Starting today, Oct 8, get a peek at awesome LGBTQI films at SLGFF’s FestivalsOnline, presented by Esurance! Watch 5 shorts and VOTE for your fave! Entirely free to do
Enjoy!
Posts Tagged ‘IndieFlix’
SLGFF’s FestivalOnline, presented by Esurance
Friday, October 8th, 2010IndieFlix Rocks Times Square, NYC!
Monday, September 27th, 2010Hello everyone,
On September 26th, IndieFlix made history as it showed 4 short films and the crowd played Film Festival in a Box on one of the largest screens in the country. Hundreds watched and showed their support as IndieFlix brought love to Times Square. Please check out the photos below, more to come soon! Thank you to all who attended and made this event possible, it was truly a unique experience and one IndieFlix will never forget! Also please visit indieflix.com and pick up your copy of all 8 versions of Film Festival In A Box!
Cheers,
IndieFlix staff
Come and watch two new festivals online at indieflix.com!
Thursday, September 23rd, 2010Hello all,
Please head over until next Wednesday to check out IndieFlix and our two new online film festivals. Please support them by watching all the films in both festivals and voting for your favorite! More information and links are below.
Ellensburg Film Festival
http://indieflix.com/festivalsonline/EFF2010/
September 22-29 2010
Maelstrom Film Festival
http://indieflix.com/festivalsonline/mifff2010/
September 22-27 2010
New Production Photo’s From Upcoming IndieFlix Film, “Pig Death Machine”
Thursday, September 9th, 2010IndieFlix Film ‘Text Me’ Plays Times Square, NYC!
Friday, September 3rd, 2010Check out the video below of IndieFlix film ‘Text Me’ as it plays right in the heart of Times Square! Congratulations to the filmmakers, keep up the great work!
“Text Me” in Times Square from Dolce Films on Vimeo.
New Production Stills From “PIG DEATH MACHINE” from IndieFlix Filmmaker Jon Moritsugu
Friday, August 27th, 2010Hollywood Tweet’s Review of The Green Rush
Wednesday, August 25th, 2010We’re a Twitter site ( http://twitter.com/Hollywood_Tweet ) We watched The Green Rush and it’s time for the REVIEW!
When a film is well made with good camera work, good sound, good direction, you’ll tend to forget all of those things and just focus on the movie’s content. The Green Rush is one of those films. So we’re not going to waste time on the technical aspects other than to say that this is a quality made film. We want to talk on the success or failure of this film as a documentary.
The film, The Green Rush, covers the lives of small pot growers during their seasonal growth and harvest. It doesn’t harp on ideaology or try to convince you to support pot or not, it keeps true to the documentary and focuses on the characters involved. We think The Green Rush is successful as a documentary as it causes you to have an opinion. Regardless whether you feel for the growers or don’t feel for the growers, you’re moved to judge these people based upon your own beliefs and how you see them portrayed.
The reviews and discussions on this film prove this out. Other than the typical rhetoric of “pro-pot” and “anti-pot” tirads that have nothing to do with the film, you have passionate opinions as to whether people think these growers are stupid or to have compassion for them. The fact that you attract both sides of the issue and those people posting their views show the power of the film. If it was all one sided that would prove this is a canned film that no one cares about except what they are spoonfed as so many documentaries do. The Green Rush steps away from that criteria by keeping to the grower’s own words without commentary.
The Green Rush present facts of the medical marijuana issue by interviewing bureaucrats involved on the technical side without stating a pro or con. They keep all opinions of the issue amongst the growers where it belongs. This tactic keeps the film true to its purpose, which is to document these people’s lives, not answer the debate on whether pot is “good” or “bad”. Really good documentaries trust the viewer to come to their own conclusions. Really good documentaries get you to think about your presumptions and question how you feel. Really good documentaries do what this film does and that’s to stir an opinion within yourself that you want others to know how you feel. Luckily, the dynamic environment of Hula.com allows you to see this success for yourself, as the discussions and Reviews are almost as good as watching the film.
We recommend you watch this film. Whether you’re for pot, against pot or could care less about pot, either way, you’re going to be glad you took the time to watch. It’ll cause you to have an opinion. Will it change the opinion you had going in? Probably not. But it will give that opinion a base, a base that is patterned after real lives not a bunch of rhetoric. When you take the time to refine your beliefs all because of some film you watched, then THAT is a successful documentary.
THE BONEBAT SHOW announces Official Selections for the 2010 “COMEDY OF HORRORS” FILM FEST
Thursday, August 19th, 2010Redmond, WA. August 19th, 2010
THE BONEBAT SHOW’S “COMEDY OF HORRORS” FILM FEST is proud to announce the that short GET OFF MY PORCH from director Patrick Rea, Producer Ryan S. Jones and SenoReality Pictures/Free State Studios, has been named the IndieFlix Official Selection of this first ever evening of movies, shorts and live music, to take place in Redmond, WA on September 2, 2010.
The 2010 short film GET OFF MY PORCH, shot on location in Kansas, and which stars stand-up comedian Brad Meehan, Katherine McNamara, and Andrea Strickler, and features an original score from Harry Mandfredini of Friday the 13th series fame, will be screened with the following previously announced short films during the inaugural six hour event, sponsored by the online film showcase IndieFlix.
SHORT FILM OFFICIAL SELECTIONS
“Death In Charge”, Deviant Films. Devi Snively, Director
“Eelgirl”, Chameleon Pictures Paul Campion, Director
The Horribly Slow Murderer with the Extremely Inefficient Weapon”, Critical Pictures Richard Gale, Director
“How My Dad Killed Dracula”, TellTale Productions Sky Soleil, Director
“Jones’ Cheap Ass Prepaid Legal and Daycare Academy”, Big Dog Eat Child Matthew Witkus, Director
“Land of the Heads”, National Film Board of Canada Cedric Louis/Claude Barras, Director
“Pixels”, One More Production Patrick Jean, Director
“Murder Baby”, Grumpy Panda Peter Podgursky, Director
“Santa: The Fascist Years”, Plymptoons Bill Plympton, Director
“Spider”, Blue Tongue Films Nash Edgerton, Director
“Treevenge”, Yer Dead Productions, Inc. Jason Eisener , Director
Additionally, highlighting the evening’s entertainment will be the features THE LAST LOVECRAFT: RELIC OF CTHULHU from director Henry Saine, writer Devin McGinn, and Outlaw Films, and DOGHOUSE, the 2009 UK zombie film from director Jake West and Carnaby/IFC Films, both in their Seattle big screen premieres!
The “Comedy of Horrors” Film Fest, to be hosted by Steve and Gord of THE BONEBAT SHOW podcast, will take place Thursday, September 2, 2010 from 6:00 pm to midnight at the Big Picture Theater in Redmond, WA. The Film Fest will include two feature films, two blocks of short films, prizes galore, and a 30-minute set of live music from the Seattle progressive metal act BAREFOOT BARNACLE.
The Big Picture Theater is a beautiful, intimate, state of the art venue with a full bar, so attendees must be 21 and over.
Tickets are $24 in advance, $28 after August 13th, and can be purchased now via at http://www.bonehand.com/bonebatff.html. <http://www.bonehand.com/bonebatff.html>
THE BONEBAT FILM FEST is sponsored by Mac and Jack’s Brewery, Flying Saucer Pizza, Scarecrow Video, Comic Stop, Games and Gizmos, Stocker Farms Field of Screams, GT Printing Equipment, and IndieFlix.
THE BONEBAT SHOW is a tri-weekly comedy and pop culture podcast which features independent music. The show is hosted by Steve Holetz and cartoonist G J Caulkins of www.mightywombat.com <http://www.mightywombat.com> , and has been airing every three weeks since September 2007, and has just released their 50th episode. The 2009 Podcast award nominee can be found at www.bonehand.com/bonebat.html <http://www.bonehand.com/bonebat.html> .
For additional information about the festival, or to buy tickets, please visit http://www.bonehand.com/bonebatff.html
THE BONEBAT SHOW announces Official Selections for the 2010 “COMEDY OF HORRORS” FILM FEST
Wednesday, August 18th, 2010Redmond, WA. August 2nd, 2010 – THE BONEBAT SHOW’S “COMEDY OF HORRORS” FILM FEST is proud to announce their Official Selections for their first ever evening of movies, shorts and live music, to take place in Redmond on September 2, 2010.

The Official Selections are:
SHORTS
“Death In Charge”, Deviant Films. Devi Snively, Director
“Eelgirl”, Chameleon Pictures Paul Campion, Director
The Horribly Slow Murderer with the Extremely Inefficient Weapon”, Critical Pictures Richard Gale, Director
“How My Dad Killed Dracula”, TellTale Productions Sky Soleil, Director
“Jones’ Cheap Ass Prepaid Legal and Daycare Academy”, Big Dog Eat Child Matthew Witkus, Director
“Land of the Heads”, National Film Board of Canada Cedric Louis/Claude Barras, Director
“Pixels”, One More Production Patrick Jean, Director
“Murder Baby”, Grumpy Panda Peter Podgursky, Director
“Santa: The Fascist Years”, Plymptoons Bill Plympton, Director
“Spider”, Blue Tongue Films Nash Edgerton, Director
“Treevenge”, Yer Dead Productions, Inc. Jason Eisener , Director
In addition to the above shorts, the evenings viewing will be highlighted by the Seattle premiere of DOGHOUSE, the 2009 UK zombie feature from director Jake West and IFC Films!
Also screening at the fest will be the winner of the BoneBat Online Competition hosted by IndieFlix, a second feature to be named mid-August, and a few incredible surprises!
The “Comedy of Horrors” Film Fest, to be hosted by Steve and Gord of THE BONEBAT SHOW podcast, will take place Thursday, September 2, 2010 from 6:00 pm to midnight at the Big Picture Theater in Redmond, WA. The Film Fest will include two feature films, two blocks of short films, prizes galore, and a 30 minute set of live music from the Seattle progressive metal act BAREFOOT BARNACLE.
The Big Picture Theater is a beautiful, intimate, state of the art venue with a full bar, so attendees must be 21 and over. Tickets are on sale now at www.bonehand.com <http://www.bonehand.com> .
THE BONEBAT FILM FEST is sponsored by Mac and Jack’s Brewery, Flying Saucer Pizza, Scarecrow Video, Comic Stop, Games and Gizmos, Stocker Farms Field of Screams, GT Printing Equipment, and IndieFlix.
THE BONEBAT SHOW is a tri-weekly comedy and pop culture podcast which features independent music. The show is hosted by Steve Holetz and cartoonist G J Caulkins of www.mightywombat.com <http://www.mightywombat.com> , and has been airing every three weeks since September 2007, and has just released their 50th episode. The 2009 Podcast award nominee can be found at www.bonehand.com/bonebat.html <http://www.bonehand.com/bonebat.html> .
For additional information about the festival, or to buy tickets, please visit http://www.bonehand.com/bonebatff.html
Interviews are available. Please direct publicity inquiries and interview requests to steve@bonehand.com or (425)753-3828.
Interview from www.weedblog.com with IndieFlix Filmmaker Casey Casseday!
Wednesday, August 18th, 2010http://www.theweedblog.com/twb-interviews-the-green-rush-movie/
The marijuana counter-culture has many layers to it from artist, lawyers, and activist, we’re all part of a bigger thing but there’s one that gets neglected and is sometimes under rated – the grower or as I like to call them, farmers.
Proponents against the legalization of marijuana cry foul and say that gardens will spring up across the nation making it easier for youths to get pot, I say nay! Growing marijuana is a science and a skill set just like any other agriculture field.
Have you ever tried growing anything? Every time I placed seed into soil the farthest they’ve made it is a green sprout and than they died. Even if the plant grew I still wouldn’t know what to look for male vs. female, molding, mites, and when is it time to harvest. All this takes time and experience. If growing anything was easy Wal-Mart would be out of business and we’d all have our own endless supply of salad.
Let’s say everyone was able to grow their own, they still wouldn’t be able to grow enough to have a continuous supply of their own. To grow an amount of this nature would result it in being a full-time and believe it or not most smokers already have a full-time job.
Besides the matter of it being difficult to grow you’ve got the issue of quality vs. quantity. Personally I would rather smoke something organically grown than mass produced and sprayed with insecticides. I would rather smoke something that requires scissors to cut than the Mexican brick weed that is cheap (even though the brick weed in Arizona is a hell of lot better than California). The point is to get a quality product, you need a quality grower. Even chefs are picky about the fruits and vegetables the put in their dishes.
Quality growing has become refined in states like California, Oregon, and Washington. Simply because these guys got a head start. The legalization of marijuana will not put growers out of business. Micro-breweries have not killed big name beer and vice-versa. So as we come closer to this upcoming election in California keep in mind there’s somebody out there growing with love and passion, that’s the bud you really want to smoke.
Right now, there’s a movie out there entitled The Green Rush. If you liked The Union than you’ll love The Green Rush: they follow a couple of medical growers in Northern California that are still on the edge of the law. It goes through their trials and tribulations, victories and defeats. This film is 100 percent real and shows what somebody has to go through just to make a buck. The film is available free on Hulu or at their website (www.greenrushmovie.com), so check it out. The following is an interview with producer Casey Casseday.
TWB: So as producer are you also involved in the film in any other way i.e director, the voice guy, or even the guy that made the negotiations to meet the growers?
CC: Our team of 4 consists of: Director/Producer/Shooter – Jason S. Edwards, Writer/Producer/Shooter – Geoff Bunch, Producer/Writer/DP – Casey Casseday, and Executive Producer Jay Allen. It was a combined effort in which everyone involved picked up a camera, did individual interviews and segments, sat in the edit bay and worked hard to promote it. While Jason and I were working on his first documentary “Blood, Sweat & Gears,” we met Jay Allen in Sturgis, SD. Jay basically loved the way we were covering the biker lifestyle and had seen us shooting at many outdoor bike rallies all over America. He approached us at his biker bar (The Broken Spoke Saloon) and said, “I got another lifestyle you guys might be interested in..” That was back in 2005 and we immediately fell in love with the fresh air and freedom of Northern California. The growers we chose for the film were initially a hard nut to crack, but they “grew” to trust us and we developed a friendly relationship with all of them that spanned the two plus years of shooting.
TWB: How long did it take to make the film from conception to final product?
CC: We did the initial introductions in Fall (harvest) of 2005, but Jay had shot stuff two summers prior to that, so it really all started in 2003. We followed the growers in the film from April to October in 2006, then did our interviews with doctors, lawyers, judges, DA’s and patients for about six months after that to get all the facts. We hit the edit bay hard in the Spring of 2007, and set up test-screenings in an attempt to gain the eyes and ears of the programmers at The Sundance Institute. We of course did not get into Sundance ’08, but were happy to get our first film festival premier right here on the west side at “The Other Venice Film Festival.” Since then, we were an official entrant in the Sacramento Int’l Film Festival, and WON both 2009 Las Vegas Int’l Film Festival AND 2009 Ava Gardner Film Fest in Raleigh, NC. Our distributor, IndieFlix.com (in Seattle) noticed the recognition and got us up on HULU.com just last May. So all said and done independently, from Jay’s idea to this interview, almost 7 years.
TWB: What inspired you guys to make a film about growers? and are all of you patients?
CC: Well, as I stated, Jay Allen believed in exposing this lifestyle for the greater good. He had more or less a “Huell Howser” approach to it originally. Jay took a camera crew up North and started doing man-on-the-street style interviews around these private little towns. There were a couple of interviews early-on where the growers (to protect their identities) wore Presidential Halloween masks (i.e. Reagan, Nixon, Carter & Schwarzenegger) and we felt it made too big of a jokey political statement. We ended up with the bandanas and think it makes a less-offensive statement, but still kinda portrays them as the quasi-outlaws that they all are. The fact is, when all the dispensaries started popping-up in Los Angeles there were no laws for vendors or distributors to safely get the weed to them. So we wondered, “where’s the weed come from, AND who are these people? really, who are they?” The patient question is an extremely personal issue. Though I’m not ashamed to speak out in any way, shape or form, I prefer to leave this one a mystery.
TWB: When you made the film did you think each story was going to end the way it did?
CC: We really had no idea it was all gonna turn out the way it did. Every time we came back up to shoot with the characters, we’d have to sit down and regain their trust. Sometimes that entailed smoking a joint, doing lunch WAY away from their property, and even being left-in-the-dark (blindfolded) as to their actual farm’s location. When we learned of the theft(s) that took place near harvest time, the growers had their suspicions, but we obviously had nothing to do with it. We were rooting for them and having seen their crops mature from seed-starts and clones to full-blow ten foot trees, it was a big let-down for us too. This movie shows that even with decades of experience in the trade, you don’t know what’s gonna happen at the end.
TWB: My favorite grower was Yellow bandanna and his wife Pink bandanna. Do you have a personal favorite?
CC: All of our featured growers bring their own outlook and style to what they do. Yellow and Pink’s love (for weed and each other) shines through and makes them very watchable for sure. If I had to choose, I mean had to . . the funny guy deep-down inside me loves the comic relief provided by Mr. Green. His kind of “fuck-it” attitude and consistent F-bomb vocabulary allows the audience a good laugh here and there on an otherwise serious subject. That’s what it’s all about for me, seeing the caring family growers, matched-up with the younger generation stoners and the fact that they all see eye-to-eye on the importance of growing this plant even if it means risking everything to get it done.
Thanks to the guys that did this awesome film. Again if you or anybody is doing their thing as a smoker feel free to e-mail me at poetry_by_miguel@yahoo.com for a Q&A.
New Stills From Upcoming Film “PIG DEATH MACHINE” By IndieFlix Filmmaker Jon Moritsugu
Monday, August 16th, 2010Film Festival in a Box – Official Launch Tomorrow Night!
Wednesday, August 11th, 2010ART IN THE PARK & Film Festival in a Box
Thursday, August 12th, 9PM
Cal Anderson Park
1635 11th Ave
On Thursday, August 12, at 9pm, IndieFlix is launching the new movie game, Film Festival in a Box at Cal Anderson Park! It’s a free and family-friendly event. Bring your cell phone. You’ll need it to vote!
To celebrate the official launch of the game we’re inviting the city of Seattle to come play Film Festival in a Box: Comedies. After the public, open-air screening of the 4 Short films, everybody will vote by text message to pick the winner. The event is appropriate for ages 5 and up, and playing time is about 1 hour. The screening will be followed by a wrap party of dessert and discussion across the street at NuBe Green!
Magnolia AV will be sponsoring this event with an incredible 12′ x 16′ screen, supplied by AV Pro, and a crystal clear Epson projector. The sound should be unbelievable as well. (McIntosh XRT1 loudspeakers w/ the MC1.2Kw amps) Hans Brackmann of Magnolia will be on hand to assist anyone with questions related to the equipment.
Film Festival in a Box (FFB) is a social gaming platform that connects people through movies. Players will watch four short independent films and then act as a jury to determine which film will win “best of the fest in a box.” The winners will be announced online, and winning filmmakers will be awarded a cash prize, making it a great way to support independent film.
Comedies is one of four versions of the Film Festival in a Box Game. Currently other boxes include: Powered by Girls, Pottymouth Comedies, and 4 Fantastical Short Films.
COME PLAY!
ABOUT INDIEFLIX
IndieFlix is a multi-platform film distribution company founded in 2004 to help independent filmmakers take advantage of new media and connect with their audience. In 2010, IndieFlix presents Film Festival in a Box to remind the world that independent film is more than just unique, visionary, and honest: it’s also a lot of fun. Film Festival in a Box is made to spark conversations that will last for years to come, while awakening a new generation of audiences to the joy of independent film.
“Movies are THE MOST powerful medium, they can change the world!”
- Whoopi Goldberg, IndieFlix advisory board
“Indie filmmakers need what IndieFlix delivers.”
- Lance Weiler, Filmmaker and Founder of The Workbook Project
Contact Info:
Will Kelly, Film Acquisitions Manager
T 206.829.9112 | C 206.618.4147 | E will@indieflix.com | www.indieflix.com
A Quick Production Note from guest blogger Jon Moritsugu
Monday, August 2nd, 2010WE ARE ALMOST OFFICIALLY IN PRODUCTION!!! WOOOhoooooo! I am in a
little bit of shock still, cuz pre-production was sooo short… c’mon, three weeks for a feature?! Talk about procrastina… but this is the smoothest it’s ever been. Todd Verow gets here tomorrow and after some desert camera tests w/ Amy Davis and Victor of Aquitaine, we rock out for 11 days and walk away with feature shot. It’s working title:
PIG DEATH MACHINE… psychological horror flick with underlying screwball comedy tendencies.
The afternoon summer rains and lightning storms have arrived… gonna look sick on digital. Can’t wait to start shooting with those New Mexico 100 mile views.
SNEAK PEEK: FILM FESTIVAL IN A BOX
Thursday, July 29th, 2010
Wednesday, August 4th, 7PM
Roy Street Coffee & Tea
700 Broadway Ave E
If you love movies, you’ll love this game!
On Wednesday, August 4, at 7pm, Roy Street Coffee & Tea is featuring a sneak peek of the new movie game, Film Festival in a Box: 4 Fantastical Short Films! It’s a free and family-friendly event. Bring your cell phone. You’ll need it!
Film Festival in a Box (FFB) is a social gaming platform that connects people through movies. Players will watch four short independent films and then get to act as a jury to determine which film will win “best of the fest in a box.” The winners will be announced online, making it a great way to support independent film.
At Roy Street, players will deliberate and vote by cell phone to pick the winner. The event is appropriate for ages 5 and up, and playing time is about 1 hour.
4 Fantastical Short Films is one of four versions of the Film Festival in a Box Game. Currently other boxes include: Comedies, Pottymouth Comedies, and Powered by Girls.
The August 4 preview of Film Festival in a Box is part of the “IndieFlix Rogue Screenings,” a monthly screening series at Roy Street Coffee and Tea at 7pm on the first Wednesday of every month. Screenings are free and open to the public.
COME PLAY!
ABOUT INDIEFLIX
IndieFlix is a multi-platform film distribution company founded in 2004 to help independent filmmakers take advantage of new media and connect with their audience. In 2010, IndieFlix presents Film Festival in a Box to remind the world that independent film is more than just unique, visionary, and honest: it’s also a lot of fun. Film Festival in a Box is made to spark conversations that will last for years to come, while awakening a new generation of audiences to the joy of independent film.
“Movies are THE MOST powerful medium, they can change the world!”
- Whoopi Goldberg, IndieFlix advisory board
“Indie filmmakers need what IndieFlix delivers.”
- Lance Weiler, Filmmaker and Founder of The Workbook Project
Contact Info:
Will Kelly, Film Acquisitions Manager
T 206.829.9112 | C 206.618.4147 | E will@indieflix.com | www.indieflix.com
We have a winner! IndieFlix sponsors WorkBook Project and Discovery Distribution Award.
Thursday, July 29th, 2010Conor Horgan’s ‘One Hundred Mornings’ has won the inaugural WorkBook Project Discovery and Distribution Award which seeks to highlight an outstanding film that they feel has been overlooked in terms of US distribution.
The winning film will now receive a theatrical release at the Downtown Independent Theater in Los Angeles, CA complete with full social media, street team and PR support.
Set up by Lance Weiler the Workbook Project is an open creative network that provides insight into the process of funding, creating, distributing and sustaining creative projects. Judges for the prize included producers Ted Hope (The Ice Storm, Lovely & Amazing, The Savages) and Scott Macaulay (Gummo, Julien Donkey Boy, Raising Victor Vargas, also editor of Filmmaker magazine).
‘One Hundred Mornings’ was chosen from submissions from all over the world to rece
ive the award. Produced by Katie Holly for Bl!nder Films and written and directed by Conor Horgan, One Hundred Mornings is set in a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis. The film stars Ciaran McMenamin (The Last Confession of Alexander Pearce, Outcast), Alex Reid (The Descent), Rory Keenan (Zonad, The Guard) and Kelly Campbell (Bachelors Walk, Sensation).
‘One Hundred Mornings’ has previously picked up honors at Galway, Slamdance and the Irish Film & Television Awards (2010). The film continues its festival run next month with appearances at the Rhode Island International Film Festival in August and the San Francisco Irish Film Festival in September, among others.
‘One Hundred Mornings’ will begin its theatrical run in Los Angeles on September 16th 2010.
IndieFlix Play It Again Podcast with “Ramly at War Begins” Filmmaker Juliane Block Hosted By Lois Fein
Monday, June 14th, 2010
IndieFlix Play It Again Podcast
“Here’s looking at you – the independent filmmaker”
Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.
- Listen NOW by clicking PLAY below
IndieFlix Play It Again Podcast with Juliane Block Hosted By Lois Fein [29:34m]: Play Now | Play in Popup | Download
IndieFlix Play It Again Podcast with Juliane Block Hosted By Lois Fein [29:34m]: Play Now | Play in Popup | Download- Play Podcast Puzzle
- Meet Host, Lois Fein
6/15/10 Podcast:
The Juliane Block Interview

A conversation with independent filmmaker
Juliane Block -- writer, director and producer of
Ramly at War Begins
Ramly at War Begins -- Trailer
(6/15/10) (Total time 29:34)
What’s inside The Juliane Block Interview?
- Listen to the Movie: Ramly at War Begins (1:23)
- What does Juliane Block see outside her window in Jakarta, Indonesia? (2:20)
- What’s new and fresh about Ramly at War Begins? (4:18)
- Juliane Block’s collaboration with Low Angle Productions (5:18)
- What are the challenges to filming martial arts scenes? (7:16)
- “It started off with the question: ‘What do I have?’” (8:47)
- Why DVD piracy makes sense for the buyer in Asia (10:01)
- “Copyright is pretty much non-existent.” (11:02)
- How different cultures and languages have informed Juliane Block’s filmmaking (11:49)
- “What didn’t I do yet?” (13:11)
- “In Asia, I’m definitely different.” (14:36)
- Working with actors from different cultures (15:05)
- “I like action and gangster movies, and Hong Kong cinema; they have
a tension that often lacks in the western cinema and Hollywood movies.” (17:36) - “My favorite movies now are Korean movies.” (18:41)
- “Other parts of the world also tell really good stories,
which I think widens your horizons…” (19:33) - How Juliane Block is received as a woman filmmaker in Asia (20:15)
- On fun, freedom, and collaboration:
the advantages of a low-budget film (21:23) - Do’s and don’ts for indie filmmakers (23:41)
- “Go out there, and you will find people everywhere.” (23:55)
- Advice on innovative marketing and distribution (26:01)
- “Don’t be afraid of people stealing your movie and pirating it.
If you keep your movie in the closet because you are afraid
of someone stealing it, that is wrong. Just put it out there.” (27:38)
STILL FROM RAMLY AT WAR BEGINS


Play “IndieFlix Podcast Puzzle” (6/15/10):
Meet Indieflix Podcast Host: Lois Fein
Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com
_________________________________________________________
Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
“It Ain’t Easy” and “Chasing the Moon” (Lois Fein)
_________________________________________________________
Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™ and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6.


_________________________________________________________
This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice is sponsored by IndieFlix -
“Connecting people through movies.”
__________________________________________________________
4/27/09 PODCAST ANSWER:
THE ANSWER to IndieFlix Podcast Puzzle (4/27/10) is
“All of the above (and more)”
__________________________________________________________
6/15/10 Edition -- IndieFlix Play It Again Podcast

































