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Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

4/27/09 PODCAST ANSWER:

THE ANSWER to IndieFlix Podcast Puzzle (4/27/10) is
“All of the above (and more)”

__________________________________________________________

6/15/10 Edition -- IndieFlix Play It Again Podcast

IndieFlix Play It Again Podcast with Indie Filmmaker Jon Reiss, Author of “Think Outside the Box Office: The Ultimate Guide in Film Distribution and Marketing for the Digital Era” Hosted by Lois Fein

Tuesday, April 27th, 2010

_jonreissmickeyshirt

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IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

podsub12111poddown12111itunes112111

4/27/10 Podcast:

The Jon Reiss Interview

IMG_9918

A conversation with award-winning independent filmmaker Jon Reiss,
author of “Think Outside the Box Office: The Ultimate Guide to
Film Distribution and Marketing for the Digital Era
“ 

(Photo: Jon Reiss with IndieFlix CEO Scilla Andreen)

(4/27/10) (Total time, 33:17)


What’s inside The Jon Reiss Interview?

  • Why Jon Reiss wanted to kill himself every day for 6 months.  (0:32)
  • What problem do indie filmmakers face?  (2:42)
  • “There was this illusion that there was a system
    that worked for everyone.”  (3:52)
  • “The arrival of the new distribution and marketing techniques,
    technologies, and strategies is a plus for filmmakers.”  (4:53)
  • What makes Jon’s book unique?  (5:10)
  • Who has gone the farthest “outside the box” in terms of film
    distribution and marketing?  (9:06)
  • Expanding our concept of film and how to interact
    with an audience.  (10:26)
  • What are your goals?  What do you want out of your film?  (11:10)
  • “Do not wait to finish your film to do distribution and marketing.
    Embrace it from the beginning.”  (12:28)
  • Need help devising your particular distribution and marketing strategy?
    Read Think Outside the Box Office.  Join Jon Reiss at his workshops.
    Consult with Jon Reiss one-on-one.   (14:50)
  • What are Jon’s workshops like?  (16:14)
  • The website is a living resource guide for what I talk about in my book.”  (16:41)
  • Online premieres: the death knell for film festivals and theatrical releases?  (18:02)
  • “There is still this need within people to congregate as a community
    to screen and socialize around film and story.”  (20:00)
  • Every film has a different audience, a different set of resources,
    different goals and desires.”  (20:35)
  • What has Jon learned from writing Think Outside the Box Office
    that he is applying to his own film work?  (21:46)
  • What had to shift within Jon?  (28:54)
  • How to create a sustainable career as a filmmaker.
    How to create a sustainable community of film and
    distribution media content creators.  (31:04)

Click here to BUY Jon Reiss’ book:

51PPhfC6mYL__SL500_AA300_

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Play “IndieFlix Podcast Puzzle” (4/27/10):


Meet Indieflix Podcast Host: Lois Fein

seattle-songwriter-1111

Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________
3/30/10 PODCAST ANSWER:

THE ANSWER to IndieFlix Podcast Puzzle (3/30/10) is
“Angeles National Forest”

__________________________________________________________

4/27/10 Edition – IndieFlix Play It Again Podcast

IndieFlix Play It Again Podcast with In the Darkness Filmmaker Andrew Robinson Hosted by Lois Fein

Tuesday, March 30th, 2010

AndrewRobinson_OnSet_02

podcast111indieflixlogo111-1stream111

IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

podsub12111poddown12111itunes112111

3/30/10 Podcast:

The Andrew Robinson Interview

AndrewRobinson_OnSet

A conversation with independent  filmmaker
Andrew Robinson
– writer and director of In the Darkness

In The Darkness – Trailer

(3/30/10) (Total time  34:55)

What’s inside The Andrew Robinson Interview?

  • Mattoid Entertainment makes filmmaking history today with its global release
    of the first feature-length narrative film to premiere exclusively on Hulu.  (0:27)
  • Listen to the Movie: In the Darkness  (1:03)
  • Why did Andrew Robinson create a film for online release?  (3:08)
  • “The theatrical world and traditional distribution angles are controlled;
    they have roots that go back 10, 20, 30 years and they are difficult to navigate…”  (4:08)
  • “What if we did it differently and tried something that no one had ever done before -
    taking the Internet seriously, not as an after thought – really looking at what drives it,
    what do people turn to the Internet to see and then crafting something tailor-made
    for that type of application and audience.”  (5:08)
  • “The biggest name going right now in that space is Hulu and we knew that IndieFlix
    had a relationship with Hulu and that through discussion we could open the door.”  (5:50)
  • “With IndieFlix’s help we were able to craft and know how we were going to be able to
    roll a movie out via the Internet in a distribution sense even before we started filming.”  (6:09)
  • Tips for making a film for Internet audiences  (8:45)
  • Writing and directing a film for an online audience  (11:37)
  • “Into the Darkness is Act I of a much larger story.”  (13:48)
  • At the heart of the storyline: “There are forces greater than ourselves
    – be it good or bad – that are among us
    that may or may not have our best intentions at heart.”  (14:37)
  • “Things may not be as they seem.”  (15:42)
  • “The audience’s eyes and ears are the detective’s.
    He figures stuff out as the audience figures it out.”  (16:15)
  • From the ashes of a blackened, fire-torn forest arises newly-gnarled trees
    and a surreal setting for In the Darkness.  (18:05)
  • How a $1,500 camera can lighten up your filmmaking world.  (24:15)
  • “Everyone said we were crazy, so we just said,
    ‘All right, we are crazy.  We’ll embrace it.’”  (27:52 & 30:23)
  • How will the online release of In the Darkness change the game
    in film distribution and marketing?  (30:30)
  • “For the independent filmmaker, places like Hulu and IndieFlix
    or itunes – it’s the new frontier.”  (31:22)
  • What do you wear for the virtual Red Carpet online premiere
    of In the Darkness?  (31:40)

STILL FROM IN THE DARKNESS
03

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Play “IndieFlix Podcast Puzzle” (3/30/10):


Meet Indieflix Podcast Host: Lois Fein

seattle-songwriter-1111

Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

3/16/09 PODCAST ANSWER:

THE ANSWER to IndieFlix Podcast Puzzle (3/16/10) is
“Anthony Hopkins”

__________________________________________________________

3/30/10 Edition – IndieFlix Play It Again Podcast

IndieFlix Play It Again Podcast and 2010 Olympics: A Conversation with “Appointment in Vancouver” Producer Seth Caplan and Director Anna Christopher with Special Guest Olympic Skier Casey Puckett Hosted by Lois Fein

Tuesday, January 26th, 2010

30303

podcast111indieflixlogo111-1stream111

IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

podsub12111poddown12111itunes112111

  • Play Podcast Puzzle
  • Name That Voice
  • Meet Host, Lois Fein

1/26/10 Podcast:

The Seth Caplan and Anna Christopher Interview

seth_picIMG_2689_1

with Special Guest:

2010 Olympic Skier Casey Puckett
production_shot_2

Appointment In Vancouver -- Trailer

(1/26/10) (Total time -- 43:40)

What’s inside The Seth Caplan and Anna Christopher Interview

with Special Guest 2010 Olympic Skier Casey Puckett?

  • Listen to the Movie: Appointment in Vancouver (0:59)
  • “The only thing that would keep Casey Puckett from doing the Olympics
    is flat out getting injured.”  (2:12)
  • How the heck do you get front row seats to watch Casey Puckett race Skier Cross
    in the 2010 Olympics?  (3:41, 5:30, 6:08)
  • Anna and Seth: The Katherine Hepburn-Spencer Tracey team of filmmakers?  (4:32)
  • “What’s important to me in producing projects is always finding a good story,
    a good narrative…excellent characters who face big challenges.”  (6:41)
  • Casey Puckett’s journey to his record-breaking 5th Olympics  (8:09)
  • What makes Skier Cross so dangerous?  (9:02)
  • “What defines ‘greatness’ is how you deal with things beyond your control.”  (9:27)
  • Does Casey Puckett have to win the gold on February 21st?  (10:55)
  • “I saw in Casey what I feel about filmmaking – just a complete dedication
    to doing something that so many people would give up on.”   (12:08)
  • Is Casey Puckett ready for “Dancing with the Stars”?
    (12:47, 32:30, 34:35, 35:07)
  • How to find and tell the most compelling story in a documentary  (13:59)
  • It’s all about the journey to the Olympics  (15:42)
  • The most challenging aspect of making Appointment in Vancouver  (16:32)
  • “The finished film looks outstanding.”  (17:56)
  • How to see Appointment in Vancouver  (18:55)
  • Casey Puckett’s first interview after his January 10th World Cup injury (19:35)
  • Can Casey recover?  (20:38)
  • “He did the surgery that was necessary to get me back on the snow.”  (21:42)
  • “How much pain are you in?”  (21:53)
  • “Even without my ligaments I might still be able to perform,
    but it’s going to be a challenge.”  (22:27)
  • What will it take for Casey to “go for the gold” and make it?  (23:38)
  • Casey’s reaction to Appointment in Vancouver  (24:40, 34:05)
  • “If you didn’t feel pain, you wouldn’t be alive.”  (25:05)
  • What goes through Casey’s mind before the start of a race?  (25:20)
  • “In the first few seconds, either you’re looking at someone’s butt in front of you
    or an open course.”  (26:15)
  • “All of a sudden you’re going 50 mph…you have to trust
    that your body is going to do what you visualized.”  (27:20)
  • “I’m gonna state a goal: I’m gonna win that medal.”   (28:05)
  • “I go to win, and hopefully this course might work out for me, especially,
    if I can get my shoulder back.  I mean I was a wreck.  I was in the operating room
    two days ago….I just came up against a whole other challenge,
    but the good thing, the good news is that when I went down, I was on top.”  (29:22)
  • “A week ago, I was pretty sure my year was over – that I wasn’t going to be able to ski in the Olympics… I still have hope.”  (30:32)
  • Does ANYONE have extra tickets to the Olympics for Seth and Anna?  (31:15, 38:06)
  • “Casey, you ski on February 21st.  What happens February 22nd?”  (31:42)
  • Post-injury interview: a discussion about Casey with Producer Seth Caplan
    and Director Anna Christopher  (36:06)
  • Seth Caplan’s “Gold Medal”  (38:36, 40:07)
  • Anna Christopher’s  “Gold Medal”  (40:53, 41:43)
  • “We’ve been editing Appointment in Vancouver at breakneck speed
    to make the film available to the public before the Olympics.”  (41:25)

STILL FROM
Appointment_in_Vancouver

indieflixlogo111-1

Play “IndieFlix Podcast Puzzle” (1/26/10):


Play “IndieFlix Name That Voice” (1/26/10):


Meet Indieflix Podcast Host: Lois Fein

seattle-songwriter-1111

Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

1/26/10 PODCAST ANSWERS:

THE ANSWER to IndieFlix Podcast Puzzle (1/5/10) is
“All of the Above”

THE ANSWER to IndieFlix Name That Voice (1/5/10) is
“Paul Fitzgerald -- Director, Actor, Writer of Forgiven”

__________________________________________________________

1/26/10 Edition -- IndieFlix Play It Again Podcast