Archive for May, 2010

Dreams or Nightmares?

Tuesday, May 18th, 2010

“Flesh sculptor” Steve Haworth sees his work as “making personal dreams come true.”

FleshAndBlood

How does Haworth do this? He is a body modification artist, performing operations on his clients that would lose any medical professional his or her license. (Not sure what “body modification” means? Google knows.)  From implants to suspension, Haworth answers dreams that, to many outside the body modification community, look more like nightmares.

Whether you think body modification is beautiful and entrancing or more like a bloody car wreck that you just can’t look away from, IndieFlix has your Saturday planned out for you.  First, a movie:  In FLESH & BLOOD, filmmaker Larry Silverman got unprecedented access to Haworth’s practice and his clients’ experiences, and he used it to make one of IndieFlix’s most popular documentaries.  Then, see it live:  After the movie, head over to Deep Roots on University Avenue for their annual suspension performance this Saturday night.  It’s a movie–and a show–you won’t be able to forget…even if you want to.

This week at Roy Street Coffee & Tea

Monday, May 17th, 2010

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Join IndieFlix every Wednesday and Sunday at 8 P.M. for free screenings of short indie films at Roy Street Coffee & Tea!

This week, we’re showing:

This Is The Life

This award-winning documentary chronicles the life of 50 + teenagers from south central L.A. who have collectively chosen a gang-free life, to a life of the exploration of hip-hop. “The Good Life” chronicles their worldwide influence on hip hop mustic and culture, and how the teens’ creative choices had a dramatic impact on their careers.

In fact, some of those teens became some of the biggest names in alternative rap today:

Jurassic 5, Cut Chemist, Chali 2na, Pigeon John, Abstract Rude, CVE, Ellay Khule, 2Mex, Freestyle Fellowship, Medusa, and many more.

Reel Grrls Spring Showcase celebrates young women in film

Wednesday, May 12th, 2010

showcase

This Sunday, the Reel Grrls Spring Showcase will celebrate grrl power with a standout collection of short films produced by teens from the Seattle area. It is the culmination of a year’s worth of hard work created by Reel Grrls students, ages 9-19.

This year’s showcase film is “Jerk Brick,” an animated short produced by teens mentored by Suzanne Twining, lead animator of the hit film Coraline. Another must-see is “Celina’s Story,” a documentary following a homeless teenager in Seattle. Also included in the lineup is a personal documentary on one family’s immigration from Iran, shorts from the PRIDE Foundation, music videos and TV show spoofs.

Reel Grrls is an award-winning non-profit organization based in Seattle, WA that matches adult female filmmakers with teen girls who seek to tell stories through video. Their films have won Student Emmy Awards and have gone on to screen at festivals around the world, including the Women’s Film Festival in Seoul, Korea, the local/fabulous SIFF FutureWave program and the Los Angeles Film Festival.

It’s sure to be a lot of fun, come empower the next generation of female filmmakers!

The Reel Grrls Spring Showcase will be at the Market Theater in Pike Place Market this Sunday, May 16. Doors open at 3 p.m. with the show starting at 4 p.m. Reserve your tickets now at the Reel Grrls website. Tickets are $10 for adults, free for youth 19 and under.

This week at Roy Street Coffee & Tea

Monday, May 10th, 2010

Join IndieFlix at Roy Street Coffee & Tea every Wednesday and Sunday at 8 p.m. for a free screening of short indie films.

This week, we’re showing:

30813(Sun)Dust: A love story at the end of the world.

This is the story of Felix and Maya, separated from each other after a plane carrying biological weapons crashed into a town near their home. Many people died, more went missing. The living were relocated to housing shelters where they would be safe from contamination. Felix was one of the living. Maya was one of the missing. An AFI original short.

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Heist: A usual bank robbery from an unusual perspective.

An experimental short film about a bank robbery gone wrong, shot entirely from the perspective of a stack of bills.

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Skylab: He is certain that the space station Skylab will land smack on top of him. It would almost make him less miserable if it did!

It’s 1979 and a young boy fears that the world is ending. He is certain that a space station will fall on top of him, and it doesn’t help that it feels like the rest of his world crumbles around him.

Jon Reiss’ TOTBO Tip of the Day: Hiring PMDs in these early days

Monday, May 10th, 2010

book-coverI look forward to a near future in which filmmakers/directors will be able to put out calls for PMDs just as they do for DPs and Editors – and that they will get an equal volume of applications.   Directors will develop long term relationships with PMDs that “get them” just as they do with DPs, Editors, and Producers etc.

But these people don’t exist yet – but the work is monumental.  I was talking to a director at a party just this week about this issue.  All of the producers who helped her make the film had moved on to paying work – they loved the film but couldn’t afford to be involved any more.   I asked her if her credits were locked yet, she said no.  I said – go post for a low paid position – but offer an associate producer credit (or Associate PMD credit).  This doesn’t have to be a film student – or someone working in film.  It can be that person you know that is a great salesperson, great with social networking, is organized, is interested in film but has no interest being on a set – they do exist.  That is someone who can help you get this work done.

Two of the Co-Producers on Bomb It started working on the film six months after we premiered the film at Tribeca.  I couldn’t get them on the credits of the film – but they are on the credits of the PAL DVD, and I will back up their credit on IMDB and in references any day – and that is ultimately what matters – a verifiable credit to someone coming up.

My workshops are in  Amsterdam this week.  Check out the TOTBO site for more information.  Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page.  I look forward to hearing from you.

Jon Reiss’ TOTBO Tip of the Day: Responsibilities of the PMD

Thursday, May 6th, 2010

book-coverResponsibilities of the PMD include:

  1. Identify and engage with the audience for a film.
  2. Development of a distribution and marketing strategy and plan for a film in conjunction with the entire team.
  3. Create a budget for said plan.
  4. Assemble and supervise the necessary team/crew elements to carry out the plan.
  5. Audience outreach through organizations, blogs, social networking, online radio etc.
  6. Supervise the creation of promotional and (if necessary due to the lack of a separate transmedia coordinator) trans media elements: including the films website script and concept for transmedia, production stills, video assets – both behind the scenes and trans media, promotional copy and art.
  7. Outreach to potential distribution and marketing partners such as sponsors, promotional partners, various distribution entities, publicists.
  8. When appropriate, engage the distribution process as designed.
  9. Supervise the creation of deliverables.

My workshops start this week in London and next week in Amsterdam.  Check out the TOTBO site for more information.     Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page.  I look forward to hearing from you.

IndieFlix Membership: How it works

Thursday, May 6th, 2010

jointowatchDid you know that you could watch unlimited movies for the cost of a single movie theater ticket every month? IndieFlix wants to make it easier for people to access and watch independent film, so we’ve created a subscription service that is easy to activate and access anywhere online.

Unlimited Streaming Memberships:  $9.95/month, or $99/year

  • Have access to the entire IndieFlix streaming library 24 hours a day, 7 days a week.
  • IndieFlix adds over a dozen titles to the library every week. The new films are often fresh off the festival circuit, so you’ll always stay current on what’s new in film. You could watch a film a day for over 4 years and wouldn’t run out of movies to watch.
  • As a member , you are eligible to receive access to film festivals in your hometown. When we get festival passes or movie tickets, we pass them along to you. Also, all members will soon get a virtual goodie bag that will be filled with freebies and discounts from local businesses that we think you’ll like a whole lot.
  • Subscribers will get a first look at all the new technology IndieFlix has up its sleeves. They can join and lead online discussions on their favorite (and least favorite!) movies and connect with filmmakers around the world.
  • Most importantly, this is your direct line of support to the indie film movement. By joining, you become a patron of the arts. IndieFlix filmmakers retain 70% of their net profits from the site, so every movie you watch directly supports the artists and helps them continue their craft. In this economy, a small contribution can be sizable and help filmmakers exponentially grow their careers – by showing your support, you are supporting the artists directly.

Thank you for reading. IndieFlix has a simple task – to connect people through movies. We want to make our library as accessible and affordable as possible, and we hope you consider signing up with us. Please feel free to contact us at VIP@indieflix.com or visit our FAQ page for more information.

Jon Reiss’ TOTBO Tip of the Day: Introducing the Producer of Marketing and Distribution, or PMD

Wednesday, May 5th, 2010

book-coverThis feature is part of an ongoing blog contribution from Jon Reiss, independent filmmaker and author of “Think Outside the Box(Office).”

As a filmmaker, I have thought a lot of about complaints from filmmakers of all these new tasks that we are responsible for in distribution and marketing.  And this is how I came up with the concept of the Producer of Marketing and Distribution or PMD.

Just like you most likely did not make the film on your own, you should not be distributing and marketing the film on your own. I would argue that from now on, every film needs one person devoted to the distribution and marketing of the film from inception, just as they have a line producer, assistant director, or editor. I gave this crew position the official title of PMD since we need to train people to do this task, give classes in it, write books about it, just as people are educated (or learn on their own) to become DPs.

My workshops start this week in London and next week in Amsterdam.  Check out the TOTBO site for more information.     Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page.  I look forward to hearing from you.


“Leave You In Me” explores nudity as medium

Wednesday, May 5th, 2010

leaveyouinmeThe naked human form has alternately fascinated and repelled the public throughout history. While Michelangelo’s “David” and other classic images have withstood the tests of time, today’s censorship laws have made nudity a taboo subject in many circles.

Displays of human nakedness have been debated everywhere from art galleries to Congress. In the end, we have to ask ourselves, what is it we are afraid of seeing?

Dutch Doscher’s short film “Leave You In Me” captures a moment in time for a couple in crisis. While making love, an admission is made that threatens to tear them apart. Together, they must figure out what to do and where to go with the love between them. They discuss their crumbling relationship completely naked, both physically and metaphorically. At the end of the film, the inevitable crossroads exposes their false idealism and projects them in to an unknown future.

“I wanted to tell a story about a couple who were physically comfortable, but not emotionally comfortable with each other. I also wanted to show a couple where a conversation naked is no big deal,” said Dutch. “People brush their teeth and change in front of each other every day and just because they are naked doesn’t mean there has to be sex. The experimental part was trying to rise the story above the nudity so that people are moved by the intensity and forget they are naked.”

The film also pushed the actors to dig deeper, to expose the raw emotion right under the skin of their characters.

“The actors were so daring to do it and I will forever be thankful for not only being physically naked, but going to that dark place emotionally,” said Dutch. “The movie is not about the nudity, but about a relationship that finally has to pierce the facade and deal with issues honestly.”

Once he finished the film, Dutch discovered that a lot of people were very hesitant to support it. Many found it difficult to see past the nudity and focus on the content. “Leave You In Me” has been protested at film festivals and turned down by distributors.

“The same reason people like it is the same reason people have had problems with it – the nudity,” said Dutch. “I have had high level meetings with other distributers who love the movie, but are afraid that people won’t see the storytelling and art of it.”

Interestingly, criticism of the film centered more on the male nudity, rather than female.

“Some people look at is as sort of a stunt or are upset that there is male nudity in the movie. I have never thought it’s fair that a woman can be naked in a movie and the guy isn’t,” said Dutch. “It was protested at a film festival and they said “Do we really need movies like ‘Boogie Nights?’ ‘Forgetting Sarah Marshall’ and ‘Bad Lieutenant?’ I’ll leave it up the readers what the common denominator of those three movies are. I don’t think they even realized it.”

“Leave You In Me” is available for 30 day streaming rental and DVD purchase at IndieFlix.

Kent State: the day many wished they could forget

Tuesday, May 4th, 2010

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40 years ago today, Kent State University was the battleground in the fight between student activists and police. It was 1970 and Richard Nixon had just announced that instead of ending the Vietnam War, it would be extended to Cambodia.

Students and activists across the nation protested the move, a definite breach of Nixon’s promise to end the war during his race for the presidency. At Kent State, the ROTC building had been burned to the ground 2 days earlier. National Guardsman were called to the scene.

On May 4, 1970, the National Guard fired 63 shots in 13 seconds that killed 4 unarmed students and injured nine. It was a definitive day in American history, and an unprecedented trauma on American soil. Yale historian Jay Winter calls the Kent State shootings “a wound in the nation’s history.” Many wanted to forget that it happened. Even the school was so ashamed that it shortened its name to “Kent,” changed its logo and ended its annual May 4 observances.

The Emmy Award-winning documentary Kent State: The Day the War Came Homeis the definitive documentary on the event and the true story is fleshed out in-depth. You can purchase the DVD or rent a 30 day stream of the film on IndieFlix. Also, check out the filmmaker’s website for more dialogue on what the events of May 4, 1970 mean to people everywhere.

TOTBO Tips of the Day: Networking relationships, the new 50/50

Tuesday, May 4th, 2010

book-coverThis feature is part of an ongoing blog contribution from Jon Reiss, independent filmmaker and author of “Think Outside the Box(Office).”

Last week I spoke about connecting with audience, creating a dynamic website and blogging.  Today’s tip is how to create relationships between your film organizations that should be interested in your film. This is an especially useful strategy for documentaries that naturally have a wide range of potential issue-oriented sites to connect to. But with a little outside-the-box thinking you can probably find relevant sites for your narrative film as well.

Ways to create a relationship with other sites/organizations:

1. Blog about their sites and link to them.
2. Request that they link back to you.
3. Send them your film and ask them to blog about the film and/or review it. (This also helps your search engine rankings — search engines will improve the rankings of sites that other sites not only link to but also write about.)
4. Go one step further: Create an affiliate relationship with those sites or organizations.
5. Use this relationship to generate community screenings.

Jon Reiss’ TOTBO Tip of the Day 12  The New 50/50

Distribution and marketing can take as long and cost as much, or more than you spent on your film.   The new 50/50 is not a revenue split but the mental shift that filmmakers must make about the filmmaking process.    This is not a hard and fast rule, remember all films are unique.  It is essential to match the budget of your release to the kind of film that it is, your goals, and where it fits in your career.  As budgets go up the proportion might be less,  but it is a good guideline when embarking on a project. It is far better to have $50,000 to release a $50,000 film than to make a $100,000 film with no way of getting it to an audience.

My workshops start this week in London and next week in Amsterdam.  Check out the TOTBO site for more information.     Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page.  Check out the book here.  I look forward to hearing from you.

“American Collectors” profiled tonight on Evening Magazine

Tuesday, May 4th, 2010

collectors

Tonight, Evening Magazine, the nightly television show that profiles life in the Northwest, will feature a segment on the IndieFlix documentary “American Collectors.”

The show airs tonight at 7 p.m. on King 5.

“American Collectors” profiles an eclectic mix of enthusiasts in the Northwest. These people collect KISS memorabilia, bobble heads, giant balls of string, dolls and even American prison and jail artifacts.

Very similar to the A&E hit show “Hoarders,” the documentary doesn’t attempt to ‘uncover’ any truths about why people collect or gather things, but it does offer a fascinating glimpse into the collecting lifestyle.

“American Collectors” is available for streaming or DVD purchase on IndieFlix.

Jon Reiss’ TOTBO Tip of the Day 10: Blog

Monday, May 3rd, 2010

Jon Reiss’ TOTBO Tip of the Day 10 – Blog

book-coverBlogging helps in two ways: First, it drives traffic to your site as you link to new and interesting stories that are related to the subject of your film (For Bomb It, we post news about graffiti around the world.) And second, your blogging activity will help your site’s SEO (search engine optimization). This will result in higher search rankings for your film in relevant categories.

What to blog about?

Of course you should blog about your film, your filmmaking experiences and your screenings, but you should also consider blogging about subjects that relate to your film and your film’s audience. This will make your project relevant to them on a broader level and keep them coming back to your site. One simple way to come up with information to blog about is to use Google Alerts. We received a weekly Google Alert about “graffiti” and “street art” and select a few top articles to blog about.

I want to know what you think!  Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page. Check out the book here.  I look forward to hearing from you.