Jon Reiss’ TOTBO Tip of the Day 9 – Create a Dynamic Website
Create a dynamic web site and do it long before your film is done.
Old-style film web sites are out — blogging and a constant flow of information are in. Blogging and tagging is what the little bots out in cyberspace will recognize and bring you up in the rankings. Thanks to my wonderful friend and web site savior Michael Medaglia and a lot of great blogging by producer Tracy Wares, we were near the top of Google search on “graffiti documentary” even before our world premiere at Tribeca. A great web site also helps you cultivate your niche audience and further allows the theatrical to fuel your DVD release.
I want to know what you think! Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page. Check out the book here. I look forward to hearing from you.
IndieFlix CEO Scilla Andreen will be a panelist at this year’s Hot Docs Film Festival in Ontario, Canada.
She’ll be on the May 4 panel: “Distribution Lab: What’s Working?” at 4 p.m. in the Rogers Industry Centre at Victoria College. You can view the entire Hot Docs conference schedulehere.
Other panelists include representatives from Cinetic Rights Media, Autlook Film from Australia, Snag Films and more.
Hot Docs is the largest documentary festival and conference in North America. The festival screens over 150 documentaries a year from around the world. This year’s fest runs April 29 – May 9.
Jon Reiss’ TOTBO Tip of the Day 6 – Identifying and Engaging Your Audience
Here is the Jon Reiss TOTBO three step approach to audience development and engagement:
1. Know WHO your audience is. This is not 18-25 year old boys/men. Or 35 – 55 year old women. As an independent filmmaker, if you cross over into a mass audience great – but you need to be much more specific. Tomorrow’s tip will discuss niche vs core audiences.
2. Know WHERE your audience derives information/congregates. In other words how you can contact them, engage them, communicate with them.
3. Know HOW your audience engages media, or HOW they will support you.
PS I was going to address budgeting this week, but I have shifted that topic to next week.
Jon Reiss’ TOTBO Tip of the Day 7 – Differentiating Core and Niche Audiences
The terms Core and Niche are often used interchangeably and this is a mistake. The niche audience for your film is that slice of the population that has a particular interest in your film or an aspect of your film. The core audience for your film is those people within each niche that are your most ardent supporters. Those people who will spread the word about your film to not only their networks, but to the rest of that niche. You can have multiple niches’ that are interested in your film, and within each niche there is a core who combined adds up to the core of your film.
Jon Reiss’ TOTBO Tip of the Day 8 – Engage Organizations to Promote Your Film
Step 2 of Audience Engagement is: Know WHERE your audience derives information/congregates.
Many niche’s have organizations that support those specific topics and interests. Engage those organizations early in your filmmaking process (as early as conception and prep). It is important to have the proper attitude toward your audience and these organizations. You need to think, “What can I give them?” instead of “What can they do for me?” If you think of the former, the latter will flow. People are very busy. You need to give them an incentive to be involved with you. The film is not enough. How will the film service their organization, their lives and the lives of their members? In turn, they will help you promote your film to your direct audience. This has been used by great effect by documentary filmmakers. Narrative filmmakers need to follow their lead.
I want to know what you think! Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page. Check out the book here. I look forward to hearing from you.
Lois Feinis IndieFlix Filmmaker Interviewer,
Podcaster, and Host for IndieFlix Play It Again Podcast. Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD Step Into the Water at: www.LoisFein.com
At yesterday’s closing ceremonies press conference, the Palm Beach International Film Festival announced that Yitz Brilliant, director of The Cemetery Club, had won both the IndieFlix online audience choice award and the PBIFF festival audience award.
The Cemetery Club follows the story of a Edgar, a man who recently passed away. He joins a quirky group – The Cemetery Club. When his widowed wife starts making plans for her plot next to his, Edward decides to take action. Then, he begins to fall back in love again with his nagging wife he thought he was happy to leave behind.
The Cemetery Club also won the Audience Favorite Short at PBIFF! You can watch thevideo of the awards ceremony. You can read more about PBIFF and the festivities on The Examiner‘s weekend wrap-up and the PBIFF press release.
Online festival participants left comments, like “great film! Will never look at a cemetery the same way again,” and “a wonderful film, touching, funny, surprising.”
Hello readers. This is the first installment of a multi-part series from our friend Jon Reiss, filmmaker, entrepreneur and author of “Think Outside the Box (Office),” a must-read marketing handbook for all filmmakers. Stay tuned as we post new tips from Reiss every day during the series.
Day 1 – The Next Chapter
Many of you might know me from the book that I have written recently, Think Outside the Box Office (TOTBO for short). The primary reason that I wrote it was to share what I had learned while distributing my film Bomb Itwith other filmmakers so they could learn from my successes and mistakes. In the continuation of that mission I am launching two more initiatives – both in support of how people want to interact with this information. The first is a series of workshops around the world. It seems that the live experience is as important as the written word in imparting this information for many people. We are starting with London on May 8/9, Amsterdam on the 12/13, New York on June 5, Vancouver on June 12/13, San Francisco July 31/Aug1 with more being lined up.
The second initiative is the launching of a TOTBO Tip of the Day. This will soon be joined by Resource of the Day. In these tips, I will give not only a sense of what’s in the book and workshop, but they will be a forum to convey new tips to you as I learn them.
I want to know what you think! Comment here or on my blog, or @Jon_Reiss on twitter, or on the TOTBO Facebook page. Check out the book here. I look forward to hearing from you.
Jon Reiss’ TOTBO Tip of the Day 2 – Every Film is Different
Each film is unique and requires its own individual distribution and marketing strategy. A comedy about stoners will not have the same audience as a documentary about Aids orphans in Tanzania. Similarly each filmmaker has a different set of goals, needs, and resources. While the studio one size fits all model worked well for some independent films over the last 20 years – it was a disaster for others. With the new hybrid model of distribution you can craft a distribution and marketing strategy that makes the most sense for your film. You have a unique vision. Use that vision to engage your audience in a unique manner. This will help separate you from the media noise that surrounds us every day.
What do you think?
Jon Reiss’ TOTBO Tip of the Day 3 – Know Your Goals
I cannot stress this enough. I cannot repeat this enough. There are multiple goals that you can strive for in the release of your film. You must prioritize what is most important to you. I categorize the goals for the distribution and marketing of your film into the following five (with a sub goal number 6):
Money
Career launch, help for your next project, fame.
Audience/eyeballs to see the film
To have an impact on the world
A long term sustainable connection with a fan base.
A green release.
Choices that you make in service of one goal will often sacrifice another goal. For instance releasing your film for free on the internet might get you the most eyeballs, but it won’t help you monetize the film.
You must make sure that everyone on your team is on the same page and don’t have conflicting goals. At the Slamdance Filmmaker Summit, I gave homework to two sets of filmmakers with whom I did a live speed consult*. While Hunter Weeks, a very savvy filmmaker, had known for some time his goal for his current film Ride the Divide was to help him get another film made, what he didn’t know until that night was his goal was different from his producer Mike Dion which was to make money to return the investment for his investors. These goals are two that are traditionally in direct conflict (career launch normally associated with some form of traditional theatrical which in turn is usually a money drain).
What do you think?
* I had so much fun doing these speed consults that they have become an integral part of nearly all of the workshops I conduct. The first day of the workshops is a presentation of the principles of the new techniques of distribution and marketing from a very practical perspective. The second day is primarily limited to 20 films/projects and I do 20-30 minutes speed consult on each – with all the other teams present so that they can learn from each other.
Jon Reiss’ TOTBO Tip of the Day 4 – Setting Marketing Strategy
Two helpful ways to think about marketing:
1) Reaching the audience that already exists for your film, and
2) thinking creatively of what audiences might be interested in your film.
I recommend that you consider and conceive of a marketing strategy for your film early in the production process, even at inception. Who is its audience? How are you best going to reach them? Are there particular blogs, organizations, print media that they subscribe to? Who will you bring on to help you outreach to your audience? How does this audience consume media? Answering these questions will help to fashion your release strategy.
Jon Reiss’ TOTBO Tip of the Day 5 – Budget for Distribution and Marketing
In order to successfully execute a marketing plan for your film, a budget must be developed in tandem with your production budget. This is not an optional expense to be decided at the end of post production. A marketing and distribution budget is a tool that balances what needs to be spent against what can be afforded, and helps make choices about which methods will be priorities and which ones cannot be implemented due to cost. A well analyzed, affordable budget will help to focus achievable marketing efforts without wasting time and money. Doing this will also make it seem that you have a sense of how you are going to make your investors money back (and that you care).
Next weeks tips will give expand on this topic – to help you navigate this process.
They say when someone comes out of the closet, they can’t stop talking about it. Vancouver filmmaker Gwen Haworth not only talked – she made a movie.
Using archival family footage, interviews, phone messages and hand-drawn animation, Haworth’s documentary begins in 2000 when she came out to her family about lifelong female gender identity, and transitioned from Steve to Gwen. The resulting auto-ethnology is not only an exploration into the filmmaker’s transition from biological male to female, but also an emotionally charged account of the individual struggles and stakes that her family experienced.
Each stepping stone in the transition process becomes an opportunity to explore her community’s, and our own, underlying assumptions about gender and sexuality. As her transition progresses, Gwen is forced to reckon with the end of her marriage and the loss of her status as son and brother. But, in doing so, she also discovers that while the nature of personal relationships may change, the love and support can become just as powerful.
Made for every woman who has ever been to a slumber party, and every man who wonders what goes on at them.
Lou is a 12 year-old girl coming to terms with her budding sexuality in the mid 60s. Her bittersweet tale is skillfully interwoven with clips from a wide array of scientific and educational films, as well as interviews with adult lesbians who recount their adolescent attraction to girls, how they felt when they first heard the word “lesbian” and where they fit into the butch/femme continuum.
Rock Bottom follows the journey of seven gay men struggling with an addiction to crystal meth, and their recovery efforts against a threatening backdrop of HIV infection.
From grappling with the drug’s effects on their physical and mental health to wrestling with their darkest sexual desires and sensitive identity issues, “Rock Bottom” delivers a chilling portrait of a community in crisis. By focusing on an incredibly diverse group of subjects, this unflinching film captures a predator that does not discriminate between age, class, or race. Exploring deeply personal experiences in clubs, hospitals, and family gatherings, these brave men provide us with astonishing clarity and offer us a much needed and new perspective to help others who struggle as they do.
For anyone battling drug abuse and addiction, or for those who aid in the process of recuperation and healing, “Rock Bottom” will offer hope and insight for the painful and necessary leap to a healthy life. It also serves as a powerful cautionary tale for anyone thinking they might be able to experiment with a drug without repercussions.
Make sure to view the rest of the Outcast Films in the IndieFlix library, and visit their website for more.
Inline skating is, in many ways, a dead sport. It was dropped from the X-Games on ESPN in 2004 and has lost momentum ever since.
The dying breed of athletes struggle to maintain the importance of their sport and challenge themselves emotionally and professionally in the sports documentary “Jack Be Nimble.” The film is a top seller on the IndieFlix site and a huge hit on Hulu – it’s been one of the top 5 documentaries on the site since it premiered there last week.
The documentary follows the recently established Roll Series, an international circuit consisting of more than 50 inline skating events across the country. Despite a lack of sponsors or money, the small group of young men travel 10,000 miles across the country with little more than their dreams.
As they couch-surf, glide from jump to jump, and even as “adult” life comes knocking on the door, the dreams of hitting big time as a professional inline skaters never die.
You can rent a 30-day stream or order the “Jack Be Nimble” DVD through IndieFlix, or you can watch it for free on Hulu.
The Palm Beach International Film Festival kicks off this Thursday, April 22nd, with a number of great events, and a line up of even better films. Setting the stage is the premier of Princess Ka’uliana, followed by the Opening Night Party at the Winthrop Place Rooftop.
The party continues on to Friday with thePBIFF 15th Anniversary Celebration at the Omphoy Ocean Resort Hotel. The Silver Screen Splash is the “biggest soiree on the beach” focusing the spotlight on Life Time Achievement Award winner Burt Reynolds, and the Horizon Award to The Blind Side’s Quinton Aaron.
Directed by Ronald Krauss, Amexica is a short film featuring a young boy from Mexico, victimized by the Human Trafficking ring and a “get-rich-quick” Los Angeles couple. Sayad Kashua- Forever Scared, directed by Dorit Zimbalist, portrays the political portrait of writer and publicist Kashua on his 7-year journey of going from nation to nation and the implications of his choices on his family.
Check out the schedule for more of the films and events on the PBIFF website!
Visit the PBIFF Online Festival page on our website to watch and vote for your favorite films, for free. The winner receives special recognition at the festival and also a distribution offer from IndieFlix.
The films in the category are varied, but all are incredible quality, with suspenseful plot lines and memorable moments. Make sure to watch all of them and vote!
The Palm Beach International Film Festival runs April 22-26 in Palm Beach County, FL. Visit their website for ticket and screening information.
“Salt & Vinegar!” Congratulations are in order to director Karyn Childs and producer Leela Menon from Bella Films for the winning film in the second annualSan Francisco Women’s Film Festivalonline competition! The film won a spot in this year’s SFWFF, which kicked off today and runs through April 11. SFWFF is celebrating it’s 6th festival run and IndieFlix was so pleased to be a part of it.
This “tangy little love story” won the hearts of all who viewed it, and we’re sure it’ll be a huge hit at this year’s festival.
Last Tuesday, “In the Darkness” was the first narrative feature to be released on Hulu, a water-shed event in online film distribution.
In its opening weekend over 50,000 viewers logged in to watch the film. Some moviegoers loved it, while others hated it. Regardless of the variety of opinion, viewers enthusiastically posted their comments on the film.Join this love/hate relationship debate!