Archive for April, 2009

Movie Retriever Review of April Showers

Thursday, April 30th, 2009

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Release Date: April 24th, 2009
Rating: R
Starring: Kelly Blatz, Daryl Sabara, Janel Parrish, Ellen Woglom, Ileana Douglas, and Tom Arnold
Director: Andrew Robinson
Writer: Andrew Robinson

Rating: THREE BONES (Stars)

Reviewed by Brian Tallerico (MovieRetriever.com Film Critic)

For this critic, reviewing a movie like April Showers is very difficult. I often think that movies made this recently about a tragedy as deep and damaging as what happened at Columbine High School ten years ago this month veer dangerously close to exploitation. It turns out that a label like that would be too easy a way to write off this accomplished, harrowing, and deeply, deeply personal film. Writer/director Andrew Robinson was actually there on that day in that school. A Columbine grad, a decade later he has become a filmmaker with something to say about how people heal and attempt to cope after unimaginable tragedy. I was concerned that April Showers would be nothing more than an exploitative TV movie of the week. (I actually requested the screener mistakenly thinking that it was a documentary and felt my stomach drop when I realized that it was not.) It’s not exploitation. And it’s not a TV movie. It’s (mostly) not melodrama. April Showers is a moving, well-made piece of work with daring and genuine performances from a talented young cast. It’s not a perfect film, but it’s also not what you’d expect and a story that feels like it’s told in a way that only someone with personal knowledge of what happened that day could possibly have made.

I vividly remember where I was when I heard about Columbine. Like a lot of people, it was a shattering event for me, something I responded very emotionally to for days after (and even have a tough time thinking about without getting a little choked up). As you might imagine, the recreation of the actual event in the first act of April Showers is a tough thing to take. Shot with a lot of handheld cameras, natural light, and low focus, it’s an absolute nightmare on film. Robinson walks a fine line well, in that he genuinely recreates the horror of that day without turning it into something unwatchable. There’s blood and terror, but no gore or melodrama. It’s a significant difference. Robinson also wisely doesn’t make April Showers about the shooters. He focuses on the people he knew – the survivors. We only barely see the shooters in the recreated security camera footage. These opening sequences are more about flashing lights, alarm sounds, and praying that the killers don’t come into the room in which you’re hiding.

Robinson makes the smart decision of not focusing entirely on the fateful day. His film is more about the aftermath, something he himself lived through and continues to live through to this day. As for characters, he spotlights on the fictional Sean Ryan (Kelly Blatz of Prom Night) along with a few other survivors and victims (including Daryl Sabara of Spy Kids, Janel Parrish, Ileana Douglas, and a nice dramatic turn from Tom Arnold). Sean has to deal with both the horrors of what happened that day and the loss of a close friend (Ellen Woglom). With excellent cinematography by Aaron Platt, the team that Robinson has assembled does an expert job being effective with a low budget. In particular, Blatz makes quite an impact, feeling completely genuine and yet understated in every scene. Blatz and Sabara do an amazing job of refusing to sink into the melodrama that a lot of other actors would have used as a crutch.

My problems with April Showers come with the sometimes overdone dialogue and the general structure of the screenplay. Robinson is a better director than a writer. He gets great performances from his actors and works well with his d.p., but, as a writer, he doesn’t pace the screenplay quite right to make it truly great. There are a few too many string-accompanied moments that feel manipulative – for example, we spend just a few minutes too long in the school where it goes from harrowing to uncomfortable to watch – and I’m not sure Andrew has even fully dealt with what happened that day enough to completely capture the grieving process. How could he have? How can anyone cope with something that awful? April Showers almost has the feel of watching someone come to terms with something unimaginable through his art. That’s not exploitation. It’s closer to therapy. And it makes for a riveting movie.

April Showers is currently playing in some markets and may expand to others. It is also available on iTunes and DVD on May 5th. For more details, go here.

Reviewed by Brian Tallerico (MovieRetriever.com Film Critic)

NewFlix Tuesday April 28th, 2009

Tuesday, April 28th, 2009

This Week’s New Releases:

Thriller

22456 Caramel
SYNOPSIS: (Short Film)
A young woman breaks down when her male lover pushes her to the edge in this psychological thriller.

Film Festival Screenings:
Winnipeg International Film Festival

Watch STREAMING $1.95 Purchase the DVD $5.95
22319 Rendezvous
SYNOPSIS: (Short Film)
While en route to an unknown location, female assassin Chapman receives a phone call from fellow assassin Booth, with whom it is clear she has a close relationship. Booth tells her that he has just “missed his target”, spawning a conversation between the two of them on their current career choices.

Film Festival Screenings:
Atlanta Film Festival
Beverly Hills HD Film Festival
Rockport Film Festival
Traildance Film Festival
Lake County Film Festival

Watch STREAMING $1.95 Purchase the DVD $5.95

Drama

22933 Lost in New Mexico: The Strange Tale of Susan Hero
SYNOPSIS: (Short Film)
In a desert town somewhere in the Southwestern USA, a young woman seeks to bring her recently deceased daughter back to life, through the services of maverick animal cloning expert, Dr. Kurt Morell. Accompanied by her illegal immigrant companion, Javier Appollinaire, Susan begins a secret journey to rendezvous with the Doctor in order to begin the procedure…

Film Festival Screenings:
Route 66 Film Festival
Riverside Film Festival
International Panorama of Independent Filmmakers (Greece)

Watch STREAMING $4.95 Purchase the DVD $9.95

Documentary

22725 Blondes Are Latin Too
SYNOPSIS: (Short Film)
Jezabel Montero takes you on a tongue in cheek journey, through the streets and offices of New York city, to ask the public and industry professionals, ‘why don’t we ever see a blonde, blue eyed, light Latino, playing Latino roles in mainstream film and tv? Why the cookie cutter Latino? What does the word Latino even mean, in Hollywood?” Ms. Montero gives some insight and humor to this secretly acceptable form of discrimination.

Film Festival Screenings:
Womens International Film Festival
Orlando Hispanic Film Festival

Watch STREAMING $4.95 Purchase the DVD $14.95
22913 Terry Shimazu – Blind Musician
SYNOPSIS: (Short Film)
Terry Shimazu is a talented Japanese jazz pianist who lives and works in Austin, Texas.

Watch STREAMING $1.95 Purchase the DVD $5.95

Congratulations To Perfect Sport! NFFTY 2009 Best Feature Film Audience Award Winner!

Monday, April 27th, 2009

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Hello Everyone,

PURCHASE THE FILM HERE ON INDIEFLIX.COM

PURCHASE FILM HERE ON Perfect Sport

Please congratulate Tony O’Brien and everyone associated with Perfect Sport for their much deserved “Audience Award” for Best Feature Film this weekend at the National Film Festival For Talented Youth.  The centerpiece film was received with much applause on Saturday night at a packed screening at SIFF Cinema in Seattle, WA.

So again congratulations to the Cast and Crew, all the hard work is truly paying off!

Best,

Team IndieFlix

APRIL SHOWERS IN SELECT THEATERS TODAY

Friday, April 24th, 2009

Click on the theater in your area to purchase tickets to April Showers.  A portion of the proceeds from the first week (April 24-30) box office will be donated to area high schools.

Alabama

• Rave Motion Pictures Patton Creek 15 Theater

• Rave Motion Pictures Festival Plaza 16 Theater

• Premiere Cinemas Tannehill Premiere 14 Theater

Arkansas

• Rave Motion Pictures Colonel Glenn 18 Theater

Florida

• Rave Motion Pictures Avenue 16 Theater

• Rave Motion Pictures Bayou 15 Theater

• Premiere Cinema 14 Theater

Iowa

• Carmike Wynnsong 16 Theater

Indiana

• Rave Motion Pictures Metropolis 18 Theater

• Showplace East 18 Theater

Nebraska

• Westroads 14 Theater

New York

• Pavillion 8 Theaterbuy tickets | (718) 369.0838

Ohio

• Rave Motion Pictures Polaris 18 Theater

• Rave Motion Pictures West Chester Village 18 Theater

Pennsylvania

• Rave Motion Pictures Promenade 16 Theater

Tennessee

• NCG Cinemas Gallatin 10 Theater

Texas

• Rave Motion Pictures North East Mall 18 Theater

• Rave Motion Pictures Yorktown 15 Theater

The Reviews Are Starting To Trickle In…

Thursday, April 23rd, 2009

Hello Everyone!

Please read the first two reviews of April Showers below!  Thanks!

Team IndieFlix

Ventura County Reporter

http://www.vcreporter.com/cms/story/detail/live_to_tell/6881/

iF Magazine

http://www.ifmagazine.com/review.asp?article=3190

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By Chris Jay

Originally Published in the VC Reporter 4/23/09

April Showers
Directed by Andrew Robinson. Starring: Kelly Blatz, Daryl Sabara, Illeana Douglas, Ellen Woglom and Tom Arnold. Rated R.

“Now we are a bumper sticker slogan.” — Wheatus

This week marks the 10th anniversary of the Columbine massacre, an event so horrific that its impact is still being felt today. From a media standpoint, it was the granddaddy of tragedy, bridging the Oklahoma City bombing and 9/11. Often exploitative in its coverage, the media — along with the general public — became obsessed with the idea that not one, but two teenagers could have access to high-tech weapons and then plot and perform the cold-blooded murders of their own classmates. The length of the murder spree enabled the ensuing chaos to be broadcast live on network television, and images of bloodied teenagers attempting to escape through classroom windows dominated the news for weeks.

The worst shooting at a high school ever, the Columbine massacre opened  dialogue about everything from gun control as it relates to school safety, to police response, bullying, adolescent outcasts and even music and video games — issues that still get people riled up. What is often lost in the discussions, and shouldn’t be forgotten, is that there are hundreds of survivors and witnesses, forced to live the rest of their lives with the residual trauma of the experience and what they witnessed.

It’s why Andrew Robinson, a Columbine survivor, wrote and directed April Showers, a film based on that unforgettable day. While Michael Moore used the tragedy to showcase the insanity of gun culture in the U.S. in Bowling for Columbine, and Gus Van Sant somewhat artfully told the story partially from the killer’s perspective in Elephant, Robinson has made it clear that the film is based on the actual events, and he’s chosen to focus on the survivors and the immediate aftermath of the incident.

The opening and most impacting sequence of the whole film is the attack on the school. Barely showing the killer (Robinson chose to depict only one gunman), the film conveys the sheer terror felt by students and faculty along with the mass confusion that occurred. With students making life-or-death decisions to hide or run, or escaping through woods into neighborhoods, it’s fast-paced, tense and wonderfully shot. During the attack, there’s an absolutely moving performance by Tom Arnold as a wounded teacher. Hard to believe but Arnold is incredible, and it’s a shame there’s not more of him in the film.

From there, April Showers studies each day of the week following the attack, leading up to the funeral, and the different survivors’ experiences. While the film’s pace slows considerably, and some relationships seem unnecessary and confusing in flashbacks, what resonates the most are the subtle images that are inserted throughout that clearly only come from someone who lived it. From a cross left on the car of a student who was killed — which is still parked at the school — to the packed living room of teenagers sleeping over at a parent’s house, not wanting to be alone, to the assault of a student carrying the killer’s cross to a makeshift memorial, it’s these haunting images that set this film apart.

Another nice touch is the poignant ballad, “Now,” by the band Wheatus, written specifically for the film. With an intense and brilliant piano-based score throughout the film, the insertion of an actual song while we see the characters prepare for and attend the funeral hammers home the overwhelming sadness of the story.

Overall, April Showers succeeds in putting the story of survivors of the Columbine tragedy at the forefront and Robinson’s connection to the event is the key to showing how the innocence of teenagers was forever shattered on that day. Though slightly flawed at times, it’s still an incredibly moving independent film that will find a place in classrooms across America for years to come as the definitive movie on one of the saddest days in American history.

April Showers opens in select theaters on April 24 and is available for purchase that day on iTunes. The DVD will be released on May 5. A portion of all ticket sales, downloads and DVD sales will go to charity.

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While teen angst has been explored in varying degrees over the years (from the comedic side witnessed in John Hughes and Judd Apatow productions) to the darker aspect of high school cinema (RIVER’S EDGE, KIDS), it always proves fertile ground when someone steps outside the box to create a brand new take on a well-worn formula.

And that’s what writer-director Andrew Robinson has done with APRIL SHOWERS. A Columbine survivor, Robinson has distilled his experiences with that horrifying school shooting from ten years ago and created a gut-wrenching movie about tragedy, humanity and what it takes physically and mentally to survive such a horrifying ordeal.

The story is told from the perspective of Sean (Kelly Blatz), an ambitious high schooler who is also emotionally shut off from any serious relationships, although he has a crush on pretty drama student April (Ellen Woglom).

When a fellow student begins shooting up the school, we follow Sean and his fellow peers as they try to save each other and themselves – with April’s tragic death being a focal point for all.

There’s fine performances by everyone, particularly Blatz, who has a very tough role of conveying his emotions while also trying to give off an air of detachment, which the role requires. There’s some nice chemistry in the flashback scenes between him and April – where we learn the nature of their relationship and you almost wish there was more of that front-loaded in the beginning of the picture.

Daryl Sabara also gives a fantastic performance as Jason – a survivor of the aftermath whose fuzzy surveillance photo image dragging a deceased young girl out of the school makes him an unlikely hero – which is something he doesn’t feel he deserves and doesn’t want.

Robinson tells the story in a very harrowing style. There isn’t much set-up with the characters before you’re thrown into the mayhem. There’s a lot of catch-up and the movie could have done with a little more character development early on, so the emotional resonance played even greater in the latter half. Still, there’s something unique in this choice – it creates an air of authenticity to the frenetic nature of things and also comments in a very realistic way of how many students are disconnected from one another and barely know each other.  And even the one’s you know are complete strangers and can turn on a dime.

APRIL SHOWERS is not a perfect film, but it gets under your skin. It doesn’t offer up a bunch of preachy answers either. What it does well though is open up a conversation about high school life in new century and how it’s important to connect with those around you and the one’s you love before it’s too late.

The film is rated R, but it’s an important film for teenagers and parents to see. It’s not overtly graphic, there’s no sex and the violence would garner a typical action or horror movie a PG. It’s a shame, but then this bit of news has certainly given the film additional publicity that it needs to get it out to the indie world as it opens in limited release in 20 cities this Friday and you can also download the film from iTunes.

New models make sense for most but not to all. What are the theaters afraid of?

Wednesday, April 22nd, 2009

We’ve just been informed that Marcus Theaters is dropping April Showers over our iTunes deal so closely following the release of the film in theaters.

Restaurants are not afraid of people eating at home why are theaters afraid of people watching movies at home?

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April Showers opens in theaters April 24th. 2 weeks later the film becomes available on iTunes for download and on IndieFlix for DVD and Blu-ray.  Our goal with this model of collapsing windows very quickly allows us to maximize the exposure, minimize the marketing dollars and create word of mouth in order to drive sales at a much more accelerated rate rather than to open in one market until it fizzles and then to re-engage the audience all over again in the ancillary markets when people have moved on to other content.  It’s a model that makes sense to me but clearly not to all.  The exhibitors have been the hardest to convince to come aboard even as many of their theaters sit empty and dark.  I commend and applaud the exhibitors who have embraced us with open arms and I am sure it is only a matter of time before this model is truly supported by all. In the interim it’s a shame that the schools that were to benefit from a percentage of proceeds being donated from our portion of the first week’s box office can no longer receive that money.  We set up our theatrical screenings as a sort of community fundraiser by working with the local schools and communities to encourage students and educators to attend knowing ticket sales would be shared with the schools.  It was an opportunity to open dialogue and bring the community together on an issue that needs addressing now; understanding and putting an end to violence in our schools.  we felt this was the most responsible way to use our film as an agent for change and to make a difference.

I am unclear why the fear of having the film available on iTunes soon after the theatrical is such an issue for Marcus theaters especially since there is so much support to fill the theater and to afford the exhibitor the opportunity to give back to their own community?  I guess its every company for themselves.  In the online space I have found our partners who are also I guess considered our competitors to be very different.  Each of the companies we work with and they are the biggest in the worlsd have taken off their competitive hats and have rallied to support our film for the greater good of the project; to raise awareness on the effects of school violence.  They recognize their role and place in participating on all levels.  I guess that’s the difference between the online space which is forging the path and taking risks to finding new ways of reaching audiences and the off line exhibitors who can only think within their 4 walls.  We can and should all work together to motivate people to experience film however they choose to watch it.  There needs to be coordination and strategy. This is what we are doing.

I share this letter written by April Showers director, writer and Columbine survivor, Andrew Robinson and I encourage you to see the film in theaters the way it was meant to be seen or by any means you wish to view it.  It is an important film.  We are getting it out there and we are working hard to convince theaters to work with us. we’ve been told the studios would like to see us fail.  They make their money holding back content and trying to control how and when you can see movies. Our model doesn’t support their proprietary philosophy. So, for those who have been asking why April Shoes is not playing in your city please know we are trying.  Let your theater owners know you want to see the film April Showers. Help us to convince them to not be afraid.

Scilla Andreen

Marcus Theaters Drops April Showers over iTunes & Colorado Theaters Explained

Moments ago I received word from our partners over at Cinedigm, who are responsible for getting the film booked in theaters around the country, that Marcus Theaters out of Wisconsin have now refused to show April Showers in their theaters because of our deal to bring the film to iTunes and DVD/Blu-ray so soon after the initial theatrical release. I am deeply hurt and saddened by this news for Marcus theaters was the FIRST theater to sign on with us and have known about our unique distribution model since our initial conversation. Time and time again we were told that our distribution model was not an issue and that Marcus Theaters was happy to do business with us, largely because we wanted to give money to their community. Well, due to the increasing interest in the film in all mediums, print, television and radio, Marcus Theaters has reversed their policy to work with April Showers despite the iTunes/Home Video deals and dropped April Showers all together. No explanation was given to April Showers or Cinedigm other than Marcus Theaters does not show films with a theatrical release window shorter than 60-90 days. In a nutshell, because I won’t grant any theater 60-90 day exclusivity and have done deals with iTunes and other digital providers they will not show the film.
By not showing the film, Marcus has tied our hands and made it impossible for the high schools in their community to receive any portion of April Showers proceeds. Proceeds we’ve already discussed with two local high schools and made them aware that they would be receiving them. Because of our policy regarding the give back, Marcus Theaters’ decision today means we can no longer donate money to those two area high schools.  The schools in question were:
Brookfield Central High School
Brookfield East High School
Because Marcus originally agreed to show April Showers in two of their theaters we were going to be able to give back to a total of four Milwaukee area schools. We can no longer carry through with this plan, which saddens and frustrates me to no end.
The situation I have just described is the same reason we’re currently being blocked from showing April Showers in Colorado. While there are a few theaters in the area that are trying to work around the system the two major theaters chains with digital screens in the Denver Metro area will not show April Showers because of its deal with iTunes. Sadly, one of these theater chains is now the owner of the very theater(s) I worked for during high school. I was a manager and a projectionist for this company for four years and despite my loyalty to the company and years of service, not to mention the simple fact that April Showers is based on a Colorado story and they, of all people should be able to view the film, this theater chain will not show the film. The theater company I’m referring to is Kerasotes Theaters (formerly Colorado Cinemas).
I will continue to keep you all posted as to how this will play out. Know we are still working on Colorado and may have new options in Chicago. I am terribly, terribly sorry about what has happened in Wisconsin. Please know and understand that it is a decision that I am fighting but that is also largely out of my control.
Stay tuned…
Andrew Robinson
Writer/Director “April Showers”

Andrew Robinson on Oprah Radio

Wednesday, April 22nd, 2009

oprah

Hello Everyone,

Oprah’s best buddy Gayle King interviewed IndieFlix filmmaker Andrew Robinson recently on Oprah Radio.  Please click the link below to listen to the full interview!

Andrew Robinson on Oprah Radio

Thanks!

Team IndieFlix

IndieFlix Play It Again Podcast with Perfect Sport Filmmaker Anthony O’Brien Hosted By Lois Fein

Tuesday, April 21st, 2009

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IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

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  • Play Podcast Puzzle
  • Name That Voice
  • Meet Host, Lois Fein

5/05/09 Podcast:

The Anthony O’Brien Interview

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A conversation with award-winning independent filmmaker Anthony O’Brien
- director, actor, co-writer of Perfect Sport

Perfect Sport – Trailer


(5/05/09)    (Total time – 34:47)

What’s inside The Anthony O’Brien Interview?

  • NFFTY (National Film Festival for Talented Youth) – YOU are there.   (0:53)
  • NFFTY founder, Jesse Harris, on “Perfect Sport”  (1:18)
  • Indieflix as NFFTY sponsor  (2:07)
  • Anthony O’Brien’s most thrilling night  (2:27)
  • LISTEN to the MOVIE – “Perfect Sport”  (3:12, 4:29, 5:34 & 7:03)
  • An inspired fan speaks  (6:16 & 8:42)
  • Why “Perfect Sport” is the best sports movie  (6:39)
  • On the power we give mentors  (8:14)
  • What makes “Perfect Sport” unique?  (9:43)
  • The 18-day Shoot, 96-page script, and 128,000 feet of film  (10:56)
  • Making the dream come true  (12:58)
  • Raising money  (15:02)
  • Getting people “on board”  (16:27)
  • How investors feel about “Perfect Sport” now  (19:03)
  • How do you get $500,000 to make a film when you are 21 years old
    and  just out of film school  (19:29)
  • The power of the trailer  (21:47)
  • “Perfect Sport” – Audience Award, Best Feature Film at NFFTY  (25:05)
  • Who or what inspires Anthony O’Brien?  (25:22)
  • Anthony’s dad speaks  (29:31)
  • Seeds of filmmaking as a child  (30:08)
  • A thrilling moment for dad  (32:32)
  • Gratitude  (33:02)

POSTER FROM PERFECT SPORT
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Play “IndieFlix Podcast Puzzle” (5/05/09):


Play “IndieFlix Name That Voice(5/05/09):


Meet IndieFlix Podcast Host: Lois Fein

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Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

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Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

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_________________________________________________________

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This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

4/20/09 PODCAST ANSWERS:

THE ANSWER to IndieFlix Podcast Puzzle (4/20/09) is
“Tom Arnold”

THE ANSWER to IndieFlix Name That Voice (4/20/09) is
“Andrew Robinson – writer and director of April Showers”


__________________________________________________________

5/05/09 Edition – IndieFlix Play It Again Podcast

Columbine: Lessons not learned

Tuesday, April 21st, 2009

Andrew Robinson
Writer/Director “April Showers”

Ten years ago today I was a senior at Columbine High School when two of my fellow classmates, Eric Harris and Dylan Klebold, opened fire. Their actions that day took the lives of 12 students and one teacher before they turned their weapons on themselves and took their own lives.

While I try to avoid such phrases as “a day that will live in infamy” it seems, ten years later, we still remember Columbine. However, I’d like to take this opportunity not to reflect on the day, but about where we’ve come as a society since that terrible day. Recently, I took part in a panel discussion in Colorado with Darrell Scott the father of my friend and slain student Rachel Scott. In the years since Rachel’s death, Mr. Scott and his son Craig have founded Rachel’s Challenge, an organization that speaks to school aged kids, mainly high-schoolers, about Rachel’s life and message surrounding acts of kindness and how they can create a chain reaction.

However, on top of his daughter’s message Mr. Scott speaks about the nature and status of today’s modern education system. It seems when our education system was founded it was founded upon a system that involved the three H’s. I’m going to paraphrase, but in a nutshell the three-H approach goes like this: by speaking and touching a child’s heart you’ll stimulate the head and produce results via the hands.

This methodology has been around for a long time, but these days we have abandoned the three-H approach to education in favor of statistical performance. We’ve put such a high price on results. It’s my opinion that we’ve lost sight of the purpose of education, which isn’t just about learning, but about understanding as well. By bringing up understanding I don’t mean simply knowing the why behind the facts we and our children are expected to memorize, but more importantly a basic understanding of who we are and who the people we go through life with are as well.

Here’s a personal example: On the evening of April 20, 1999, I, along with countless others, were in the gymnasium of Leawood Elementary School in Littleton, Colorado. The mood was somber to say the least as we were waiting for the last of the survivors to be bussed in so that we could determine who didn’t make it out of the Columbine H.S. alive. As the night wore on we began absorb the news, which was made official by the local media a few hours later. I remember watching the first broadcast where the names and faces of the deceased were flashed upon the screen. My first reaction was, of course, deep sadness and grief but another feeling crept into my consciousness. Shock.

I wasn’t in shock over what had happened as much as I was in shock over the idea that after four years at Columbine High School I didn’t know or recognize half of the victims being named. How is that possible? I understand it’s improbable to befriend everyone at Columbine but to be a complete stranger…that was jarring. I began to wonder how many others shared my feelings. Over the past 10 years I’ve grappled with a number of issues pertaining to that day and the days that followed, but the one thing I haven’t been able to process and/or explain is how I seemingly was a stranger in my own school.

Since making “April Showers” I’ve been lucky enough to speak to a number of high school-aged kids across the country and have found that my feelings and fears surrounding the stranger phenomenon in our schools isn’t a singular or isolated occurrence. In fact, it may be getting worse. So I ask, what is the purpose of our education system if the very people who inhabit it don’t take the time to learn from and about one another, let alone learn from a textbook?

We trail in most academic categories and now we find our children becoming more isolated in an ever growing, over-populated environment. While I believe this is a poignant observation, how does it tie into Columbine and school violence? Simple. There are many leading school safety experts that agree that metal detectors, ID cards, uniforms and other means are last resorts for a safe school and more often than not their implementation is usually a sign of defeat versus prevention. I’m not a statistician so I can’t speak to the validity of these claims but all the experts agree, as do I, that school safety begins not with the safety of the physical building but with the safety of the students; students being the operative word.

I posed this scenario to a classroom full of students at a recent lecture. When I’m cut off in traffic, perhaps I’m late for a meeting. My reaction, depending on my mood, can vary but can encompass rage, which can manifest itself in several ways; a vocal outburst, hand gesture etc. Now, these are all acts of aggression and/or violence and while I’m not proud of my response it does occasionally happen.

Now, when someone I know, not a best friend, but a friend, wrongs me does it illicit the same response? Most of the time, no. I’m more inclined to speak to that person or to approach him or her on a personal level to resolve the difference. Sometimes we can, sometimes we don’t, but the important observation is that in most cases the confrontation was dealt with in a non-outwardly aggressive manor. Why? Because the person that cuts me off is a stranger, a faceless, nameless person that if I assault from the safety of my car will have little to no recourse upon me. Whereas, dealing with someone face-to-face humanizes the exchange. I’ve found, and in speaking with teenagers, it’s a lot harder to cause a person physical harm if you know them or share a commonality with them for they’re not nameless or faceless. They’re like you.

Now, we have hundreds and in some cases thousands of teens sharing a common space for a sizeable duration of their impressionable lives that know little to nothing about one another. That doesn’t strike me as safe, let alone conducive for true learning, because what many of these kids don’t know is that in a Columbine-like event they, and they alone, are their own best support system. And being a stranger means someone isn’t going to necessarily get the support they need from those who could truly understand their plight and that, dear readers, is a very slippery slope.

At times, we — as a culture — tend to fear what we don’t understand. Fear can wear many masks and take many forms. Fear can cause someone or a group of people to become ostracized. It can cause a class system. It can create power struggles. It can result in violence. We see it in our schools. We see it in our lives. We see it in our government and our world. Where does it stop?

It stops, or better yet, starts — with our children. We must engage our children’s hearts and minds. It seems the education system has transformed and exists to talk at our children versus to engage them. What if we did away with devoting every second of a class to the “learning” of facts and dedicated a small amount of time towards allowing children and teens to steer the discussion?

In our attempts to “protect” and “shield” our kids from the real world we miss out on wonderful opportunities to learn from their unique insights and perspectives about the world as they see it. At the very least, by allowing them to share openly with one another they may learn a thing or two about one another and stop being strangers in the hallway. Who knows, perhaps the student in the back of the class may have an awful lot in common with the student sitting in front. Over time, social barriers and stigmas will be over come and our children will find themselves existing in an environment that is truly open and based on compassion, not fear.

I’m often asked what I hoped to achieve by making “April Showers”. My answer is simple, but often unexpected. I made “April Showers” to shed light on a side of a story we actually know little about, and by exposing teens, not to violence, but to the effects of violence in a way they can relate to so they can begin a discussion that didn’t have the ability to really begin ten years ago.

When events like Columbine occur we often focus on those who speak the loudest, which in my experience means focusing on the shooters themselves, the victims and their families and causes. In regards to causes, following Columbine issues dealing with faith and gun control became very hot topics and for good reason.

The violence that took place that day mobilized a large group of people for and against issues of gun control and faith for better and for worse. But did we miss the point? We were quick to ban items that we associated with our fear. We instituted ID cards. We asked for cameras. We forbid dissenting discussion and adopted zero tolerance policies. We created a place where kids felt watched and hindered, versus allowing their pain, expression and ultimate voice to be truly heard. In doing so we created the illusion of safety yet when you speak to students in schools today they don’t necessarily feel any more safe than we did on April 20, 1999 when our fellow students opened fire upon us.

Sure, we have policies in place that allow for first responders to potentially curb the loss of life more effectively, but I’m talking about curbing the issues long before we ever get to that point. Furthermore, I’m also not talking about cliques or bullying for it’s not that singular or simple and to sum up Eric and Dylan’s actions that day as a response to those issues isn’t really addressing the larger problem.

We need a massive overhaul in our educational institutions and instead of policy makers and administrators deciding what that entails we should ask those who look to us for guidance in steering them towards the future. Education is dialogue, not lecture. Instead of learning about the past, we need to see how the past continues to influence us so that we may truly understand who we are, where we come from and keep the past from happening to us in the future.

Time to blog everyday!

Monday, April 20th, 2009

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It seems these days I have made absolutely no time to blog.  I have requests from friends and journalists to blog. I have notes on all kinds of different topics for which I feel very passionate and want to blog about. I even told the team to create the notes from the CEO section because I am going to blog everyday!  And every day I say, tonight I will blog.  Well, I have been utterly disappointing and it stops now.

Sometimes I worry that as passionate as I feel about certain topics my confidence is fleeting when it comes to my writing skills – still repeating “i” before “e” except after “c” or how can I possibly end a sentence with a preposition?!

So, I am going to walk through this fear and write something at least 5 times a week.  I learn so much everyday.  I feel like I live a whole week each day.  I have lots to share with others that might be helpful and it is selfish of me to sit on this information.  After all I created IndieFlix with Carlo my partner to help filmmakers distribute their films and for audiences to find them.  I can’t let a few grammatical errors hold me back.  It sort of feels like a diet. I’ll probably be good for a few days and then fall off the wagon but I’ll try not to.  (oops ending in a prep- it’s already begun)

I just got home after a long week of travel, criss-crossing the nation touting and singing the praises of our first theatrical film release. April Showers which premiered at Nashville FF and was very well received.  Educators in the audience thanked us for making the film and said “Everyone needs to see this film!”  That is our goal to have everyone see this film.

Okay. I did it. I blogged and now I am going to bed. Talk to you tomorrow.

Young Seattle filmmaker now focuses on NFFTY’s growth

Monday, April 20th, 2009

Jesse Harris, a 23-year-old Seattleite, started a nifty youth film festival called NFFTY that is unspooling its third-annual edition.

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Seattle Times movie critic

At 23, filmmaker Jesse Harris is too old to be included in his own festival.

The National Film Festival for Talented Youth (NFFTY), whose third-annual edition unspools next weekend, showcases the work of filmmakers 22 and younger. (Its youngest participant is 7.) But don’t feel sorry for Harris — he did squeak one music video in under the wire, made when he was still 22. His festival, created in Seattle to support other young filmmakers, has grown dramatically into a one-of-a-kind celebration.

While still a student at Ballard High School, Harris completed his first feature film, the drama “Living Life.” Defying all odds, the film was picked up by a distributor and was exhibited internationally. Harris moved to Los Angeles after graduation to pursue his film career, but something unexpected happened.

“All these young filmmakers started contacting me through my film’s Web site, both locally and internationally,” he said. “They were all saying, ‘Can you help me get my film made?’ ”

That’s how the idea came for the Seattle-based nonprofit film festival for young people, complete with its own snappy acronym (pronounced “nifty”). Harris, along with fellow young filmmaker Jocelyn R.C., of Bellevue, saw that there was no comparable national event for young filmmakers and conceived the idea in 2006.

The 2007 debut of NFFTY was a one-night event, with 14 short films. In 2008, it jumped to 73 films, including several features, shown over three days. “It was really successful,” remembered Harris. “A couple thousand people came.” Soon an L.A. advisory board was established (to complement the Seattle-based board of directors), and plans for a much-bigger 2009 festival grew.

This year, NFFTY has grown to 113 films, including four full-length features, chosen from more than 400 submissions. Harris says eight countries and more than 30 states are represented. Thirty of the participating filmmakers are from Washington state — most from the Puget Sound area. Many filmmakers (including a few from overseas) will be attending the festival, some with help from a scholarship fund, and will host post-screening Q&A sessions.

The festival will open Friday at Cinerama with a collection of 10 short films (including two from local filmmakers Ben Kadie and Hannah Holtgerts) followed by a gala all-ages party. For the rest of the weekend, the locale shifts to SIFF Cinema, with themed packages of short films showing Saturday and Sunday.

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The centerpiece film is a local one: 21-year-old Anthony O’Brien, of Vashon Island, wrote and directed the drama “Perfect Sport,” set in the world of high-school wrestling. NFFTY concludes Sunday night with the feature “The Reunion of Amilia Marbleberry and Marcy Stills,” from 22-year-old California filmmaker Michael Tucker.

Harris is particularly excited about the festival’s four panels this year, which he thinks will appeal to young and experienced filmmakers alike. (Panelists are industry veterans and nonprofit leaders who are, it should be noted, not subject to the under-23 age restriction.) Topics are “The Filmmaker as Dealmaker”; “What’s Left to Say? The Social Value of Filmmaking”; “The Art of Storytelling”; and “The Sound of the Story — The Power of Music in Film.”

Running NFFTY has become a full-time job for Harris, who’s back living in Seattle and who does much of the work of the festival himself, assisted by a few seasonal employees and many volunteers. A screening committee works with him to choose the festival films.

Harris has worked hard to attract sponsorships, and is proud that this year’s festival is supported by a number of familiar names: Volvo, Comcast, Vulcan, Starbucks and many others. He’s also pleased to report that this year the festival is fully green; it’s offsetting its limited carbon-monoxide emissions by buying carbon credits.

All this means that Harris doesn’t have much time for filmmaking any more, but he’s cheerfully accepting of that — running a festival, he says, is “a lot like making a film.” He envisions NFFTY, down the road, becoming like a Sundance Film Festival for young people, picturing agents and bidding wars. Soon, he hopes, “when you think of the next generation of talent, you think of our festival.”

“Who knows who’s going to pass through this festival?” he says, with an irresistibly youthful eagerness. “What if you met Steven Spielberg at 14?”

Moira Macdonald: 206-464-2725 or mmacdonald@seattletimes.com

Copyright © 2009 The Seattle Times Company

IndieFlix Play It Again Podcast with April Showers Filmmaker Andrew Robinson Hosted By IndieFlix CEO Scilla Andreen

Monday, April 20th, 2009

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IndieFlix Play It Again Podcast


“Here’s looking at you – the independent filmmaker”

Every Tuesday. A conversation with IndieFlix independent filmmakers –
producers, writers, actors, directors.

  • Listen NOW by clicking PLAY below

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4/20/09 Podcast:

The Andrew Robinson Interview

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A conversation with independent filmmaker Andrew Robinson
- Columbine survivor – writer and director of April Showers

APRIL SHOWERS – Trailer

(4/20/09)   (Total time – 45:06)

What’s inside The Andrew Robinson Interview?

  • Monday – April 20, 2009 is 10 years to the day  (0:45)
  • The 72-hour script  (1:48)
  • Having the guts to “go there”  (3:18)
  • “Trance” writing  (4:32 & 5:05)
  • Is catharsis possible?  (4:17)
  • Why “April Showers”?  (6:12 & 7:52)
  • How a single email changed everything  (9:25)
  • “This needs to be raw – from the heart”  (12:35)
  • Columbine survivor reads the script  (13:36)
  • From One of Our Own – Our Voice  (14:32)
  • “April Showers” sound clip  (15:38)
  • The Media:  Help or hinderance to healing?  (19:00, 20:44 & 22:16)
  • Survivor guilt – making sense of it all  (19:27)
  • “You must have known”  (25:30)
  • On the cover of Time (27:31)
  • Where was Andrew Robinson when the shooting began?  (30:57)
  • “Gun.  They have a gun.  They’re shooting people.”  (32:33)
  • Where do you run for cover?  (34:50)
  • Reaction to student gunmen  (37:32)
  • What “April Showers” evokes in viewers  (40:43)
  • Stay connected.  Teach compassion.  (42:43)

POSTER FROM APRIL SHOWERS
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Play “IndieFlix Podcast Puzzle” (4/20/09):


Play “IndieFlix Name That Voice(4/20/09):


Meet IndieFlix Podcast Host: Lois Fein

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Lois Fein is IndieFlix Filmmaker Interviewer,
Podcaster, and Host for
IndieFlix Play It Again Podcast.
Lois is a recording artist, songwriter, and performer.
Her songs “It Ain’t Easy” and “Chasing the Moon”
are featured on IndieFlix Play It Again Podcast.
Listen to more of her music from her debut CD
Step Into the Water at: www.LoisFein.com

_________________________________________________________

Podcast Music Credits: “As Time Goes By” (Herman Hupfield);
It Ain’t Easy” and “Chasing the Moon” (Lois Fein
)

_________________________________________________________

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Today’s edition of IndieFlix Play It Again Podcast was recorded with
audio-technica’s AT2020 USB Cardoid Condenser Microphone,
Skype™
and CallBurner; and edited and mastered with
Steinberg Media Technologies GmbH™’s WaveLab Studio 6
.

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_________________________________________________________

indieflixlogo1 This edition of IndieFlix Podcast Puzzle and
IndieFlix Name That Voice
is sponsored by IndieFlix -
“Connecting people through movies.”

__________________________________________________________

4/14/09 PODCAST ANSWERS:

THE ANSWER to IndieFlix Podcast Puzzle (4/14/09) is
“The Good Life”

THE ANSWER to IndieFlix Name That Voice (4/14/09) is
“Ava DuVernay – director, writer, and producer of This is The Life”


__________________________________________________________

4/20/09 Edition – IndieFlix Play It Again Podcast

The Peter Wick Double-Feature May 11, 2009

Friday, April 17th, 2009

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Peter Wick’s second and final fundraiser for his third feature film,
Rock Paper Scissors, will take place at Northwest Film Forum in the form of
a double-feature screening of both of Wick’s previous award-winning feature
films.

The event will take place Monday evening, May 11th at 7pm.

Wick’s first film, 1999’s Long Strange Trip, will screen first at
7pm. Long Strange Trip won Wick the “Most Promising Director” Award at the
New York Int’l Independent Film Festival. The film is an off-beat road trip
comedy which is considered something of a cult classic in some circles. This
is due in large part to the quirky performance of Chris Blanchett in the
twisted supporting role of “Lars.” “Lars” travels through the film with a
bullet lodged somewhere in his head, causing him to do and say things that
only occasionally make sense. Reviewed as a “Charming debut” by the Stranger
in 1999, the film also stars Wick as “Phil,” The beautiful Jennifer France
as “Becca” – a Stripper quitting her job and proving her intelligence to the
world – and Debra Pralle as “Andrea,” Phil’s magazine Editor and
ex-girlfriend, whose onslought of bad news at the beginning of the story,
sends Phil on his way into the film’s slow off-beat descent into absurdity.

Wick’s second film, last year’s Movie Pizza Love, will screen at
8:30pm.

Movie Pizza Love won Indiefest’s Feature Film Award-of-Merit, as
well the Original Song award for Jen Casebeer’s “Trashy Novel,” which plays
on the film’s soundtrack. The film is a movie-within-a-movie…..within a
movie…

“Art,” played by Wick, is making a film about his troubled
singer-songwriter friend Lisa. “Lisa” is portrayed by real Seattle
singer-songwriter Jen Casebeer, in her Acting debut. The film twists around
itself, as the movie-within-a-movie begins to take over the real movie….we
think…

Also appearing in the film are former “Miss Italy” Roberta Orlandi -
also the Star of the upcoming Rock Paper Scissors – in the key cameo role of
“Isabelle,” and Tyler Urbugkit, playing a character named, well, Tyler
Urbigkit. The blurring of fiction and reality comes to a humorous conclusion
when the movie ends…after which…..the movie ends.

Also at times very serious, this “Dramedy” attempts to be a musing
on the role fiction and media play in our everyday “Reality.”

The screening event is a fundraiser for Wick’s third film, Rock
Paper Scissors, which has received Northwest Film Forum’s “Fiscal
Sponsorship,” “Insurance Partnership,” “Roll Camera,” and “New Model Edit”
grants. Under the “Fiscal Sponsorship,” donations to the project of $50 or
more are tax-deductible under NWFF’s non-profit status.

Doors will open at 6:45, and Wick will present the two films
himself.

Cover charge is donation – pay what you will. All are welcome.

NEW BREED: Zak Forsman

Friday, April 17th, 2009

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Zak Forsman is a writer/director/producer/editor. Zak and his creative team Sabi are prolific. They are currently working on a number of shorts and a few feature films (White Knuckles, Eloquent Graffiti, Heart of Now). Strong proponents of DIY filmmaking; Sabi’s work is organic, stylized and improvised.

Zak is also the editor of the New Breed. If you haven’t checked out the new extension of the WBP make sure to pay a visit and sign up to the feed. New Breed covers a variety of projects as they make their way from script to screen.

What’s your background?

I’ve been making films since i was a kid. My parents bought a Hitachi VHS “Cam ‘N Cord” and my fascination with making movies has been a constant source of fulfillment ever since. I soon teamed up with Kevin K. Shah the summer before seventh grade and we made a short called “The Nerd”. I remember my father being very critical of its execution and renting Casablanca and Beau Geste for me to study. Twenty years later, at the age of 34, I’m still subconsciously seeking my father’s approval and Kevin and I are still making movies together at Sabi Pictures, the company we officially co-founded in January of 2006.

What are you currently working on?

HEART OF NOW  – Devastated by her boyfriend’s sudden withdrawal from their relationship, a young woman with a profound longing for a sense of family descends into a physical and mental spiral that thrusts her back to the emotional wounds cut a decade ago. Using the screenplay as a guide, the filmmakers and principal cast collaborated to organically shape the characters, endeavoring to explore the story “in the moment” through guided improvisations.
TRAILER LINK http://www.vimeo.com/2664996


HEART OF NOW – a film by SABI – TRAILER from Zak Forsman on Vimeo.

How do you approach filmmaking?

I think the most concise way to introduce what is unique about our process at Sabi Pictures to first talk about the “a film by” credit that is conventionally attributed to the film’s director. We thrive on creating a highly collaborative atmosphere for all the artists contributing to our productions – giving us all a freedom to explore and the permission to fail, without judgement. There are no “mistakes” with regard to the creative journey on a SABI production. We encourage and foster a framework that involves guided improvisation and creative participation from the crew. To illustrate this, we credit these motion pictures as “a film by SABI” – which we define as the entire family of cast and crew that came together to create something bigger than any one us.

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In working with actors, I consider myself less a director and more of an interpreter. Ideally, the actor takes on an ownership of their character to the degree that they know them better than I. So it is my responsibility to guide them, but also to trust the nature of the choices they are making. The actors are going to some potentially painful places so the crew understands the importance of maintaining a creative and non-judgmental atmosphere. And as with most things, my best direction has been preceded by listening, observing and understanding how the scene is emerging before opening my mouth. I incorporate a high level of improvisation to refine each scene on set. We work from a fully realized screenplay, but will often throw the dialogue away and work from the underlying objectives and intentions to shape the scene. This method has captured very natural and real performances that make for a compelling experience.

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Finding the right crew is essential to this process. We spend the entire three month pre-production interviewing candidates to find those rare individuals eager and ambiguous enough to do any task well without letting their ego trip them up. We all know how destructive ego can be and there is no room for it on our sets. Film productions are often a very tense environment, but we’ve managed to avoid that convention for the most part by being very careful about who we work with. Often, it’s the younger, hungrier aspiring filmmakers that make for the best team. I’m proud to say that most everyone we’ve brought on board to join the Sabi family has also become a very good friend.

Where are you in the process and explain your next steps or goals for the project?

HEART OF NOW’s editor, Jamie Cobb, has mined through fifty hours of guided improvisation to construct a solid first cut that run 2 hours and 9 minutes. The next phase is to begin soliciting feedback from trusted collaborators in an effort to bring the running time down to a manageable length. At this moment, cartoonist Chuck McBuck is illustrating a series of vignettes following some of the characters on ancillary stories that relate back to the body of the feature film. This comic will live online as precursor to the films release. And I’m putting together a soundtrack album from the musical artists involved on the project. Our plan is to focus on designing a deluxe DVD in preparation for a festival run, as well as a theatrical component, followed by licensing to foreign territories at film markets like AFM. I’ve recently assembled an advisory board to help define this strategy.

Biggest thing you wish you knew before you started and that you’ll definitely bring to your next project?
When I shot Heart of Now (late 2007), I had zero understanding of the independent film world beyond what I read in Filmmaker Magazine and on IndieWire. Since then I’ve learned to manage my expectations for the festival circuit and to understand the value of incorporating a full distribution and community building strategy into the fabric of the film’s creation. I am doing this now with my follow-up, ELOQUENT GRAFFITI.

What are you working on next?

ELOQUENT GRAFFITI is a nano-budget feature I’m directing this summer about two couples navigating urban and emotional terrain in the hours following midnight on New Year’s. Shooting on the Nikon D90 throughout Los Angeles, we are focusing an unwavering eye at the struggle and ramifications of making life-changing decisions for the better, as painful as they may be. We released an award-winning short prelude entitled MODEL / PHOTOGRAPHER that has garnered much praise and interest.

What are some of your favorite films and / or directors? In other words what type of work inspires you?

I greatly admire the works of Hou Hsiao Hsien, the Dardenne Bros, Kieslowski. Andrei Tarkovski’s book “Sculpting in Time” continues to inspire me. Some specific films include Breaking the Waves, Lilja 4-ever, Raising Victor Vargas, Elephant, Gerry, Werckmeister Harmonies, Uzak, Half Nelson.  In short, anything and anyone who aspires to some form of transcendental humanism, inspires me.

CNN’s Young People Who Rock with Andrew Robinson!

Friday, April 17th, 2009

Hello Everyone,
Please enjoy the latest in CNN’s Young People Who Rock, Andrew Robinson, the writer/director of “April Showers.”
Thanks!
Team IndieFlix
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Andrew Robinson Interviewed in the L.A. Times

Thursday, April 16th, 2009

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Hello Everyone,

Andrew Robinson, writer/director of April Showers was recently interviewed by the Los Angeles Times.  Please click the link or just read the article below!

L.A. Times Article

Andrew Robinson’s ‘April Showers’ focuses on survivors of Columbine

He knows first-hand what they went through afterward. He ran to safety that day.
By Yvonne Villarreal
April 16, 2009

It was supposed to be just another day in high school. Prom was over. The spring play had wrapped. No sporting events were scheduled. Only a couple of weeks stood between student Andrew Robinson and summer vacation.

Then, in an instant, that carefree Tuesday at Colorado’s Columbine High School turned violent.

Robinson, then 17, was initially oblivious as Eric Harris and Dylan Klebold began to fire their weapons. The sound of gunshots was muffled by the concrete walls of the computer lab where he was studying. And the fire alarm didn’t cause him panic. He figured it was simply a drill or a senior prank. But when he walked out to the hallway, he knew something was horribly wrong.

“There’s a big difference between the way a person looks when they’re running track and field and the way people look when they’re running for their lives,” said Robinson, a self-proclaimed “terrible” student. “I’ve never seen anything like that. Until that day.”

Robinson survived the shooting rampage on April 20, 1999, that left 15 people dead, including the shooters, and injured 24 others.

A decade later, he’s written and directed “April Showers,” a dramatized retelling of what it’s like to be a survivor of one of the nation’s deadliest school shootings.

The movie, which features Tom Arnold (”True Lies”) and Daryl Sabara (”Spy Kids”), is set to be released in selected theaters around the nation on April 24, when it will play five times a day during a one-week run, in commemoration of the 10th anniversary of the Columbine tragedy. The film is not scheduled to play in Los Angeles theaters, but it will be available for downloading beginning May 5 on iTunes and for streaming at IndieFlix.com with a portion of every download being donated to charity.

The filmmaker’s portion of all first-week proceeds from theatrical screenings will be donated to local schools.

Jenna Edwards, producer of the film, said she hoped that the R-rating by the Motion Picture Assn. of America for “some disturbing content” doesn’t deter viewers from seeing the film.

“The message I want audiences to take away is to not take anything for granted,” Robinson added. “When you’re young, you think that you are indestructible; you think that nothing bad is going to happen to you. When it does, you realize that there are quite a few instances in your life that you didn’t get to play out. You have to kind of grapple with that feeling of regret.”

Robinson’s film isn’t the first cinematic dramatization of a school shooting post-Columbine. In 2003’s “Elephant,” writer-director Gus Van Sant chronicled the events surrounding a massive school shooting. Ben Coccio’s “Zero Day” (2003) looks at the planning stages of two students that lead up to their shooting rampage at school. “Home Room” (2002) is a story that deals with the aftermath of a high school shooting and the unlikely friendship of two survivors. But “April Showers” isn’t like the others, Robinson said.

“I didn’t want to focus on the gunmen or the actual shooting,” Robinson said. “What is more important is what do we do now? You know, these neighborhoods get turned upside down. These lives get turned upside down. We kind of almost became strangers in our own land.”

The movie, filmed in Omaha and Plattsmouth, Neb., follows the lives of a handful of survivors in a middle-class suburban neighborhood as they deal with issues that Robinson said weren’t addressed by the media, such as post-traumatic stress disorder and sensational media coverage.

“The media trucks just sort of descended upon everyone,” Robinson said. “And the camera lenses became similar to guns in a way. Out to get us. It made it hard for some people to get closure.”

Robinson eventually moved to Southern California to study advertising and film at the Art Center College of Design in Pasadena. He worked as art director for various entertainment design firms before leaving to devote his time to “April Showers,” his second writing-directing effort, once he secured investors in the project.

It’s a project he’s hoping young people will see. Shedding light on the issues students struggled with afterward — faith, mortality, regret — is something that he believes needs more awareness.

“The idea of ‘out of sight, out of mind’ is asinine,” Robinson said. “You’re taking away students’ ability to face what may be ailing them. We need to allow them to face it. Hopefully this film will make others realize that.”