Archive for April, 2009

Director of April Showers Andrew Robinson on Good Day L.A.!

Wednesday, April 15th, 2009


Hello everyone,

Andrew Robinson, director and writer of April Showers, appeared on Good Day L.A. this morning to promote the film and share his experiences.  Please watch the interview above!

Thanks!

Team IndieFlix

NewFlix Tuesday April 15th 2009

Wednesday, April 15th, 2009

NewFlix Tuesday April 15th 2009: Connecting People Through Movies

Stop Motion

22374 In the Fall of Gravity
SYNOPSIS: (Short Film)
A wizard and his traveling companion discuss the nature of life and the workings of the universe.

Film Festival Screenings:
New York International Independent Film & Video Festival Best Short Animation

Watch STREAMING $4.95 Purchase the DVD $9.95

Horror

21841
Horror Vault 1
SYNOPSIS: (Collection of Short Films)
Nine tales of human cruelty, nine tales of human depravity, nine tales of true horror, nine tales by nine different directors.

Watch STREAMING $4.95 Purchase the DVD $9.95

Documentary

22611
The Seeker
SYNOPSIS: (Feature Film)
THE SEEKER centers on struggling screenwriter and former teacher, 45-year-old Evan Somers who sets out from Los Angeles on a road trip across America on his trusty motorcycle. Sound familiar? Stop right there. Somers is a quadriplegic. His motorcycle is a modified Honda automatic with attached sidecar that he slides onto in his wheelchair. And his midlife crisis is a bit different: he wants to know how close the medical establishment has come to a cure for the many like him paralyzed from spinal cord injuries. He wants to know if he will ever walk again or if he should just give up hope. Never wallowing in self-pity, but real and funny and unpretentious to the last, we get a glimpse into the lives of fellow humans struck down by this terrible malady and we hear from scientists and doctors about their predictions and prognosis. As a sideshow we also get a beautiful journey across America to the annual motorcycle extravaganza in Sturgis, where Evan becomes a star in his own right.
Film Festival Screenings:
Rome International Film Festival – Best Documentary Feature (nominated)
Santa Fe Film Festival
Dances With Films
Wine Country Film Festival
California Film Festival

Watch STREAMING $4.95 Purchase the DVD $9.95

22365Hope Among Us

SYNOPSIS: (Short Film)
A documentary that provides a look into the reality of homelessness straight from those who live it. We go to Venice Beach, Hollywood, and Los Angeles’ skid row for candid interviews with a diverse group of homeless people and those who volunteer to help. A glimpse into what this way of life is like, and what gives them hope for a better tomorrow.

Watch STREAMING $4.95 Purchase the DVD $9.95

21541The Hitchhiking Movie

SYNOPSIS: (Feature Film)
The Hitchhiking Movie follows the journey of Ryan Jeanes during his quest to hitchhike across the United States. With a one-week deadline and nearly 3000 miles to travel, this trip wasn’t going to be easy. Come with us on a road trip from New York to Los Angeles where Ryan and Phillip have to depend solely on the help of strangers. Is kindness still alive on America’s highways? You’ll find out in this unforgettable adventure!

Watch STREAMING $4.95 Purchase the DVD $17.95

IndieFlix Play It Again Podcast with This is The Life Filmmaker Ava DuVernay Hosted By Lois Fein

Tuesday, April 14th, 2009

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IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below
  •  
    icon for podpress  IndieFlix Play It Again Podcast with Ava DuVernay Hosted By Lois Fein [46:33m]: Play Now | Play in Popup | Download

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  • Play Podcast Puzzle
  • Name That Voice
  • Meet Host, Lois Fein

4/14/09 Podcast:

The Ava DuVernay Interview

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A conversation with award-winning independent filmmaker Ava DuVernay
- director, writer, and producer of This is The Life

This Is The Life – Trailer

(4/14/09) (Total time – 46:32)

What’s inside The Ava DuVernay Interview?

  • What “The Good Life” meant to those who experienced it (0:15)
  • What is “The Good Life”? (2:40)
  • Listen. You are there. (3:42)
  • What inspired Ava to make this documentary?  (5:35)
  • “Please Pass the Mike” (6:05)
  • Did Ava ever get the “axe”? (8:38)
  • Pushing the boundaries of hip hop (8:50)
  • Escape?  Release?  Home?  (11:12)
  • The “sinister” side  (12:47)
  • Why “This is The Life” is important historically (13:38)
  • How Ava got the film footage (16:20)
  • Rewards of the niche festival circuit (18:05 & 25:44)
  • Who enjoys “This is The Life”? (18:50 & 26:34)
  • One audience member’s reaction (20:45)
  • LA Reunion at House of Blues  (26:28)
  • International appreciation (32:36)
  • What IndieFlix can do for you  (35:22)
  • Self-distribution as “first choice”  (36:49)
  • The power of THIS publicist  (39:56)
  • Why risk it all  (41:09)
  • Ava DuVernay’s “Good Life” (42:43)

POSTER FROM THIS IS THE LIFE
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Play “IndieFlix Podcast Puzzle” (4/14/09):


Play “IndieFlix Name That Voice(4/14/09):


Meet IndieFlix Podcast Host: Lois Fein

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L
ois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

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Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

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_________________________________________________________

indieflixlogo This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

3/31/09 PODCAST ANSWERS:

THE ANSWER to IndieFlix Podcast Puzzle (3/31/09) is
“From Here to Awesome”

THE ANSWER to IndieFlix Name That Voice (3/31/09) is
“Zeke Zelker – director, writer, and producer of InSearchOf”


__________________________________________________________

4/14/09 Edition – IndieFlix Play It Again Podcast

Indie-Fest at The National Film Festival For Talented Youth 2009! Free to Watch & Vote April 9-25th

Monday, April 13th, 2009

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National Film Festival for Talented Youth Online Competition
Watch (for free) and Vote!

About NFFTY
The National Film Festival for Talented Youth (NFFTY, pronounced ‘nifty”) was founded in 2007. NFFTY has become the largest and most influential film festival and support organization for filmmakers age 22 and under. NFFTY occurs each spring in Seattle, Washington and includes 100+ film screenings, filmmaking panels, concerts by youth bands, and opportunities for young filmmakers to network with industry professionals and each other. Here at Indie-Flix we are proud to work with an organization that supports young independent filmmakers!

NFFTY’s Indie-Fest runs until midnight on April 25th!

Go vote and make your voice heard!

ABOUT INDIE-FEST

Indie-fest is an IndieFlix sponsorship. It is the festivals’ online film competition working with the filmmakers and festivals to market, provide technology, and user support to cater to and built an aggregated festival audience to support the world of Independent film. The festival provides the programming. You get to watch for free and share your honest opinion with the filmmakers and the festival.

Finally the audience has a voice in programming by choosing a winner. Indie-fest allows users to participate, support and enjoy independent film at participating festivals around the world. Free and the opportunity to win passes to galas, VIP screenings and parties at festivals around the world.

“This is only the beginning. It’s time for the audience to have a voice in what plays in our theaters from the festivals to the multiplex.”
Scilla Andreen, Filmmaker, CEO & Co-founder IndieFlix.com

“Perfect Sport” & “April Showers” on Apple Trailers!

Friday, April 10th, 2009

apple-trailers

Hi everyone!

We are happy to announce that our two special release films trailers are live on the apple trailer website as well as iTunes!  Please click the screenshot above to head over to the site and watch them in all their glory!

Thanks!

Ian D.

“Perfect Sport” Is The Centerpiece Film At NFFTY ‘09

Thursday, April 9th, 2009

perfect-sport-key-art2

Hello Everyone,

We are proud to announce that “Perfect Sport” will be debuting theatrically at the “National Film Festival for Talented Youth.”  The festival takes place in Seattle April 24-26! Stay tuned for more details or click the image below for ticketing information.

About NFFTY

The National Film Festival for Talented Youth (NFFTY, pronounced “nifty”) was founded in 2007. With our 3rd festival in 2009, NFFTY has become the largest and most influential film festival and support organization for filmmakers age 22 and under.

NFFTY occurs each spring in Seattle, Washington and includes 100+ film screenings, filmmaking panels, concerts by youth bands, and opportunities for young filmmakers to network with industry professionals and each other. Young filmmakers from around the world submit feature-length and short films in narrative, documentary, animation, music video, experimental, and international categories. NFFTY is a core program of The Talented Youth, a non-profit arts and cultural organization.

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April Showers Theatrical Trailer – In Theaters April 24, 2009

Wednesday, April 8th, 2009

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Here is the theatrical trailer for the film April Showers coming to theaters April 24, 2009. Check your local listings for showtimes or visit us on the web at www.aprilshowersmovie.com to see if the film is playing in your area.
Thanks!

Team IndieFlix

NewFlix Tuesday April 7th, 2009

Wednesday, April 8th, 2009

This Week’s New Releases:

Documentary

19670 Healthcare Crisis: Who’s At Risk?
SYNOPSIS: (Feature Film)
In a one hour timeframe this program presents a clear overview of how American health policy has developed, the issues we currently face, and what we as a nation can do to solve these dilemmas. Healthcare Crisis: Who’s at Risk? brings us face-to-face with those who struggle daily with the effects of our policy dilemmas and empowers Americans with a clear and objective understanding of the healthcare debate, the impact it has on all of us, and possible solutions to some of these fundamental problems.

Watch STREAMING $4.95 Purchase the DVD $9.95
Fantasy

21579

The Yesterday Pool
SYNOPSIS: (Short Film)
The Guardian of a magical pool (Mickey Rooney) returns as the celestial guard of a magic pond that allows its visitors one opportunity to correct the biggest mistake of their lives. The pond is a test of will, patience, discernment and wisdom that many people find difficult to pass.

Watch STREAMING $4.95 Purchase the DVD $9.95

Drama

22245 A Patriot Act
SYNOPSIS: (Short Film)
Veiled in a back lit silhouette, his voice altered, a young man nervously tells his story: Tony is fond of his girlfriend, getting high, and playing on the internet. When he meets his friend Kaleam to buy a large block of hash, Tony unknowingly falls into a terrorist surveillance operation. Using listening devices and high tech tracking systems, the team taps into his cell phone and links to his electronic toll pass. Back home, Tony and Jessica indulge in their own private party. While they drink, smoke and pop pills, a covert extraction team prepares for a raid. In a dank and grimy room, Tony wakes from a drug induced sleep to find himself the subject of an interrogation by unknown agents. Confused by their questions, Tony demands a lawyer, only to be told he’s not under arrest. As the interrogators become more and more aggressive in their tactics, the lines protecting civil liberties and human rights become blurred with the effort to protect the very same liberties and rights.

Watch STREAMING $1.95 Purchase the DVD $5.95

Children’s

20431 Rachel’s Fortune
SYNOPSIS: (Short Film)
Seven year old Rachel wakes up one morning and finds an ad for the new ‘Sassy Holly’ doll. Rachel checks her piggy bank, but she is one dollar short of the price for the doll. Determined to get this doll, Rachel goes to extreme limits by stealing money from her mother’s purse. Unfortunately for Rachel, no matter how much money she steals, she never has quite enough. In the midst of trying to gather up enough money for this doll an old man arrives at Rachel’s door collecting money for her friend’s family whose house burned down. Rachel realizes that her friend’s family needs the money more than she does, and she decides to give the money she’s been saving to the Old Man. Rachel returns the stolen money to her mom’s purse, and through this generous act of giving Rachel receives her true fortune.

Watch STREAMING $1.95 Purchase the DVD $5.95

Thriller

22349 Birdemic – Shock and Terror
SYNOPSIS: (Feature Film)
A platoon of eagles and vultures attack the residence of a small town. Many people died. It is not known what caused the flying menace to attack. Two people fight back, but will they survive BIRDEMIC?

Watch STREAMING $4.95 Purchase the DVD $24.95

April Showers Behind The Scenes Part 2

Monday, April 6th, 2009

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icon for podpress  April Showers Behind The Scenes Part 2: Play Now | Play in Popup | Download

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April Showers: The Story Behind the Movie will chronicle the film from script to screen and beyond. This weekly series will feature interviews with the cast and crew as well as behind the scenes footage and scenes from the film as we approach the April 24, 2009 release of April Showers. See never before seen footage, exclusive interviews with the cast and crew as well as catch a glimpse into how April Showers is going beyond the film to impact the lives of young people everywhere.

What’s in a rating? A letter to parents on the MPAA.

Monday, April 6th, 2009

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To share or not to share on the rating we received from the MPAA on the film April Showers?  Andrew Robinson, director of the soon to be released April Showers and I were discussing whether we should share our frustration on what seems to be an unfair and inappropriate rating from the MPAA.  We feel strongly that next weeks appeal process will render a PG13 rating but we did not want to scare off a portion of our audience in sharing this stage of the process.

What we realized is that there clearly needs to be more knowledge in general on what the MPAA ratings really mean and how they are assigned.  We decided to share…

Scilla Andreen

CEO IndieFlix

What’s in a rating? A letter to parents

What’s in a rating? A letter to parents

Last week the MPAA saw it fit to give April Showers an R-rating for it’s intense subject matter and realistic depiction of violence, however they did concede that the violence in April Showers was not gratuitous nor excessive. They felt that the violence, knowing that April Showers is based on actual events, makes it more real than other types or forms of violence normally depicted in motion pictures. Furthermore they concluded that it would be best for parents to see April Showers with their teenage children to be able to explain and/or discuss the violence they saw either during or following the film. By giving April Showers an R-rating the MPAA saw an opportunity to effectively “force” parents to get involved in the viewing habits of their children. Seeing as how the target audience for this film is teens, most of which are under the age of 17, it would seem that they’ve put the breaks on our ability to reach out to the younger audience.

Nope.
While I disagree with the MPAA’s ruling, and will be appealing it next week, April Showers must move forward with the knowledge that the final verdict may still result in an R-rating. In many ways I see this as hugely unfair, but at the same time, am done fretting over it. So the film may get an R-rating, okay, where do we go from here?
We go to theaters. We go to where the audiences still want to see this film, which despite the news of the MPAA’s rating still includes many younger teens (14+) who are willing to see it with their parents or guardian. The truth of the matter is, this film has never been about a rating. We need a rating in order to play in theaters across this country and we have one. It may not be the one we want, nor the one we ultimately end up with, but we have it and can move on.
So parents, this letter is directed at you. If you’ve been following us these past few months and have taken no issue with anything you’ve seen, read or listened to myself or others talk about and deemed it appropriate for your son or daughter then I assure you viewing the film, while difficult at times perhaps, will be no different. I hope throughout this whole process I’ve been open and honest with you all and that regardless of what label the MPAA decides to slap us with you’ll know what to expect when viewing April Showers in theaters. However, if you have not been following us, or are relatively new to the April Showers family, then first let me say welcome and second fill you in a bit on what to expect when viewing April Showers either for yourself or with your children.
April Showers is not a violent film in the way you may expect an R-rated film to be. If the R-rating is an attractor for you because you like to view violent or subversive content then I fear the film may be a let down for you for the film is no more violent than watching the news or viewing an episode of Law & Order. While the overall driving topic behind April Showers may be of a violent circumstance the way that it is handled on screen is anything but. It is my personal belief as a storyteller and director that the world doesn’t need to see more graphic images in order for their to be impact, again this is my personal belief and one that I do not force upon others nor do I slight other, more violent films, because of it. Instead of showing the outright violence of a school shooting, like Columbine, myself, along with my cast and crew, chose to imply the violence and chaos in many other ways.
Much of the highly traumatic moments are handled through editing, sound, sound editing, lighting and the actors themselves and not in the outright bloodshed or wonton graphic violence. That being said, there are characters, both large and small, that do perish in the film, however none meet their end in a vulgar or graphic way. When you do see a victim or body it is usually during a rapid camera movement or in shadow. If the victim is in frame for any meaningful amount of time with which to register or elicit an knee jerk reaction it is not accompanied by blood or gore. However, while we may not out right “show” violence because of the situation and realistic reactions given by the actors the audiences have and do believe the peril thus making the inferred violence feel more real. Truthfully, this approach is largely the reason behind the MPAA giving us an R-rating for it seems audiences are more comfortable with seeing excessive violence and bloodshed versus not seeing it and being put in an uncomfortable situation that forces them to contemplate and think about the outcome of said violence. If that mind set is what has truly earned me and this film an R-rating then I take it as a compliment for I think audience shouldn’t view violence of any kind blindly and devoid of any emotion regardless of the overall topic, theme or tone of a film. Violence is violence and while it may be accompanied with a snappy punch line or driving rock soundtrack someone or something is doing harm to another and we must be aware of that versus numb to it.
Beyond the violence there is no vulgar language, drug use, nudity or sexual content of any kind in April Showers. The reason for this is not because I am a prude or because I am trying to be holier-than-thou, it is because in order to film the movie in an active school using a majority of an active student body we had to tailor the script to fit within the parameters of what the school board and parents felt was a PG-13 rated film. We did this willingly and I believe the film is better for it. Now if you view the word(s) “hell” and “shit” as excessively vulgar then I do apologize but want you to know that both words are in the film a total of two times or one time per offense. However, both words fall within the realm of a PG-13 film thus were not cut from the film and not the reason for the R-rating.
The film deals largely with issues pertaining to the direct aftermath of school violence and the struggles students, teachers, parents and communities go through as the result. The film touches upon issues pertaining to friendship, love, loss, religion, faith and accountability to name a few. Honestly, the issues I’ve just mentioned are what most viewers come away from the film talking about more than what they physically saw on screen. This simple fact, the conversation(s) the film starts is one of the biggest reasons behind my wanting to make April Showers for everyone to see.
So, with that said I now ask something of you. If you are a parent and your teenage son or daughter is not of the legal age to view an R-rated film but they wish to see April Showers I urge you to make a date with your child and see the film. I truly believe, and the MPAA agrees oddly enough, that this is a film that should be seen by as wide an audience as possible for it has the ability to effect and promote positive change. I recently received word from a principal of a high school, who showed the film to his students and their parents, informing me that he has witnessed a dramatic change in the attitude, mindset and general well being the kids are expressing and showing towards one another. While this is the most recent correspondence of this nature it is not the sole one nor will it be the last.
April Showers is here to show a side of tragedy many people, thankfully, don’t ever have to experience. That being said, it’s a side of the coin that when even viewed in a cinematic form can have a profound positive effect on those who may not of otherwise understood it or known of its existence. This effect is what people are taking away from the film and in subtle and not so subtle ways applying it to their everyday lives.
Lastly, I’d would like to say please don’t think that if we get our R-rating overturned and lessened to a PG-13 that it is still an R-rated film in sheeps clothing. If I truly believed April Showers deserved an R-rating then I would accept it wholeheartedly and without protest, it’s just that I don’t feel it’s an R-rated film. PG-13? Absolutely. But I also want to point out that while the MPAA doesn’t feel that all audiences can handle the “real subject matter” contained within the film, they don’t seem to concerned with trying to censor or protect underage eyes from the news coverage of Columbine like shootings all over the world. On the ten-year anniversary of the Columbine tragedy, which is coming up in a few weeks, we will, once again, be inundated with images from that day. Images that will depict acts of violence not only in blood shed, but in the overall handling and coverage of the event that the victims and victims families were forced to relive day in and day out. If your son or daughter has viewed any footage that was captured the day of Columbine (or any other school shooting) then they’ve already seen far worse than anything I could possibly show in the film April Showers. All I hope for, is that by viewing April Showers those real images now have real meaning and can be accompanied by discourse and understanding that promotes growth and emotional understanding of our fellow men and women that can curb these acts of violence from happening again.
I thank you all so very much for your time, consideration and support. I will keep you posted as to the results of our ratings appeal. Until next time, I wish you all the very best, take care and stay tuned…
Sincerely,
Andrew Robinson
Writer/Director
April Showers

“This Is The Life” To Debut on Showtime This Weekend!

Friday, April 3rd, 2009

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Hello everyone,

We’d like to let you all know that if you have a Showtime subscription please check out “This Is The Life.”  Listings are below along with a description and a link to buy the DVD at www.indieflix.com.

Thanks!

Team IndieFlix

Description: This Is The Life

Filmmaker Ava DuVernay’s inspiring documentary reveals the little-known history of an alternative hip hop movement that eschewed gangster rap, centered around a South Central Los Angeles health food store in the early 1990’s.

Schedule:

- On Showtime Too 04/03/09 at 5:45 PM EST
- On Showtime Next 04/10/09 at 1:10 PM EST
- On Showtime Too 04/11/09 at 3:00 PM EST
- On Showtime Showcase 04/13/09 at 2:45 PM EST
- On Showtime Showcase 04/16/09 at 6:15 PM EST

April Showers Behind The Scenes – Part 1

Friday, April 3rd, 2009

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Hello Everyone,

Please enjoy the new April Showers Behind-The-Scenes Video – Part 1.  The video covers a variety of topics and offers great insight into the peaks and valleys that encompass pre-production.  Please enjoy it and stay tuned for more to come.

 
icon for podpress  April Showers Behind The Scenes Part 1: Play Now | Play in Popup | Download

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Thanks,

Team IndieFlix

April Showers Vs. The MPAA

Friday, April 3rd, 2009

April Showers vs. MPAA

R-rating

Dear April Showers’ Fans, Friends and Family,

Yesterday, I was introduced, via a phone call, to one of Hollywood’s biggest and most influential groups; the MPAA or the Motion Picture Association of America; the person or persons behind the curtains that rate movies. A film rating is not only a tool for audiences to prejudge content but it is a marketing tool for studios and exhibitors alike. More importantly, the MPAA is not impartial nor independent. See below…

The following was taken from Wikipedia:

The Motion Picture Association of America (MPAA) was since 1922, originally the Motion Picture Producers and Distributors of America(MPPDA) (pre – 1942 and 1946 – 1948), is a non-profit business and trade association based in the United States, which was formed to advance the business interests of movie studios.

The current Chairman and CEO of the MPAA is Dan Glickman . MPAA members include the “big six” major Hollywood studios [1], which are:
  1. Walt Disney Pictures (The Walt Disney Company);
  2. Columbia Pictures (Sony Corporation);
  3. Paramount Pictures (Viacom);
  4. 20th Century Fox (News Corporation);
  5. Universal Studios (NBC Universal);
  6. Warner Bros. (Time Warner).
Jack Valenti was the MPAA’s president from 1966-2004 and basically was and remains somewhat the “face” of the MPAA. He was also in government prior to his tenure at the MPAA, however, one should point out that the MPAA is NOT nor has it ever been a government regulated agency.
The MPAA administers the voluntary film rating system.
This is true, the MPAA is voluntary…technically. Because the MPAA is composed and controlled by studios and theater owners they’ve decided (in roughly all cases) that a film can not be shown theatrically without a rating. And historically, NC-17 films either do not get shown at all or are unable to be marketed to the general public due to their “graphic” content thus, basically, destroying the film’s potential impact and box office.
So who decides what films get what ratings? Truthfully, no one really knows for it’s easier to find out the identity of government spies than it is to find a film rater. The MPAA state a number of criteria a film must meet in order to get a G, PG, PG-13, R or NC-17 rating. They are…
  • A G-rated motion picture contains nothing in theme, language, nudity, sex, violence or other matters that, in the view of the Rating Board, would offend parents whose younger children view the motion picture. Some snippets of language may go beyond polite conversation but they are common everyday expressions. No stronger words are present in a G-Rated motion picture. Depictions of violence are minimal. No nudity, sex or drug use are present in the motion picture.
  • A PG-rated motion picture should be investigated by parents before they let their younger children attend. The PG Rating indicates, in the view of the Rating Board, that parents may consider some material unsuitable for their children, and parents should make that decision. There may be some profanity and some depictions of violence or brief nudity. But these elements are not deemed so intense  as to require that parents  be strongly cautioned beyond the suggestion of parental guidance. There is no drug use in a PG-Rated motion picture.
  • A PG-13 rating is a sterner warning by the Rating Board to parents to determine whether their children under the age of 13 should view the motion picture, as some material might not be suited for them. A PG-13 motion picture may go beyond the PG rating in theme, violence, nudity, sensuality, language, adult activities or other elements, but does not reach the restricted R category. The theme of the motion picture by itself will not result in a rating greater than PG-13, although depictions of activities related to a mature theme may result in a restricted rating for the motion picture. Any drug use will initially require at least a PG-13 rating. More than brief nudity will require a PG-13 rating, but such nudity in a PG-13 rated motion picture generally will not be sexually oriented. There may be depictions of violence in a PG-13 movie, but generally not both realistic and extreme or persistent violence. A motion picture’s single use of one of the harsher sexually-derived words, though only as an expletive, initially requires at least a PG-13 rating. More than one such expletive requires an R-Rating, as must even one word used in a sexual context. The Rating Board nevertheless may rate such a motion picture PG-13 if, based on a special vote by two-thirds majority, the Raters feel that most American parents would believe that a PG-13 rating is appropriate because of the context of manner in which the words are used or because the use of those words in the motion picture is inconspicuous.
  • An R-rated motion picture, in the view of the Rating Board, contains some adult material. An R-rated motion picture may include adult themes, adult activity, hard language, intense or persistent violence, sexually oriented nudity, drug abuse or other elements, so that parents are counseled to take this rating very seriously. Children under 17 are not allowed to attend R-rated motion pictures unaccompanied by a parent or adult guardian. Parents are strongly urged to find out more about R-rated motion pictures in determining their suitability for their children. Generally, it is not appropriate for parents to bring their young children with them to an R-rated motion picture.
So, why do I bother bringing all this up? Because yesterday I was informed that April Showers would be receiving a R rating by the MPAA. I hit the roof, because throughout filming my cast, crew and I were all well aware of the MPAA’s guidelines and rules and were making April Showers in, what we thought, was accordance to a PG-13 rating. After screening the film for a number of Hollywood people as well as professional movie critics and reviewers we were constantly being told PG-13 no problem. So imagine my surprise yesterday when Jenna informed me we received an R.
I asked for the MPAA’s reasons behind the R-rating as was giving four points.
1. An R-rating would encourage parents to view April Showers, a high-impact, moving drama about real life, with their children so they could take a more active role in what their child may or may not being going through in their life or at school.
2. The SWAT team depicted in the film do not appear to help dead or dying students.
3. A main character dies on screen.
4. A main character carries a person who may or may not already be dead.
That was it. When we asked if they felt the violence was gratuitous or if there was harsh language they replied no. It was because the film was deeply moving and depicted real life that the impact of our violence was deemed harsh enough for an R-rating.
To which I must say BS.  An R-rating on April Showers is not only unfounded and utter BS, but it potentially curbs our ability to bring the film to our core audience which is high school aged students 15-18 thus also hindering our ability to help schools.
To point one for the R-rating I must say I like the idea of this, but to give a film an R-rating for no other purpose than to  ”force” parents to watch content with their children is absurd.
To address point two, the SWAT team in the film is real and acts in accordance with their policies and tactics. SWAT teams are not first responders when it comes to treating the wounded they are first responders to the threat of danger to themselves and to others. They call in wounded and even, at times, provide escort or cover to medical personnel to assist the wounded but this is NOT their primary function and/or job. The SWAT team that was present at Columbine brought able bodied students to safety and secured the building, just like they do in April Showers.
Point three, are you kidding. A character dies, in a non gratuitous way on screen. You can name more than a dozen movies where this occurs and the film has gotten a PG-13 or even a PG. Darth Vader (played by Hayden Christensen) has his arms and legs cut off by Obi-Wan’s light saber in the final Star Wars prequel and that was rated PG.
Finally, point four. Allow me to illustrate.
jason-carry
This is the scene in question, specifically the shot, the MPAA has issue with. This garners an R rating.
pearl-1
pearl-2
pearl-3
These three frames come from the Disney film Pearl Harbor which was rated PG-13. The above scene features a character carrying a MAIN CHARACTER who has died (on screen) during a real life event that featured over an hour of persistent violence handled in a realistic way. This scene depicts death, confusion, high drama, violence, strong language (including racial slurs) and a real life story, just like April Showers and it received a PG-13 rating and we got an R.
So what do we do? Well, we’re going to appeal to the Rating Board (who ever they are) to lessen the rating to a PG-13 which is what we feel it deserves and should be rated. We may win our appeal we may not, for the appeal has rules.
1. You must PAY to appeal. By the way, you have to PAY to get a rating. It’s expensive for an independent production trust me.
2. I will be given 15 minutes to make my case.
3. The MPAA will have 15 minutes to rebut my case.
3. I am only allowed to appear with one other person from the film to help make my case.
4. I can not reference any other films, nor past MPAA decisions as a basis for my case. So my Pearl Harbor example above is out the door.
5. a two thirds majority vote must be had in order to reverse a rating.
The MPAA says they speak for the everyday family conscious American yet their raters/officials are not elected by citizens, in fact all the hiring is done and handled by one person and she lives a very nice lifestyle in a posh home paid by her ridiculous salary. The people that rate movies are largely republican (not that their is anything wrong with that), non homosexual, female, middle aged with grown kids (18+) or no children at all. What cross section of America does that truly represent? Well to do, white women with grown or no children at home, and perhaps (though not always) married.
Furthermore, the standards I listed above are arbitrary and not for public scrutiny. Legal counsel doesn’t help in my appeal for it is not legally binding in any way. My appeal is not before my original “accusers.” And I can not document my appeal in any way. There is no regulating body nor has their ever been for the MPAA.
This appeal will be happening in the next seven days (so I’m told) so stay tuned…
Andrew
Note: An R-rating does not mean April Showers will not be released in theaters. It simply ties our hands a bit in being able to get teens involved with the film in the ways that we would like them to be for we feel the film and it’s potential outcomes can be very positive for the one demographic the MPAA is restricting.

IndieFlix “I Make A Difference” – A Call To Action To End School Violence

Wednesday, April 1st, 2009

a-call-to-action

I MAKE A DIFFERENCE
A Call To Action To End School Violence
1/5 of the U.S. population is in a school building on any given school day.

April 20th marks the ten-year anniversary of the Columbine High School shootings, the day that changed the face of the American school system. Other recent tragedies at Virginia Tech University and in Germany have made the need for communication all the more apparent

Scilla Andreen, CEO & Co-founder of IndieFlix.com and writer, director and Columbine high school shooting survivor, Andrew Robinson in conjunction with YouTube are launching a campaign today called “I Make a Difference”.

We’re starting a movement to open up communication where anyone and everyone can get involved and raise awareness as well as provide solutions to end school violence and promote peace. It’s time to declare schools a safe haven. Please join us.

Here’s what you do.

Finish the sentence with regard to ending school violence:

“I make a difference by…”

TAPE: Video tape/ record your self  – keep it short.
(Please state your first name, age and city) finishing the above sentence regarding school violence.
For example: “I make a difference by encouraging my classmates to reach out to other students they don’t know.”

TAG: Tag your post with any of the following tags
I make a Difference_post,  Indieflix_post, IMAD_post  or April Showers Movie_Post

POST: Post your video on YouTube.   You can post as many as you want.
We need your ideas, your thoughts and your dreams.

We will collect the videos daily and showcase you at http://www.imakeadiff.org
We will also be featuring posts and your quotes to further the call to action such as, but not limited to:

* Coffee cup sleeves
* T-Shirts
* Stickers
* Billboards
* Screensavers
* Mash-Ups
* National Viral Video Ad Campaigns
* School Events and Fundraising

This is a great opportunity for everyone to get involved and make a stand for change.
Together we make a difference let’s see where it takes us.

Sincerely,
Scilla Andreen, CEO & Co-founder IndieFlix.com & Andrew Robinson, writer, director April Showers.
www.indieflix.com
www.aprilshowersmovie.com

Check out Scott Kirsner’s New Book!

Wednesday, April 1st, 2009

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Hello everyone,

Our friend Scott Kirsner has a new book entitled “Fans, Friends & Followers”.  Please read the description below and check it out!

Description

An Essential Guide for Filmmakers, Musicians, Writers,
Artists, and Other Creative Types

Back in the 20th century, the path to creative success was clear: just get signed by a record label, picked up by a publisher, or discovered by a movie studio.

But in the 21st century, those entities not only spend less time hunting for unknown talent, they invest less in promoting the artists already on their rosters.

So the responsibility for building an audience now falls squarely on your shoulders.

Fans, Friends & Followers explores the strategies for cultivating an online fan base that can support your creative career, enabling you to do the work you want to do and make a living at it. Based on dozens of interviews with the artists pioneering new approaches to production, marketing, promotion, collaboration, and distribution, it presents strategies that work – in a straightforward, jargon-free way.

The book features explanations of the tools, techniques, and new business models that work best, along with 30 artist interviews. Featured artists include YouTube star Michael Buckley (“What the Buck”); the animators behind JibJab, Homestar Runner, and Red vs. Blue; video artist Ze Frank (“The Show”); comedian Eugene Mirman; singer-songwriters Jill Sobule and Jonathan Coulton; Damian Kulash of OK Go; filmmakers Robert Greenwald (Iraq for Sale) and Curt Ellis (King Corn); writers Brunonia Barry (The Lace Reader) and Lisa Genova (Still Alice); and artists Natasha Wescoat, and Dave Kellett.

Fans, Friends & Followers, by Scott Kirsner
181 pages / Paperback ($15.95) and E-book ($12)
Available at Amazon.com
ISBN #: 978-1442100749
Web site: http://www.scottkirsner.com/fff

NewFlix Tuesday March 31, 2009

Wednesday, April 1st, 2009

NewFlix Tuesday: Connecting People Through Movies

This Week’s New Releases:
Sci-Fi

22035

The Asimov Incident
SYNOPSIS:
In a robotic future, tech hunters Anselm and Olivia have uncovered as great advancement and their worst nightmare; androids created to make war. As they hurry to protect this information from the rogue extremist country, the Heinlein Commission, Anselm hurries to set his trap and let Olivia escape with the new technology. Will his plan to protect the technology ‘Asimov’ succeed?

Watch STREAMING $4.95 Purchase the DVD $9.95
Drama

22327


Abused Authority
SYNOPSIS:
Mitchell Louvell (Vince Nora) portrays “abuse” in every sense of the word from domestic abuse to framing his partner to underhanded drug activity. He’s quite invincible or so he thinks! He loves only one person in his narrow, demented world, his son. After inflicting much pain on many people, he meets his fate of a deadly consequence that shakes his demented world!

Watch STREAMING $4.95 Purchase the DVD $9.95

Dark Comedy

22093 My Favourite Time of the Day
SYNOPSIS:
The irresistible force of burgeoning teenage sexuality meets the immovable object of Catholic guilt in this bittersweet coming-of-age dark comedy, as Manon Labone’s compulsive need to masturbate collides with her mother’s sexual fears and her teddy bear gets caught in the crossfire.

Watch STREAMING $4.95 Purchase the DVD $9.95

Documentary

9627 The Delegate
SYNOPSIS:
21-year old Cathy Swajian is THE DELEGATE. It is her story as a convention delegate. The film also stars Ronald Reagan, Pat Nixon, Spiro Agnew, NORML and the demonstrators. The film should be studied by woman’s groups & political science majors. Producer/Director John Robert said the film is patterned after Robert Redford’s THE CANDIDATE. The footage in the film is unique and historic.

Watch STREAMING $4.95 Purchase the DVD $9.95
22187 Fortunate Sons
SYNOPSIS:
The Chimp Presidency has ended- but only the mask has changed- the same elite have are and WILL rule until we stop them…

Watch STREAMING $4.95 Purchase the DVD $9.95