Archive for March, 2010

IndieFlix Play It Again Podcast with In the Darkness Filmmaker Andrew Robinson Hosted by Lois Fein

Tuesday, March 30th, 2010

AndrewRobinson_OnSet_02

podcast111indieflixlogo111-1stream111

IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

podsub12111poddown12111itunes112111

3/30/10 Podcast:

The Andrew Robinson Interview

AndrewRobinson_OnSet

A conversation with independent  filmmaker
Andrew Robinson
– writer and director of In the Darkness

In The Darkness – Trailer

(3/30/10) (Total time  34:55)

What’s inside The Andrew Robinson Interview?

  • Mattoid Entertainment makes filmmaking history today with its global release
    of the first feature-length narrative film to premiere exclusively on Hulu.  (0:27)
  • Listen to the Movie: In the Darkness  (1:03)
  • Why did Andrew Robinson create a film for online release?  (3:08)
  • “The theatrical world and traditional distribution angles are controlled;
    they have roots that go back 10, 20, 30 years and they are difficult to navigate…”  (4:08)
  • “What if we did it differently and tried something that no one had ever done before -
    taking the Internet seriously, not as an after thought – really looking at what drives it,
    what do people turn to the Internet to see and then crafting something tailor-made
    for that type of application and audience.”  (5:08)
  • “The biggest name going right now in that space is Hulu and we knew that IndieFlix
    had a relationship with Hulu and that through discussion we could open the door.”  (5:50)
  • “With IndieFlix’s help we were able to craft and know how we were going to be able to
    roll a movie out via the Internet in a distribution sense even before we started filming.”  (6:09)
  • Tips for making a film for Internet audiences  (8:45)
  • Writing and directing a film for an online audience  (11:37)
  • “Into the Darkness is Act I of a much larger story.”  (13:48)
  • At the heart of the storyline: “There are forces greater than ourselves
    – be it good or bad – that are among us
    that may or may not have our best intentions at heart.”  (14:37)
  • “Things may not be as they seem.”  (15:42)
  • “The audience’s eyes and ears are the detective’s.
    He figures stuff out as the audience figures it out.”  (16:15)
  • From the ashes of a blackened, fire-torn forest arises newly-gnarled trees
    and a surreal setting for In the Darkness.  (18:05)
  • How a $1,500 camera can lighten up your filmmaking world.  (24:15)
  • “Everyone said we were crazy, so we just said,
    ‘All right, we are crazy.  We’ll embrace it.’”  (27:52 & 30:23)
  • How will the online release of In the Darkness change the game
    in film distribution and marketing?  (30:30)
  • “For the independent filmmaker, places like Hulu and IndieFlix
    or itunes – it’s the new frontier.”  (31:22)
  • What do you wear for the virtual Red Carpet online premiere
    of In the Darkness?  (31:40)

STILL FROM IN THE DARKNESS
03

indieflixlogo111-1

Play “IndieFlix Podcast Puzzle” (3/30/10):


Meet Indieflix Podcast Host: Lois Fein

seattle-songwriter-1111

Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

3/16/09 PODCAST ANSWER:

THE ANSWER to IndieFlix Podcast Puzzle (3/16/10) is
“Anthony Hopkins”

__________________________________________________________

3/30/10 Edition – IndieFlix Play It Again Podcast

Tonight: ‘Dirty Martini and the New Burlesque’ debuts at SIFF Cinema

Monday, March 29th, 2010

DIRTY-GOLD-COSTUMEFilmmaker Gary Beeber is back again releasing his third film Dirty Martini and the New Burlesque. Part of Seattle’s very own Moisture Festival, the screening for the independent documentary is tonight at 7:30 pm at the SIFF Cinema. Beeber, who also directed the films Messenger and Bally-Master, has created a film that explores the outrageous world of New York Burlesque performers. While Miss Dirty Martini is heading the festival circuit, Gary Beeber is currently on tour with the film and is hosting parties with the burlesque communities all across the United States!

Tonight’s special event includes a Q&A session with Gary Beeber, as well as a performance by the Miss Dirty Martini Herself!

You can also purchase the preorder disc on our site!


Welcome to the “In The Darkness” Live Chat!

Saturday, March 27th, 2010
30527
Be part of a historical, national event!

IndieFlix presentsIn the Darkness,” audience winner at the recent San Diego Indiefest and the debut release of Mattoid Entertainment. In the Darkness is the first feature film ever created specifically to premiere for free on hulu.com. Join us from your living room for this nationwide event.

In the Darkness will launch this Tuesday, March 30.

To commemorate this historic event, IndieFlix is hosting a live chat at 4pm PST (7pm EST) Tuesday, March 30, with “In the Darkness” producers Jenna Edwards and Jeremy McGovern. They’ll be joined by director Andrew Robinson and a few leading cast members. Watch the premiere along with the filmmakers, kind of like a live DVD commentary.

And if you miss the first chat, the “In the Darkness” crew has graciously agreed to do the whole thing all over again 3 hours later.

For the first time, the red carpet will pass through your living room as it rolls from coast to coast. Don’t miss this historic event!

‘In The Darkness’ trailer adds momentum to Hulu release date

Monday, March 22nd, 2010

In the DarknessLast week, the full-length trailer for “In The Darkness” premiered on Hulu, building momentum for the film’s March 30 release date.

We at IndieFlix have not seen the movie yet, but the anticipation is mounting. The trailer makes the film look more and more like a hybrid of The X-Files Law & Order every day, which, if my daytime TV rerun indulgences could suggest, might be a winning combination.

The film centers on two men who disappeared in the countryside and the group of investigators hired to find them. When the case starts getting hot, lead detectives realize they might be dealing with something far more sinister than they originally thought.

Adding to the creepy and otherworldly nature of the film is the backdrop – the blackened, fire-torn Angeles National Forest, which sits directly outside of Los Angeles. It was the devastation of the area that inspired the film’s storyline.

“When Andrew Robinson saw the location after the fire the idea for the script quickly began to crystallize in his mind. In a very real way the otherworldly feel of the location after the fire was the catalyst for what ‘In The Darkness’ evolved into,” said Jeremy McGovern, Mattoid producer. “It also played an important role in the timeline… once the location was suggested we realized that mother nature was repairing the damage from the fires much faster than we had expected, which was great, but also meant that if we were going to take advantage of the surreal feel of the location we weren’t going to have much time to do it.”

The location also had a resonating impact on Jenna Edwards, the film’s producer.

“I was inspired to go and film in the forest because at the time, everyone was talking about how devastating it was. And it was, believe me,” said Jenna. “I just didn’t want people to give up. I wanted to show that even if all hope seems lost, it isn’t and if you look hard, you can find beauty in the new.”

Jenna and Andrew worked together on “April Showers,” the bestselling drama centered on the heartbreaking realities of a high school shooting. This film, the second venture for both, signifies a new direction for the team.

“April Showers was a movie that, at the time, Andrew and I both needed to tell. There were obvious personal reasons for Andrew wanting to tell the story and there were most certainly personal reasons for me wanting to tell that story, but as a person and producer, you need to follow your bliss,” said Jenna. “Telling a story like April Showers was a really exhausting process, mentally and emotionally.”

She goes on to explain that while she values the lessons she learned through “April Showers,” there was something shifting in what kind of stories the group wanted to tell.

“I needed to have fun again and make movies I would personally watch. I’ve never kept secret that I love popcorn movies. I go to the movies to escape and be entertained,” said Jenna. “I know that may seem strange for a producer who made a movie like April Showers, but we all have many levels to us. I certainly have a serious level to me and I had been living in that for more than enough time. I really needed to go to my ‘fun level.’”

In some ways, the move from drama to suspense was a business tactic, too.

“Our business model is quite new and we decided to build our slate on a variety of genre films, as they tend to have more of an included audience. Generally, dramas seem to rely more on star power and accolades from film festivals and critics to build their momentum,” said Jeremy. “As we knew then, we were not intending to take these films the festival route and were not going to have big names attached, so genre films were the logical way for us to capture as much of an audience as we possibly could right out of the gate.”

Mattoid Entertainment plans to encompass several genres in the upcoming couple years, including thriller, suspense and dark comedy features.

For those of you readers who love to geek out on film equipment, take note that Mattoid used a Canon EOS 7D, a digital still camera with the ability to shoot HD. They take the bullet as the first feature to be shot entirely on this camera. It is the size of a regular SLR camera and captures video directly onto a memory card which allowed for a level of maneuverability in the unsteady terrain. The camera also has a specially rigging system that it can be placed in to give it the weight and girth of a more traditional camera when appropriate. It’s a traditionally still camera that has a sensor, which captures more light. Since 90% of the film was shot outside, the feature was essential to the project.

“The adaptability of the camera proved to be an invaluable asset to our camera team on the shoot,” said Jeremy.

“In The Darkness” premieres for free on Hulu March 30.

San Francisco Women’s Film Festival online polls now open!

Friday, March 19th, 2010

SFWFF_logoresize

Today, polls for the San Francisco Women’s Film Festival online competition have opened! The winning film gets a special screening at the festival, which runs April 6 – 11.

Help us support and encourage these amazing films by watching them and casting your vote! Online polls close on April 5th.

DIY Days in NYC offers real world advice for media marketing

Tuesday, March 16th, 2010

IndieFlix is excited to announce an upcoming event from our friend Lance Weiler and the WorkBook Project (WBP).  Lance founded the open source WBP a few years ago to support independent creative minds and their projects, and in 2007 he introduced the roving conference series DIY Days to the WBP’s many fans.

Lance Weiler and Slamdance Film Festival founder Dan Mirvish at DIY Days LA (November 2009)

Lance Weiler and Slamdance Film Festival founder Dan Mirvish at DIY Days LA (November 2009)

DIY Days asks, “How do we sustain ourselves as storytellers in this day of shifting distribution systems? How do we monetize our work and get the word out?”  To answer these questions, transmedia innovators from around the world collect in different cities for free day-long conferences covering topics from developing transmedia storyworlds to creating a mobile application to geolocational storytelling.

On Saturday, April 3, DIY Days goes to New York City, and its speaker list is a veritable roll call of some of the most forward-thinking film and media artists working today. Ted Hope (producer of over 60 films, including 21 Grams and Adventureland) will join Cyndi Stivers (founding editor of Time Out NY, managing editor of EW.com), Brian Newman (former CEO of the Tribeca Film Institute, founder of Springboard Media), WBP and DIY Days’ founder Lance Weiler, groundbreaking audio/video DJs Eclectic Method, and over a dozen other transmedia superstars and artistic entrepreneurs to provide free advice on starting and sustaining an independent media endeavor.

In addition to the usual presentations, panels, and workshops, this DIY Days premieres INCUBATOR, an innovative contest for media startups.  Two selected startups will have a session with a think tank of experts (legal, funding, biz dev, branding, design, tech dev) and create a presentation for the day’s end.  The company with the better presentation wins a startup package to help get them off the ground.

DIY Days NYC is free, but space is limited, so register now. The program runs from 9:30am to 8pm (including registration and after-party/mixer) at the New School:  66 West 12th Street, Manhattan, New York.

IndieFlix Play It Again Podcast with Indie Filmmaker Scott Goldstein “Where I Stand: The Hank Greenspun Story” Hosted by Lois Fein

Tuesday, March 16th, 2010

WhereIStand_large

podcast111indieflixlogo111-1

IndieFlix Play It Again Podcast

In Association with:

NEW_headmast_slide_SJFF
“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

podsub12111poddown12111itunes112111

3/16/10 Podcast:

The Scott Goldstein Interview

ScottGoldsteinheadshot

A conversation with award-winning indie filmmaker
Scott Goldstein
-- director, writer, producer of
Where I Stand: The Hank Greenspun Story

Where I Stand Trailer

(3/16/10) (Total time  30:15)

What’s inside The Scott Goldstein Interview?

  • Listen to the Movie, “Where I Stand: The Hank Greenspun Story”  (0:31)
  • “Hank Greenspun didn’t like the mob…and he got after them
    pretty severely a lot of times.”  (0:39)
  • “Tell the story when the guy knocked on the door
    and he came to kill dad.”  (1:17)
  • “Las Vegas was at the crossroads and Hank Greenspun
    was concerned about the people.”  (2:01)
  • “My efforts to rid the town of the mob were finally paying off.”  (2:43)
  • “I had a newspaper to publish.”  (3:23)
  • “Hank Greenspun had his office safe broken into by the Watergate burglars.”  (4:24)
  • “One person can make a difference.”  (4:45)
  • Audience reactions to Where I Stand  (5:50)
  • Greenspun family commissioned former Today Show Producer
    Scott Greenstein to make this film  (7:39)
  • What that meant, as a seasoned journalist  (8:43)
  • Scott Goldstein: “I cut my teeth here [in Seattle].”  (9:19)
  • Scott Goldstein: “I love Jean [Enersen].  I have a huge amount of respect for her.
    She’s one of the beacons of television.”  (10:18)
  • From television to film: “This was a touchdown for me,” says Scott Goldstein.  (11:12)
  • “I shot it like a feature…it has the feel of an adventure story and a yarn.”  (11:55)
  • Filmmaking dos and don’ts: “Story, story, story…”  (12:20)
  • The time Hank Greenspun publically confronted McCarthy  (14:00)
  • What Hank Greenspun had that today’s journalists don’t have:
    “He had a vision and a point of view, and he was obsessed with justice.”
    (15:11 & 17:52)
  • Hank Greenspun was a big booster of Las Vegas.  (16:03)
  • What’s the largest paper route in the history of news?  (16:23)
  • “He lived and died for that paper, and money never mattered to him.”
    (16:41 & 17:47)
  • Scott Goldstein:  “When families ran things as opposed to corporations,
    generally their heart was in the right place.”  (18:27)
  • Where I Stand: “It’s won every festival it’s been in.”  (19:32)
  • “I want it to go to broadcast television because I want people to see this story.”
    (20:25 & 21:04)
  • Where I Stand is playing at the Seattle Jewish Film Festival
    AND “You can call it a Las Vegas film, a crime film, a civil rights film…”  (22:14)
  • “Watch it, watch, it watch it because it’s worth it, worth it, worth it.”  (23:27)
  • How did Scott Goldstein get Anthony Hopkins on board for Where I Stand?
    (20:08 & 24:10)
  • “I met with Hopkins and he loved the script and he loved the story,
    and I will never forget this…”  (26:06 & 26:39)
  • Will Scott Goldstein work with Anthony Hopkins again?  (27:30)
  • “Hank Greenspun always responded to that sense of justice.”  (27:57)

STILL FROM “WHERE I STAND:
THE HANK GREENSPUN STORY”

MV5BMTM5NTYwNjM2OF5BMl5BanBnXkFtZTcwNjQ4MDE1Mg@@._V1._CR159,0,642,642_SS100_


indieflixlogo111-1

Play “IndieFlix Podcast Puzzle” (3/16/10):


Meet Indieflix Podcast Host: Lois Fein

seattle-songwriter-1111

Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits:
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

audio-technica-logo111skype_logo111

Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

steinberglogo111wavelabstudio6logo111
_________________________________________________________

indieflixlogo111-1

This edition of IndieFlix Podcast Puzzle is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

1/26/10 PODCAST ANSWERS:

THE ANSWER to IndieFlix Podcast Puzzle (1/26/10) is
“Yes”

THE ANSWER to IndieFlix Name That Voice (1/26/10) is
“Casey Puckett -- 5-Time Olympian”

__________________________________________________________

3/16/10 Edition -- IndieFlix Play It Again Podcast

IndieFlix filmmaker creates on and off-line film communities

Thursday, March 11th, 2010

Go-Kustom7IndieFlix filmmaker D.A. Sebasstian is taking the indie world by the horns and creating a space, both on and off-line, where film lovers can meet, watch films and support each other.

We’ll do a rundown of his projects here, but make sure to visit D.A.’s blog and FilmEES website for more information on how you can get involved.

FilmEES (Film Education Entertainment Sustainability) Coalition: D.A. started the group late last year and the member base is quickly growing. What started as a response to Ross Pruden’s #infdist hashtag on Twitter has grown into a full-fledged online community dedicated to empowering independent filmmakers to connect with each other and share information. Filmmakers can add film trailers, post screening events and ask questions in a FilmEES forum.

FilmEES Edmonds: Located at the former Woodway Elementary School and currently home to the Crescendo-Artistic Environment School Auditorium, the FilmEES Edmonds Series showcases independent films from around the world. Admission is a $5 donation for the Crescendo Arts Programs and Camps that help young people find their voice in the arts. The auditorium features a pull-down projection screen, built in sound system and can hold up to 690 people. Popcorn and drinks available! Their first screening is “Mission X” on March 13th from 9-11 p.m. On April 10th from 9-11 p.m., you can catch a screening of “The Commune.”

Hod Rod Monsters Film Festival: Last year, D.A. hosted the first annual Hot Rod Monsters Film Festival, which was a fun opportunity to bring kustom kulture, sexy pinup girls and freaky alien monsters all together for one big party. He’s doing it again, this time during Halloween, Oct. 30 – 31st. He’s accepting submissions now, click here for more information.

Munster Style Magazine: This new magazine is the source for everything kustom kulture and has an awesome B-movie and cult classics selection.

Also, his feature film Hot Rod Girls Save The World is for sale on IndieFlix. He’s just finishing a new version with a special features disc. The two disc set is entitled “Hot Rod Girls Save The World (Kustom Edition)” and features an alternative ending and a shorter running time. He’s also working on his second feature “Rad Rod Rockers” and is beginning work on a documentary film about horses and trainers in Seattle (untitled at the moment).

Seems like D.A. has a full plate of projects, but he wouldn’t want it any other way.

Follow D.A. on Twitter, Facebook, check out his blog and join FilmEES!

And the winner is…

Monday, March 8th, 2010

That's life 2

Congratulations Detroit Independent Film Festival Online Audience Award Winner “That’s Life.”

Chuck Gale directed the short film “That’s Life,” a tale about a crazed gunman who takes hostages in a bar, holding the audience in suspense at every twist and turn. IndieFlix is excited to move forward with a distribution deal for the film.

Over 200 people watched and voted for the film and made their vote, and “That’s Life” took the prize. It was a close call, however… the amount of support from fans of DIFF was overwhelming and exciting.

Thanks to all who voted and supported DIFF and the online audience award.

Finding Playland, a bestselling trip down Seattle’s memory lane

Friday, March 5th, 2010

findingplayland

Finding Playland” is a nostalgic trip through Seattle’s carnival past. It has connected audiences with a part of history tucked away and is now the biggest sleeper hit in the IndieFlix library.

The Playland Amusement Park was a 65 acre amusement park built on Bitter Lake in 1930, just seven miles north from the epicenter of downtown Seattle. The million dollar amusement park was built in the eve of the Great Depression. The biggest attraction was The Dipper, a 85 foot high roller coaster. The park was considered one of the biggest attractions in the Pacific Northwest until it’s demise during the decade-long economic depression. The under-capitalized company that owned the land failed after only a year of operation. Playland, itself, survived, thanks to the Dipper designer, a man who lived in the Pacific Northwest. He took over the lease of the park and operated Playland with a succession of partners for the next 30 years.

Eventually, the owner grew older and the needs of the community changed – they needed more space for schools and conventional parks and the local school board bought the land and Playland officially shut down at the end of the season in 1961.

Many fans of the film have contacted IndieFlix, revisiting their memories of the park in emails, thanking filmmaker Greg Brotherton for his work. Greg joined us for an IndieFlix Filmmaker conversation last winter, where we discussed new media tactics in film marketing, so it’s exciting that he has taken the initiative and created a successful marketing launch for his film. Kudos, friend!

AJC Seattle Jewish Film Festival Online Polls Now Open!

Wednesday, March 3rd, 2010

Online polls for the 15th annual AJC Seattle Jewish Film Festival are now open on IndieFlix.com! Audiences all over the world can now log in and watch free films, courtesy of SJFF.

The winning film gets a monetary prize from SJFF during closing night festivities and will also be offered a distribution deal with us at IndieFlix.SJFF-AJC logo

SJFF is a program of the American Jewish Committee Seattle Regional Office (AJC). They definitely recognize the power of the film medium – at their core, they use it to promote cultural understanding and community. Not only have they planned a film festival, but a list of panels, special guests and events focused on issues surrounding the films.

The films and participating filmmakers come from all over the globe, and the AJC Seattle Jewish Film Festival is the largest of its kind in the Northwest. In it’s 15th year, the festival is still going strong. Last year, over 8,000 people attended the event and more are expected this year.

If you’re local, buy tickets to the festival and watch some amazing Israeli and American Jewish films. If you’re not in the Seattle area, make sure you watch the festival films on our site and show your support. The festival runs March 11 – 21st at Cinerama and SIFF Cinema. Mazel tov!

Seattle’s ‘Humpday’ director Lynn Shelton Moves to MTV

Tuesday, March 2nd, 2010
lynn_shelton

Lynn Shelton in the MTV photo booth at Sundance 2010

Seattle film darling Lynn Shelton, director of “Humpday,” is moving to the web. She has directed a Seattle-based webisode series for MTV’s $5 Cover, a psuedo-reality web series that follows artists in multiple cities throughout the US. Lynn follows 13 eclectic Seattle bands, reenacting their triumphs and failures on stage and in their personal relationships for fictional drama.

The series follows the bands through “one wild weekend as they work, sweat, perform, and party in Seattle’s clubs, bars, after hours speak easies and crash pads,” according to the MTV site. It promises to “capture the color, flavor and texture of Seattle.” (Whatever that means…) All of the musicians will play themselves in stories based on their actual experiences.

Featured performers include the awesome electro-rap duo Thee Satisfaction, punk band Whisky Tango, hippie psychedelic group The Moondoggies and Sean Nelson, formally of Harvey Danger and The Long Winters.

I haven’t seen the show, it’s not live on MTV yet, but The Stranger reviewed it here. There was some minor outrage about the whole thing on the Slog Line-Out announcement. Comments from “Obligatory Lynn Shelton sold out comment” to “It lacks tact! These bands should be ashamed of themselves!” remind us that, around this town, being a true indie rock star means avoiding MTV’s mainstreaming influence like the plague. Personally, I think it’s worth it, seeing as everyone in the art world is scrambling for a paycheck, but hey, that’s just me.

San Diego Indie-fest: Feed Your Mind, Free Your Muse

Monday, March 1st, 2010

header_0224The 6th annual San Diego Indiefest is slated for March 26-27 in North Park and, for the first time, the entire first day will be dedicated to everything indie film.

San Diego-based film production company (and networking extraordinaire) Mental Eclectic is hosting the Mental Eclectic Film Stage at the Queen Bee Arts and Cultural Center. Over 50 films will screen, including, for the first time, a music video category. Winning films in each category will be acknowledged, festival laurels included.

An exciting panel, “DIY Filmmaking From Crowd Funding to Distribution,” will happen March 26. Our very own Jenna Edwards of Mattoid Entertainment, the producer of “In The Darkness” and “April Showers,” will contribute to the conversation and represent IndieFlix. Only a few days before her Hulu premiere, it should be an exciting time to talk about what’s next in film. Also on the panel are Saskia Wilson-Brown of Indie Go-Go, Kurt Braun of ArtAtaxUnit.com and founder of FirstGlanceFilms.com, William Ostroff. They represent some of the most cutting edge voices in the ‘biz, a group that should not be missed.

They’ll be followed by a group discussing how to market your film. Panelists include Jenn Page from LuminaveFilms.com, Matt Jarbo from FlashYourShorts.com and David Brannin and Karen Worden from Filmcourage.

After taking in the panels and film screenings, an industry mixer at Queen Bee will help take the edge out. They’ll be raising money for “Day After The Revolution,” a film entirely funded by indie film supporters.

The next day, The Nappy Roots and Metric will headline the music festival, with plenty of artists booths and vendors to keep it interesting.

It sounds like a fantastic party and I wish I could escape the Seattle rain to catch it.